Section 11
Part III, Chapter 3 — The Outcast explained simply
White Fang by Jack London
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Lip-lip continued so to darken his days that White Fang became wickeder and more ferocious than it was his natural right to be. Savageness was a part of his make-up, but the savageness thus developed exceeded his make-up. He acquired a reputation for wickedness amongst the man-animals themselves. Wherever there was trouble and...
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CHAPTER III
THE OUTCAST
Lip-lip continued so to darken his days that White Fang became wickeder
and more ferocious than it was his natural right to be. Savageness was
a part of his make-up, but the savageness thus developed exceeded his
make-up. He acquired a reputation for wickedness amongst the
man-animals themselves. Wherever there was trouble and uproar in camp,
fighting and squabbling or the outcry of a squaw over a bit of stolen
meat, they were sure to find White Fang mixed up in it and usually at
the bottom of it. They did not bother to look after the causes of his
conduct. They saw only the effects, and the effects were bad. He was a
sneak and a thief, a mischief-maker, a fomenter of trouble; and irate
squaws told him to his face, the while he eyed them alert and ready to
dodge any quick-flung missile, that he was a wolf and worthless and
bound to come to an evil end.
He found himself an outcast in the midst of the populous camp. All the
young dogs followed Lip-lip’s lead. There was a difference between
White Fang and them. Perhaps they sensed his wild-wood breed, and
instinctively felt for him the enmity that the domestic dog feels for
the wolf. But be that as it may, they joined with Lip-lip in the
persecution. And, once declared against him, they found good reason to
continue declared against him. One and all, from time to time, they
felt his teeth; and to his credit, he gave more than he received. Many
of them he could whip in single fight; but single fight was denied him.
The beginning of such a fight was a signal for all the young dogs in
camp to come running and pitch upon him.
Out of this pack-persecution he learned two important things: how to
take care of himself in a mass-fight against him—and how, on a single
dog, to inflict the greatest amount of damage in the briefest space of
time. To keep one’s feet in the midst of the hostile mass meant life,
and this he learnt well. He became cat-like in his ability to stay on
his feet. Even grown dogs might hurtle him backward or sideways with
the impact of their heavy bodies; and backward or sideways he would go,
in the air or sliding on the ground, but always with his legs under him
and his feet downward to the mother earth.
When dogs fight, there are usually preliminaries to the actual
combat—snarlings and bristlings and stiff-legged struttings. But White
Fang learned to omit these preliminaries. Delay meant the coming
against him of all the young dogs. He must do his work quickly and get
away. So he learnt to give no warning of his intention. He rushed in
and snapped and slashed on the instant, without notice, before his foe
could prepare to meet him. Thus he learned how to inflict quick and
severe damage. Also he learned the value of surprise. A dog, taken off
its guard, its shoulder slashed open or its ear ripped in ribbons
before it knew what was happening, was a dog half whipped.
Furthermore, it was remarkably easy to overthrow a dog taken by
surprise; while a dog, thus overthrown, invariably exposed for a moment
the soft underside of its neck—the vulnerable point at which to strike
for its life. White Fang knew this point. It was a knowledge bequeathed
to him directly from the hunting generation of wolves. So it was that
White Fang’s method when he took the offensive, was: first to find a
young dog alone; second, to surprise it and knock it off its feet; and
third, to drive in with his teeth at the soft throat.
Being but partly grown his jaws had not yet become large enough nor
strong enough to make his throat-attack deadly; but many a young dog
went around camp with a lacerated throat in token of White Fang’s
intention. And one day, catching one of his enemies alone on the edge
of the woods, he managed, by repeatedly overthrowing him and attacking
the throat, to cut the great vein and let out the life. There was a
great row that night. He had been observed, the news had been carried
to the dead dog’s master, the squaws remembered all the instances of
stolen meat, and Grey Beaver was beset by many angry voices. But he
resolutely held the door of his tepee, inside which he had placed the
culprit, and refused to permit the vengeance for which his tribespeople
clamoured.
White Fang became hated by man and dog. During this period of his
development he never knew a moment’s security. The tooth of every dog
was against him, the hand of every man. He was greeted with snarls by
his kind, with curses and stones by his gods. He lived tensely. He was
always keyed up, alert for attack, wary of being attacked, with an eye
for sudden and unexpected missiles, prepared to act precipitately and
coolly, to leap in with a flash of teeth, or to leap away with a
menacing snarl.
