Section 10
Part I, Section 10 — The Underground Defined explained simply
Notes from Underground by Fyodor Dostoevsky
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You believe in a palace of crystal that can never be destroyed—a palace at which one will not be able to put out one’s tongue or make a long nose on the sly. And perhaps that is just why I am afraid of this edifice, that it is of crystal and can never be destroyed and that one cannot put one’s tongue out at it even on the sly....
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You believe in a palace of crystal that can never be destroyed—a palace
at which one will not be able to put out one’s tongue or make a long
nose on the sly. And perhaps that is just why I am afraid of this
edifice, that it is of crystal and can never be destroyed and that one
cannot put one’s tongue out at it even on the sly.
You see, if it were not a palace, but a hen-house, I might creep into
it to avoid getting wet, and yet I would not call the hen-house a
palace out of gratitude to it for keeping me dry. You laugh and say
that in such circumstances a hen-house is as good as a mansion. Yes, I
answer, if one had to live simply to keep out of the rain.
But what is to be done if I have taken it into my head that that is not
the only object in life, and that if one must live one had better live
in a mansion? That is my choice, my desire. You will only eradicate it
when you have changed my preference. Well, do change it, allure me with
something else, give me another ideal. But meanwhile I will not take a
hen-house for a mansion. The palace of crystal may be an idle dream, it
may be that it is inconsistent with the laws of nature and that I have
invented it only through my own stupidity, through the old-fashioned
irrational habits of my generation. But what does it matter to me that
it is inconsistent? That makes no difference since it exists in my
desires, or rather exists as long as my desires exist. Perhaps you are
laughing again? Laugh away; I will put up with any mockery rather than
pretend that I am satisfied when I am hungry. I know, anyway, that I
will not be put off with a compromise, with a recurring zero, simply
because it is consistent with the laws of nature and actually exists. I
will not accept as the crown of my desires a block of buildings with
tenements for the poor on a lease of a thousand years, and perhaps with
a sign-board of a dentist hanging out. Destroy my desires, eradicate my
ideals, show me something better, and I will follow you. You will say,
perhaps, that it is not worth your trouble; but in that case I can give
you the same answer. We are discussing things seriously; but if you
won’t deign to give me your attention, I will drop your acquaintance. I
can retreat into my underground hole.
But while I am alive and have desires I would rather my hand were
withered off than bring one brick to such a building! Don’t remind me
that I have just rejected the palace of crystal for the sole reason
that one cannot put out one’s tongue at it. I did not say because I am
so fond of putting my tongue out. Perhaps the thing I resented was,
that of all your edifices there has not been one at which one could not
put out one’s tongue. On the contrary, I would let my tongue be cut off
out of gratitude if things could be so arranged that I should lose all
desire to put it out. It is not my fault that things cannot be so
arranged, and that one must be satisfied with model flats. Then why am
I made with such desires? Can I have been constructed simply in order
to come to the conclusion that all my construction is a cheat? Can this
be my whole purpose? I do not believe it.
But do you know what: I am convinced that we underground folk ought to
be kept on a curb. Though we may sit forty years underground without
speaking, when we do come out into the light of day and break out we
talk and talk and talk....
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What happens here
He returns to the image of underground life: isolation, resentment, and endless argument with imaginary listeners.
Why this scene matters
The underground is both a place and a mental condition. It is life cut off from honest relationship and practical action.
Characters in this scene
- The underground man: Explaining the condition of underground isolation.
Simple story version
The underground is not just a room. It is a way of living alone with anger, pride, and endless arguments in the mind.