Section 40
Chapter 39 — First Night-Watch explained simply
Moby-Dick by Herman Melville
Original excerpt
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Fore-Top. (Stubb solus, and mending a brace.) Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always l...
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Fore-Top.
(Stubb solus, and mending a brace.)
Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever
since, and that ha, ha’s the final consequence. Why so? Because a
laugh’s the wisest, easiest answer to all that’s queer; and come what
will, one comfort’s always left—that unfailing comfort is, it’s all
predestinated. I heard not all his talk with Starbuck; but to my poor
eye Starbuck then looked something as I the other evening felt. Be sure
the old Mogul has fixed him, too. I twigged it, knew it; had had the
gift, might readily have prophesied it—for when I clapped my eye upon
his skull I saw it. Well, Stubb, wise Stubb—that’s my title—well,
Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be
coming, but be it what it will, I’ll go to it laughing. Such a waggish
leering as lurks in all your horribles! I feel funny. Fa, la! lirra,
skirra! What’s my juicy little pear at home doing now? Crying its eyes
out?—Giving a party to the last arrived harpooneers, I dare say, gay as
a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—
We’ll drink to-night with hearts as light, To love, as gay and fleeting
As bubbles that swim, on the beaker’s brim, And break on the lips while
meeting.
A brave stave that—who calls? Mr. Starbuck? Aye, aye, sir—(Aside)
he’s my superior, he has his too, if I’m not mistaken.—Aye, aye, sir,
just through with this job—coming.
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What happens here
Chapter 39 — First Night-Watch continues Moby-Dick, moving the reader through obsession, fate, labor, nature, storytelling, and the danger of absolute certainty.
Why this scene matters
This section matters because it carries one part of Moby-Dick's larger pattern: obsession, fate, labor, nature, storytelling, and the danger of absolute certainty. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Moby-Dick.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.