As for snarling he could snarl more terribly than any dog, young or
old, in camp. The intent of the snarl is to warn or frighten, and
judgment is required to know when it should be used. White Fang knew
how to make it and when to make it. Into his snarl he incorporated all
that was vicious, malignant, and horrible. With nose serrulated by
continuous spasms, hair bristling in recurrent waves, tongue whipping
out like a red snake and whipping back again, ears flattened down, eyes
gleaming hatred, lips wrinkled back, and fangs exposed and dripping, he
could compel a pause on the part of almost any assailant. A temporary
pause, when taken off his guard, gave him the vital moment in which to
think and determine his action. But often a pause so gained lengthened
out until it evolved into a complete cessation from the attack. And
before more than one of the grown dogs White Fang’s snarl enabled him
to beat an honourable retreat.
An outcast himself from the pack of the part-grown dogs, his sanguinary
methods and remarkable efficiency made the pack pay for its persecution
of him. Not permitted himself to run with the pack, the curious state
of affairs obtained that no member of the pack could run outside the
pack. White Fang would not permit it. What of his bushwhacking and
waylaying tactics, the young dogs were afraid to run by themselves.
With the exception of Lip-lip, they were compelled to hunch together
for mutual protection against the terrible enemy they had made. A puppy
alone by the river bank meant a puppy dead or a puppy that aroused the
camp with its shrill pain and terror as it fled back from the wolf-cub
that had waylaid it.
But White Fang’s reprisals did not cease, even when the young dogs had
learned thoroughly that they must stay together. He attacked them when
he caught them alone, and they attacked him when they were bunched. The
sight of him was sufficient to start them rushing after him, at which
times his swiftness usually carried him into safety. But woe the dog
that outran his fellows in such pursuit! White Fang had learned to turn
suddenly upon the pursuer that was ahead of the pack and thoroughly to
rip him up before the pack could arrive. This occurred with great
frequency, for, once in full cry, the dogs were prone to forget
themselves in the excitement of the chase, while White Fang never
forgot himself. Stealing backward glances as he ran, he was always
ready to whirl around and down the overzealous pursuer that outran his
fellows.
Young dogs are bound to play, and out of the exigencies of the
situation they realised their play in this mimic warfare. Thus it was
that the hunt of White Fang became their chief game—a deadly game,
withal, and at all times a serious game. He, on the other hand, being
the fastest-footed, was unafraid to venture anywhere. During the period
that he waited vainly for his mother to come back, he led the pack many
a wild chase through the adjacent woods. But the pack invariably lost
him. Its noise and outcry warned him of its presence, while he ran
alone, velvet-footed, silently, a moving shadow among the trees after
the manner of his father and mother before him. Further he was more
directly connected with the Wild than they; and he knew more of its
secrets and stratagems. A favourite trick of his was to lose his trail
in running water and then lie quietly in a near-by thicket while their
baffled cries arose around him.
Hated by his kind and by mankind, indomitable, perpetually warred upon
and himself waging perpetual war, his development was rapid and
one-sided. This was no soil for kindliness and affection to blossom in.
Of such things he had not the faintest glimmering. The code he learned
was to obey the strong and to oppress the weak. Grey Beaver was a god,
and strong. Therefore White Fang obeyed him. But the dog younger or
smaller than himself was weak, a thing to be destroyed. His development
was in the direction of power. In order to face the constant danger of
hurt and even of destruction, his predatory and protective faculties
were unduly developed. He became quicker of movement than the other
dogs, swifter of foot, craftier, deadlier, more lithe, more lean with
ironlike muscle and sinew, more enduring, more cruel, more ferocious,
and more intelligent. He had to become all these things, else he would
not have held his own nor survive the hostile environment in which he
found himself.
Public-domain original text shown for study context.
What happens here
Lip-lip and the camp dogs persecute White Fang, making him solitary, fierce, and cunning.
Why this scene matters
Social cruelty shapes character. White Fang becomes dangerous partly because he is never allowed ordinary companionship.
Characters in this scene
- White Fang: Becoming isolated and fierce.
- Lip-lip: The bully who leads attacks on him.
- The camp dogs: A hostile group that rejects White Fang.
Simple story version
The other dogs attack White Fang again and again. He learns to fight alone and trust no one.