Section 20
Chapter 20 — Joe Green explained simply
Black Beauty by Anna Sewell
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Joe Green went on very well; he learned quickly, and was so attentive and careful that John began to trust him in many things; but as I have said, he was small of his age, and it was seldom that he was allowed to exercise either Ginger or me; but it so happened one morning that J...
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Joe Green went on very well; he learned quickly, and was so attentive
and careful that John began to trust him in many things; but as I have
said, he was small of his age, and it was seldom that he was allowed to
exercise either Ginger or me; but it so happened one morning that John
was out with Justice in the luggage cart, and the master wanted a
note to be taken immediately to a gentleman's house, about three miles
distant, and sent his orders for Joe to saddle me and take it, adding
the caution that he was to ride steadily.
The note was delivered, and we were quietly returning when we came
to the brick-field. Here we saw a cart heavily laden with bricks; the
wheels had stuck fast in the stiff mud of some deep ruts, and the carter
was shouting and flogging the two horses unmercifully. Joe pulled up. It
was a sad sight. There were the two horses straining and struggling with
all their might to drag the cart out, but they could not move it; the
sweat streamed from their legs and flanks, their sides heaved, and every
muscle was strained, while the man, fiercely pulling at the head of the
fore horse, swore and lashed most brutally.
“Hold hard,” said Joe; “don't go on flogging the horses like that; the
wheels are so stuck that they cannot move the cart.”
The man took no heed, but went on lashing.
“Stop! pray stop!” said Joe. “I'll help you to lighten the cart; they
can't move it now.”
“Mind your own business, you impudent young rascal, and I'll mind mine!”
The man was in a towering passion and the worse for drink, and laid on
the whip again. Joe turned my head, and the next moment we were going at
a round gallop toward the house of the master brick-maker. I cannot say
if John would have approved of our pace, but Joe and I were both of one
mind, and so angry that we could not have gone slower.
The house stood close by the roadside. Joe knocked at the door, and
shouted, “Halloo! Is Mr. Clay at home?” The door was opened, and Mr.
Clay himself came out.
“Halloo, young man! You seem in a hurry; any orders from the squire this
morning?”
“No, Mr. Clay, but there's a fellow in your brick-yard flogging two
horses to death. I told him to stop, and he wouldn't; I said I'd help
him to lighten the cart, and he wouldn't; so I have come to tell you.
Pray, sir, go.” Joe's voice shook with excitement.
“Thank ye, my lad,” said the man, running in for his hat; then pausing
for a moment, “Will you give evidence of what you saw if I should bring
the fellow up before a magistrate?”
“That I will,” said Joe, “and glad too.” The man was gone, and we were
on our way home at a smart trot.
“Why, what's the matter with you, Joe? You look angry all over,” said
John, as the boy flung himself from the saddle.
“I am angry all over, I can tell you,” said the boy, and then in
hurried, excited words he told all that had happened. Joe was usually
such a quiet, gentle little fellow that it was wonderful to see him so
roused.
“Right, Joe! you did right, my boy, whether the fellow gets a summons or
not. Many folks would have ridden by and said it was not their
business to interfere. Now I say that with cruelty and oppression it is
everybody's business to interfere when they see it; you did right, my
boy.”
Joe was quite calm by this time, and proud that John approved of him,
and cleaned out my feet and rubbed me down with a firmer hand than
usual.
They were just going home to dinner when the footman came down to the
stable to say that Joe was wanted directly in master's private room;
there was a man brought up for ill-using horses, and Joe's evidence was
wanted. The boy flushed up to his forehead, and his eyes sparkled. “They
shall have it,” said he.
“Put yourself a bit straight,” said John. Joe gave a pull at his necktie
and a twitch at his jacket, and was off in a moment. Our master being
one of the county magistrates, cases were often brought to him to
settle, or say what should be done. In the stable we heard no more for
some time, as it was the men's dinner hour, but when Joe came next into
the stable I saw he was in high spirits; he gave me a good-natured slap,
and said, “We won't see such things done, will we, old fellow?” We heard
afterward that he had given his evidence so clearly, and the horses were
in such an exhausted state, bearing marks of such brutal usage, that the
carter was committed to take his trial, and might possibly be sentenced
to two or three months in prison.
It was wonderful what a change had come over Joe. John laughed, and said
he had grown an inch taller in that week, and I believe he had. He
was just as kind and gentle as before, but there was more purpose and
determination in all that he did--as if he had jumped at once from a boy
into a man.
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What happens here
Chapter 20 — Joe Green continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.