Section 5
Chapter 5 — A Fair Start explained simply
Black Beauty by Anna Sewell
Original excerpt
Excerpt preview
The name of the coachman was John Manly; he had a wife and one little child, and they lived in the coachman's cottage, very near the stables. The next morning he took me into the yard and gave me a good grooming, and just as I was going into my box, with my coat soft and bright,...
Read full original text in reading mode
Public-domain original
The name of the coachman was John Manly; he had a wife and one little
child, and they lived in the coachman's cottage, very near the stables.
The next morning he took me into the yard and gave me a good grooming,
and just as I was going into my box, with my coat soft and bright, the
squire came in to look at me, and seemed pleased. “John,” he said,
“I meant to have tried the new horse this morning, but I have other
business. You may as well take him around after breakfast; go by the
common and the Highwood, and back by the watermill and the river; that
will show his paces.”
“I will, sir,” said John. After breakfast he came and fitted me with a
bridle. He was very particular in letting out and taking in the straps,
to fit my head comfortably; then he brought a saddle, but it was not
broad enough for my back; he saw it in a minute and went for another,
which fitted nicely. He rode me first slowly, then a trot, then a
canter, and when we were on the common he gave me a light touch with his
whip, and we had a splendid gallop.
“Ho, ho! my boy,” he said, as he pulled me up, “you would like to follow
the hounds, I think.”
As we came back through the park we met the Squire and Mrs. Gordon
walking; they stopped, and John jumped off.
“Well, John, how does he go?”
“First-rate, sir,” answered John; “he is as fleet as a deer, and has a
fine spirit too; but the lightest touch of the rein will guide him. Down
at the end of the common we met one of those traveling carts hung all
over with baskets, rugs, and such like; you know, sir, many horses will
not pass those carts quietly; he just took a good look at it, and then
went on as quiet and pleasant as could be. They were shooting rabbits
near the Highwood, and a gun went off close by; he pulled up a little
and looked, but did not stir a step to right or left. I just held the
rein steady and did not hurry him, and it's my opinion he has not been
frightened or ill-used while he was young.”
“That's well,” said the squire, “I will try him myself to-morrow.”
The next day I was brought up for my master. I remembered my mother's
counsel and my good old master's, and I tried to do exactly what he
wanted me to do. I found he was a very good rider, and thoughtful for
his horse too. When he came home the lady was at the hall door as he
rode up.
“Well, my dear,” she said, “how do you like him?”
“He is exactly what John said,” he replied; “a pleasanter creature I
never wish to mount. What shall we call him?”
“Would you like Ebony?” said she; “he is as black as ebony.”
“No, not Ebony.”
“Will you call him Blackbird, like your uncle's old horse?”
“No, he is far handsomer than old Blackbird ever was.”
“Yes,” she said, “he is really quite a beauty, and he has such a sweet,
good-tempered face, and such a fine, intelligent eye--what do you say to
calling him Black Beauty?”
“Black Beauty--why, yes, I think that is a very good name. If you like
it shall be his name;” and so it was.
When John went into the stable he told James that master and mistress
had chosen a good, sensible English name for me, that meant something;
not like Marengo, or Pegasus, or Abdallah. They both laughed, and James
said, “If it was not for bringing back the past, I should have named him
Rob Roy, for I never saw two horses more alike.”
“That's no wonder,” said John; “didn't you know that Farmer Grey's old
Duchess was the mother of them both?”
I had never heard that before; and so poor Rob Roy who was killed
at that hunt was my brother! I did not wonder that my mother was so
troubled. It seems that horses have no relations; at least they never
know each other after they are sold.
John seemed very proud of me; he used to make my mane and tail almost as
smooth as a lady's hair, and he would talk to me a great deal; of course
I did not understand all he said, but I learned more and more to know
what he meant, and what he wanted me to do. I grew very fond of him, he
was so gentle and kind; he seemed to know just how a horse feels, and
when he cleaned me he knew the tender places and the ticklish places;
when he brushed my head he went as carefully over my eyes as if they
were his own, and never stirred up any ill-temper.
James Howard, the stable boy, was just as gentle and pleasant in his
way, so I thought myself well off. There was another man who helped in
the yard, but he had very little to do with Ginger and me.
A few days after this I had to go out with Ginger in the carriage. I
wondered how we should get on together; but except laying her ears
back when I was led up to her, she behaved very well. She did her work
honestly, and did her full share, and I never wish to have a better
partner in double harness. When we came to a hill, instead of slackening
her pace, she would throw her weight right into the collar, and pull
away straight up. We had both the same sort of courage at our work, and
John had oftener to hold us in than to urge us forward; he never had to
use the whip with either of us; then our paces were much the same, and
I found it very easy to keep step with her when trotting, which made it
pleasant, and master always liked it when we kept step well, and so did
John. After we had been out two or three times together we grew quite
friendly and sociable, which made me feel very much at home.
As for Merrylegs, he and I soon became great friends; he was such a
cheerful, plucky, good-tempered little fellow that he was a favorite
with every one, and especially with Miss Jessie and Flora, who used to
ride him about in the orchard, and have fine games with him and their
little dog Frisky.
Our master had two other horses that stood in another stable. One was
Justice, a roan cob, used for riding or for the luggage cart; the other
was an old brown hunter, named Sir Oliver; he was past work now, but was
a great favorite with the master, who gave him the run of the park; he
sometimes did a little light carting on the estate, or carried one of
the young ladies when they rode out with their father, for he was very
gentle and could be trusted with a child as well as Merrylegs. The cob
was a strong, well-made, good-tempered horse, and we sometimes had a
little chat in the paddock, but of course I could not be so intimate
with him as with Ginger, who stood in the same stable.
Public-domain original text shown for study context.
What happens here
Chapter 5 — A Fair Start continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.