Section 21
Chapter 21 — The Parting explained simply
Black Beauty by Anna Sewell
Original excerpt
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Now I had lived in this happy place three years, but sad changes were about to come over us. We heard from time to time that our mistress was ill. The doctor was often at the house, and the master looked grave and anxious. Then we heard that she must leave her home at once, and g...
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Now I had lived in this happy place three years, but sad changes were
about to come over us. We heard from time to time that our mistress was
ill. The doctor was often at the house, and the master looked grave and
anxious. Then we heard that she must leave her home at once, and go to
a warm country for two or three years. The news fell upon the household
like the tolling of a deathbell. Everybody was sorry; but the master
began directly to make arrangements for breaking up his establishment
and leaving England. We used to hear it talked about in our stable;
indeed, nothing else was talked about.
John went about his work silent and sad, and Joe scarcely whistled.
There was a great deal of coming and going; Ginger and I had full work.
The first of the party who went were Miss Jessie and Flora, with their
governess. They came to bid us good-by. They hugged poor Merrylegs
like an old friend, and so indeed he was. Then we heard what had been
arranged for us. Master had sold Ginger and me to his old friend,
the Earl of W----, for he thought we should have a good place there.
Merrylegs he had given to the vicar, who was wanting a pony for Mrs.
Blomefield, but it was on the condition that he should never be sold,
and that when he was past work he should be shot and buried.
Joe was engaged to take care of him and to help in the house, so I
thought that Merrylegs was well off. John had the offer of several good
places, but he said he should wait a little and look round.
The evening before they left the master came into the stable to give
some directions, and to give his horses the last pat. He seemed very
low-spirited; I knew that by his voice. I believe we horses can tell
more by the voice than many men can.
“Have you decided what to do, John?” he said. “I find you have not
accepted either of those offers.”
“No, sir; I have made up my mind that if I could get a situation with
some first-rate colt-breaker and horse-trainer, it would be the right
thing for me. Many young animals are frightened and spoiled by wrong
treatment, which need not be if the right man took them in hand. I
always get on well with horses, and if I could help some of them to a
fair start I should feel as if I was doing some good. What do you think
of it, sir?”
“I don't know a man anywhere,” said master, “that I should think so
suitable for it as yourself. You understand horses, and somehow they
understand you, and in time you might set up for yourself; I think you
could not do better. If in any way I can help you, write to me. I shall
speak to my agent in London, and leave your character with him.”
Master gave John the name and address, and then he thanked him for his
long and faithful service; but that was too much for John. “Pray, don't,
sir, I can't bear it; you and my dear mistress have done so much for
me that I could never repay it. But we shall never forget you, sir, and
please God, we may some day see mistress back again like herself; we
must keep up hope, sir.” Master gave John his hand, but he did not
speak, and they both left the stable.
The last sad day had come; the footman and the heavy luggage had gone
off the day before, and there were only master and mistress and her
maid. Ginger and I brought the carriage up to the hall door for the last
time. The servants brought out cushions and rugs and many other things;
and when all were arranged master came down the steps carrying the
mistress in his arms (I was on the side next to the house, and could see
all that went on); he placed her carefully in the carriage, while the
house servants stood round crying.
“Good-by, again,” he said; “we shall not forget any of you,” and he got
in. “Drive on, John.”
Joe jumped up, and we trotted slowly through the park and through the
village, where the people were standing at their doors to have a last
look and to say, “God bless them.”
When we reached the railway station I think mistress walked from the
carriage to the waiting-room. I heard her say in her own sweet voice,
“Good-by, John. God bless you.” I felt the rein twitch, but John made no
answer; perhaps he could not speak. As soon as Joe had taken the things
out of the carriage John called him to stand by the horses, while he
went on the platform. Poor Joe! he stood close up to our heads to hide
his tears. Very soon the train came puffing up into the station; then
two or three minutes, and the doors were slammed to, the guard whistled,
and the train glided away, leaving behind it only clouds of white smoke
and some very heavy hearts.
When it was quite out of sight John came back.
“We shall never see her again,” he said--“never.” He took the reins,
mounted the box, and with Joe drove slowly home; but it was not our home
now.
Part II
Public-domain original text shown for study context.
What happens here
Chapter 21 — The Parting continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.