Section 6
Chapter 6 — Liberty explained simply
Black Beauty by Anna Sewell
Original excerpt
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I was quite happy in my new place, and if there was one thing that I missed it must not be thought I was discontented; all who had to do with me were good and I had a light airy stable and the best of food. What more could I want? Why, liberty! For three years and a half of my li...
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I was quite happy in my new place, and if there was one thing that I
missed it must not be thought I was discontented; all who had to do with
me were good and I had a light airy stable and the best of food. What
more could I want? Why, liberty! For three years and a half of my life
I had had all the liberty I could wish for; but now, week after week,
month after month, and no doubt year after year, I must stand up in a
stable night and day except when I am wanted, and then I must be just
as steady and quiet as any old horse who has worked twenty years. Straps
here and straps there, a bit in my mouth, and blinkers over my eyes.
Now, I am not complaining, for I know it must be so. I only mean to say
that for a young horse full of strength and spirits, who has been used
to some large field or plain where he can fling up his head and toss up
his tail and gallop away at full speed, then round and back again with
a snort to his companions--I say it is hard never to have a bit more
liberty to do as you like. Sometimes, when I have had less exercise than
usual, I have felt so full of life and spring that when John has taken
me out to exercise I really could not keep quiet; do what I would, it
seemed as if I must jump, or dance, or prance, and many a good shake I
know I must have given him, especially at the first; but he was always
good and patient.
“Steady, steady, my boy,” he would say; “wait a bit, and we will have a
good swing, and soon get the tickle out of your feet.” Then as soon as
we were out of the village, he would give me a few miles at a spanking
trot, and then bring me back as fresh as before, only clear of the
fidgets, as he called them. Spirited horses, when not enough exercised,
are often called skittish, when it is only play; and some grooms will
punish them, but our John did not; he knew it was only high spirits.
Still, he had his own ways of making me understand by the tone of
his voice or the touch of the rein. If he was very serious and quite
determined, I always knew it by his voice, and that had more power with
me than anything else, for I was very fond of him.
I ought to say that sometimes we had our liberty for a few hours; this
used to be on fine Sundays in the summer-time. The carriage never went
out on Sundays, because the church was not far off.
It was a great treat to us to be turned out into the home paddock or
the old orchard; the grass was so cool and soft to our feet, the air so
sweet, and the freedom to do as we liked was so pleasant--to gallop, to
lie down, and roll over on our backs, or to nibble the sweet grass.
Then it was a very good time for talking, as we stood together under the
shade of the large chestnut tree.
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What happens here
Chapter 6 — Liberty continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.