Section 10
Chapter 10 — A Talk in the Orchard explained simply
Black Beauty by Anna Sewell
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Ginger and I were not of the regular tall carriage horse breed, we had more of the racing blood in us. We stood about fifteen and a half hands high; we were therefore just as good for riding as we were for driving, and our master used to say that he disliked either horse or man t...
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Ginger and I were not of the regular tall carriage horse breed, we had
more of the racing blood in us. We stood about fifteen and a half hands
high; we were therefore just as good for riding as we were for driving,
and our master used to say that he disliked either horse or man that
could do but one thing; and as he did not want to show off in London
parks, he preferred a more active and useful kind of horse. As for us,
our greatest pleasure was when we were saddled for a riding party; the
master on Ginger, the mistress on me, and the young ladies on Sir Oliver
and Merrylegs. It was so cheerful to be trotting and cantering all
together that it always put us in high spirits. I had the best of it,
for I always carried the mistress; her weight was little, her voice was
sweet, and her hand was so light on the rein that I was guided almost
without feeling it.
Oh! if people knew what a comfort to horses a light hand is, and how it
keeps a good mouth and a good temper, they surely would not chuck, and
drag, and pull at the rein as they often do. Our mouths are so tender
that where they have not been spoiled or hardened with bad or ignorant
treatment, they feel the slightest movement of the driver's hand, and
we know in an instant what is required of us. My mouth has never been
spoiled, and I believe that was why the mistress preferred me to Ginger,
although her paces were certainly quite as good. She used often to envy
me, and said it was all the fault of breaking in, and the gag bit in
London, that her mouth was not so perfect as mine; and then old Sir
Oliver would say, “There, there! don't vex yourself; you have the
greatest honor; a mare that can carry a tall man of our master's weight,
with all your spring and sprightly action, does not need to hold her
head down because she does not carry the lady; we horses must take
things as they come, and always be contented and willing so long as we
are kindly used.”
I had often wondered how it was that Sir Oliver had such a very short
tail; it really was only six or seven inches long, with a tassel of hair
hanging from it; and on one of our holidays in the orchard I ventured to
ask him by what accident it was that he had lost his tail. “Accident!”
he snorted with a fierce look, “it was no accident! it was a cruel,
shameful, cold-blooded act! When I was young I was taken to a place
where these cruel things were done; I was tied up, and made fast so that
I could not stir, and then they came and cut off my long and beautiful
tail, through the flesh and through the bone, and took it away.
“How dreadful!” I exclaimed.
“Dreadful, ah! it was dreadful; but it was not only the pain, though
that was terrible and lasted a long time; it was not only the indignity
of having my best ornament taken from me, though that was bad; but it
was this, how could I ever brush the flies off my sides and my hind legs
any more? You who have tails just whisk the flies off without thinking
about it, and you can't tell what a torment it is to have them settle
upon you and sting and sting, and have nothing in the world to lash them
off with. I tell you it is a lifelong wrong, and a lifelong loss; but
thank heaven, they don't do it now.”
“What did they do it for then?” said Ginger.
“For fashion!” said the old horse with a stamp of his foot; “for
fashion! if you know what that means; there was not a well-bred young
horse in my time that had not his tail docked in that shameful way, just
as if the good God that made us did not know what we wanted and what
looked best.”
“I suppose it is fashion that makes them strap our heads up with those
horrid bits that I was tortured with in London,” said Ginger.
“Of course it is,” said he; “to my mind, fashion is one of the wickedest
things in the world. Now look, for instance, at the way they serve dogs,
cutting off their tails to make them look plucky, and shearing up their
pretty little ears to a point to make them both look sharp, forsooth. I
had a dear friend once, a brown terrier; 'Skye' they called her. She was
so fond of me that she never would sleep out of my stall; she made
her bed under the manger, and there she had a litter of five as pretty
little puppies as need be; none were drowned, for they were a valuable
kind, and how pleased she was with them! and when they got their eyes
open and crawled about, it was a real pretty sight; but one day the man
came and took them all away; I thought he might be afraid I should tread
upon them. But it was not so; in the evening poor Skye brought them back
again, one by one in her mouth; not the happy little things that they
were, but bleeding and crying pitifully; they had all had a piece of
their tails cut off, and the soft flap of their pretty little ears was
cut quite off. How their mother licked them, and how troubled she was,
poor thing! I never forgot it. They healed in time, and they forgot the
pain, but the nice soft flap, that of course was intended to protect the
delicate part of their ears from dust and injury, was gone forever. Why
don't they cut their own children's ears into points to make them look
sharp? Why don't they cut the end off their noses to make them look
plucky? One would be just as sensible as the other. What right have they
to torment and disfigure God's creatures?”
