Section 9
Chapter 9 — Merrylegs explained simply
Black Beauty by Anna Sewell
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Mr. Blomefield, the vicar, had a large family of boys and girls; sometimes they used to come and play with Miss Jessie and Flora. One of the girls was as old as Miss Jessie; two of the boys were older, and there were several little ones. When they came there was plenty of work fo...
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Mr. Blomefield, the vicar, had a large family of boys and girls;
sometimes they used to come and play with Miss Jessie and Flora. One
of the girls was as old as Miss Jessie; two of the boys were older, and
there were several little ones. When they came there was plenty of work
for Merrylegs, for nothing pleased them so much as getting on him by
turns and riding him all about the orchard and the home paddock, and
this they would do by the hour together.
One afternoon he had been out with them a long time, and when James
brought him in and put on his halter he said:
“There, you rogue, mind how you behave yourself, or we shall get into
trouble.”
“What have you been doing, Merrylegs?” I asked.
“Oh!” said he, tossing his little head, “I have only been giving those
young people a lesson; they did not know when they had had enough, nor
when I had had enough, so I just pitched them off backward; that was the
only thing they could understand.”
“What!” said I, “you threw the children off? I thought you did know
better than that! Did you throw Miss Jessie or Miss Flora?”
He looked very much offended, and said:
“Of course not; I would not do such a thing for the best oats that ever
came into the stable; why, I am as careful of our young ladies as the
master could be, and as for the little ones it is I who teach them to
ride. When they seem frightened or a little unsteady on my back I go as
smooth and as quiet as old pussy when she is after a bird; and when they
are all right I go on again faster, you see, just to use them to it; so
don't you trouble yourself preaching to me; I am the best friend and the
best riding-master those children have. It is not them, it is the boys;
boys,” said he, shaking his mane, “are quite different; they must be
broken in as we were broken in when we were colts, and just be taught
what's what. The other children had ridden me about for nearly two
hours, and then the boys thought it was their turn, and so it was, and
I was quite agreeable. They rode me by turns, and I galloped them about,
up and down the fields and all about the orchard, for a good hour. They
had each cut a great hazel stick for a riding-whip, and laid it on a
little too hard; but I took it in good part, till at last I thought we
had had enough, so I stopped two or three times by way of a hint.
Boys, you see, think a horse or pony is like a steam-engine or a
thrashing-machine, and can go on as long and as fast as they please;
they never think that a pony can get tired, or have any feelings; so as
the one who was whipping me could not understand I just rose up on
my hind legs and let him slip off behind--that was all. He mounted me
again, and I did the same. Then the other boy got up, and as soon as
he began to use his stick I laid him on the grass, and so on, till they
were able to understand--that was all. They are not bad boys; they don't
wish to be cruel. I like them very well; but you see I had to give them
a lesson. When they brought me to James and told him I think he was very
angry to see such big sticks. He said they were only fit for drovers or
gypsies, and not for young gentlemen.”
“If I had been you,” said Ginger, “I would have given those boys a good
kick, and that would have given them a lesson.”
“No doubt you would,” said Merrylegs; “but then I am not quite such a
fool (begging your pardon) as to anger our master or make James ashamed
of me. Besides, those children are under my charge when they are riding;
I tell you they are intrusted to me. Why, only the other day I heard our
master say to Mrs. Blomefield, 'My dear madam, you need not be anxious
about the children; my old Merrylegs will take as much care of them as
you or I could; I assure you I would not sell that pony for any money,
he is so perfectly good-tempered and trustworthy;' and do you think I am
such an ungrateful brute as to forget all the kind treatment I have
had here for five years, and all the trust they place in me, and turn
vicious because a couple of ignorant boys used me badly? No, no! you
never had a good place where they were kind to you, and so you don't
know, and I'm sorry for you; but I can tell you good places make good
horses. I wouldn't vex our people for anything; I love them, I do,” said
Merrylegs, and he gave a low “ho, ho, ho!” through his nose, as he used
to do in the morning when he heard James' footstep at the door.
“Besides,” he went on, “if I took to kicking where should I be? Why,
sold off in a jiffy, and no character, and I might find myself slaved
about under a butcher's boy, or worked to death at some seaside place
where no one cared for me, except to find out how fast I could go, or be
flogged along in some cart with three or four great men in it going out
for a Sunday spree, as I have often seen in the place I lived in before
I came here; no,” said he, shaking his head, “I hope I shall never come
to that.”
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What happens here
Chapter 9 — Merrylegs continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.