Sir Oliver, though he was so gentle, was a fiery old fellow, and what
he said was all so new to me, and so dreadful, that I found a bitter
feeling toward men rise up in my mind that I never had before. Of course
Ginger was very much excited; she flung up her head with flashing
eyes and distended nostrils, declaring that men were both brutes and
blockheads.
“Who talks about blockheads?” said Merrylegs, who just came up from
the old apple-tree, where he had been rubbing himself against the low
branch. “Who talks about blockheads? I believe that is a bad word.”
“Bad words were made for bad things,” said Ginger, and she told him what
Sir Oliver had said.
“It is all true,” said Merrylegs sadly, “and I've seen that about the
dogs over and over again where I lived first; but we won't talk about
it here. You know that master, and John and James are always good to
us, and talking against men in such a place as this doesn't seem fair
or grateful, and you know there are good masters and good grooms beside
ours, though of course ours are the best.”
This wise speech of good little Merrylegs, which we knew was quite true,
cooled us all down, especially Sir Oliver, who was dearly fond of his
master; and to turn the subject I said, “Can any one tell me the use of
blinkers?”
“No!” said Sir Oliver shortly, “because they are no use.”
“They are supposed,” said Justice, the roan cob, in his calm way, “to
prevent horses from shying and starting, and getting so frightened as to
cause accidents.”
“Then what is the reason they do not put them on riding horses;
especially on ladies' horses?” said I.
“There is no reason at all,” said he quietly, “except the fashion; they
say that a horse would be so frightened to see the wheels of his own
cart or carriage coming behind him that he would be sure to run away,
although of course when he is ridden he sees them all about him if the
streets are crowded. I admit they do sometimes come too close to be
pleasant, but we don't run away; we are used to it, and understand it,
and if we never had blinkers put on we should never want them; we should
see what was there, and know what was what, and be much less frightened
than by only seeing bits of things that we can't understand. Of course
there may be some nervous horses who have been hurt or frightened when
they were young, who may be the better for them; but as I never was
nervous, I can't judge.”
“I consider,” said Sir Oliver, “that blinkers are dangerous things in
the night; we horses can see much better in the dark than men can, and
many an accident would never have happened if horses might have had the
full use of their eyes. Some years ago, I remember, there was a hearse
with two horses returning one dark night, and just by Farmer Sparrow's
house, where the pond is close to the road, the wheels went too near the
edge, and the hearse was overturned into the water; both the horses were
drowned, and the driver hardly escaped. Of course after this accident
a stout white rail was put up that might be easily seen, but if those
horses had not been partly blinded, they would of themselves have kept
further from the edge, and no accident would have happened. When our
master's carriage was overturned, before you came here, it was said that
if the lamp on the left side had not gone out, John would have seen the
great hole that the road-makers had left; and so he might, but if old
Colin had not had blinkers on he would have seen it, lamp or no lamp,
for he was far too knowing an old horse to run into danger. As it was,
he was very much hurt, the carriage was broken, and how John escaped
nobody knew.”
“I should say,” said Ginger, curling her nostril, “that these men, who
are so wise, had better give orders that in the future all foals should
be born with their eyes set just in the middle of their foreheads,
instead of on the side; they always think they can improve upon nature
and mend what God has made.”
Things were getting rather sore again, when Merrylegs held up his
knowing little face and said, “I'll tell you a secret: I believe John
does not approve of blinkers; I heard him talking with master about it
one day. The master said that 'if horses had been used to them, it might
be dangerous in some cases to leave them off'; and John said he thought
it would be a good thing if all colts were broken in without blinkers,
as was the case in some foreign countries. So let us cheer up, and have
a run to the other end of the orchard; I believe the wind has blown down
some apples, and we might just as well eat them as the slugs.”
Merrylegs could not be resisted, so we broke off our long conversation,
and got up our spirits by munching some very sweet apples which lay
scattered on the grass.
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What happens here
Chapter 10 — A Talk in the Orchard continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.