Section 1
To Your Good Health! explained simply
To Your Good Health! by Andrew Lang
Original excerpt
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Long, long ago there lived a king who was such a mighty monarch that whenever he sneezed every one in the whole country had to say "To your good health!" Every one said it except the shepherd with the staring eyes, and he would not say it.
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Long, long ago there lived a king who was such a mighty monarch that
whenever he sneezed every one in the whole country had to say "To your
good health!" Every one said it except the shepherd with the staring
eyes, and he would not say it.
The king heard of this and was very angry, and sent for the shepherd to
appear before him.
The shepherd came and stood before the throne, where the king sat
looking very grand and powerful. But however grand or powerful he might
be the shepherd did not feel a bit afraid of him.
"Say at once, ’To my good health!’" cried the king.
"To my good health!" replied the shepherd.
"To mine—to mine, you rascal, you vagabond!" stormed the king.
"To mine, to mine, your Majesty," was the answer.
"But to mine—to my own," roared the king, and beat on his breast in a
rage.
"Well, yes; to mine, of course, to my own," cried the shepherd, and
gently tapped his breast.
The king was beside himself with fury and did not know what to do, when
the Lord Chamberlain interfered:
"Say at once—say this very moment: ’To your health, your Majesty’; for
if you don’t say it you’ll lose your life, whispered he.
"No, I won’t say it till I get the princess for my wife," was the
shepherd’s answer. Now the princess was sitting on a little throne
beside the king, her father, and she looked as sweet and lovely as a
little golden dove. When she heard what the shepherd said she could not
help laughing, for there is no denying the fact that this young
shepherd with the staring eyes pleased her very much; indeed he pleased
her better than any king’s son she had yet seen.
But the king was not as pleasant as his daughter, and he gave orders to
throw the shepherd into the white bear’s pit.
The guards led him away and thrust him into the pit with the white
bear, who had had nothing to eat for two days and was very hungry. The
door of the pit was hardly closed when the bear rushed at the shepherd;
but when it saw his eyes it was so frightened that it was ready to eat
itself. It shrank away into a corner and gazed at him from there, and,
in spite of being so famished, did not dare to touch him, but sucked
its own paws from sheer hunger. The shepherd felt that if he once
removed his eyes off the beast he was a dead man, and in order to keep
himself awake he made songs and sang them, and so the night went by.
Next morning the Lord Chamberlain came to see the shepherd’s bones, and
was amazed to find him alive and well. He led him to the king, who fell
into a furious passion, and said: "Well, you have learned what it is to
be very near death, and now will you say ’To my good health’?"
But the shepherd answered: "I am not afraid of ten deaths! I will only
say it if I may have the princess for my wife."
"Then go to your death," cried the king; and ordered him to be thrown
into the den with the wild boars. The wild boars had not been fed for a
week, and when the shepherd was thrust into their don they rushed at
him to tear him to pieces. But the shepherd took a little flute out of
the sleeve of his jacket and began to play a merry tune, on which the
wild boars first of all shrank shyly away, and then got up on their
hind legs and danced gaily. The shepherd would have given anything to
be able to laugh, they looked so funny; but he dared not stop playing,
for he knew well enough that the moment he stopped they would fall upon
him and tear him to pieces. His eyes were of no use to him here, for he
could not have stared ten wild boars in the face at once; so he kept on
playing, and the wild boars danced very slowly, as if in a minuet, then
by degrees he played faster and faster till they could hardly twist and
turn quickly enough, and ended by all falling over each other in a
heap, quite exhausted and out of breath.
Then the shepherd ventured to laugh at last; and he laughed so long and
so loud that when the Lord Chamberlain came early in the morning,
expecting to find only his bones, the tears were still running down his
cheeks from laughter.
As soon as the king was dressed the shepherd was again brought before
him; but he was more angry than ever to think the wild boars had not
torn the man to bits, and he said: "Well, you have learned what it
feels to be near ten deaths, now say ’To my good health!’"
But the shepherd broke in with, "I do not fear a hundred deaths, and I
will only say it if I may have the princess for my wife."
"Then go to a hundred deaths!" roared the king, and ordered the
shepherd to be thrown down the deep vault of scythes.
The guards dragged him away to a dark dungeon, in the middle of which
was a deep well with sharp scythes all round it. At the bottom of the
well was a little light by which one could see if anyone was thrown in
whether he had fallen to the bottom.
When the shepherd was dragged to the dungeons he begged the guards to
leave him alone a little while that he might look down into the pit of
scythes; perhaps he might after all make up his mind to say "To your
good health" to the king. So the guards left him alone and he stuck up
his long stick near the well, hung his cloak round the stick and put
his hat on the top. He also hung his knapsack up inside the cloak so
that it might seem to have some body within it. When this was done he
called out to the guards and said that he had considered the matter but
after all he could not make up his mind to say what the king wished.
The guards came in, threw the hat and cloak, knapsack and stick all
down the well together, watched to see how they put out the light at
the bottom and came away, thinking that now there really was an end of
the shepherd. But he had hidden in a dark corner and was laughing to
himself all the time.
Quite early next morning came the Lord Chamberlain, carrying a lamp and
he nearly fell backwards with surprise when he saw the shepherd alive
and well. He brought him to the king, whose fury was greater than ever,
but who cried:
"Well, now you have been near a hundred deaths; will you say: ’To your
good health’?"
But the shepherd only gave the same answer:
"I won’t say it till the princess is my wife."
"Perhaps after all you may do it for less," said the king, who saw that
there was no chance of making away with the shepherd; and he ordered
the state coach to be got ready, then he made the shepherd get in with
him and sit beside him, and ordered the coachman to drive to the silver
wood. When they reached it he said: "Do you see this silver wood? Well,
if you will say, ’To your good health,’ I will give it to you."
The shepherd turned hot and cold by turns, but he still persisted:
"I will not say it till the princess is my wife."
The king was much vexed; he drove further on till they came to a
splendid castle, all of gold, and then he said:
"Do you see this golden castle? Well, I will give you that too, the
silver wood and the golden castle, if only you will say that one thing
to me: ’To your good health.’"
The shepherd gaped and wondered and was quite dazzled, but he still
said:
"No; I will not say it till I have the princess for my wife."
This time the king was overwhelmed with grief, and gave orders to drive
on to the diamond pond, and there he tried once more.
"Do you see this diamond pond? I will give you that too, the silver
wood and the golden castle and the diamond pond. You shall have them
all—all—if you will but say: ’To your good health!’"
The shepherd had to shut his staring eyes tight not to be dazzled with
the brilliant pond, but still he said:
"No, no; I will not say it till I have the princess for my wife."
Then the king saw that all his efforts were useless, and that he might
as well give in, so he said:
"Well, well, it’s all the same to me—I will give you my daughter to
wife; but, then, you really and truly must say to me: ’To your good
health.’"
"Of course I’ll say it; why should I not say it? It stands to reason
that I shall say it then."
At this the king was more delighted than anyone could have believed. He
made it known all through the country that there were to be great
rejoicings, as the princess was going to be married. And everyone
rejoiced to think that the princess, who had refused so many royal
suitors, should have ended by falling in love with the staring-eyed
shepherd.
There was such a wedding as had never been seen. Everyone ate and drank
and danced. Even the sick were feasted, and quite tiny new-born
children had presents given them.
But the greatest merry-making was in the king’s palace; there the best
bands played and the best food was cooked; a crowd of people sat down
to table, and all was fun and merry-making.
And when the groomsman, according to custom, brought in the great
boar’s head on a big dish and placed it before the king so that he
might carve it and give everyone a share, the savoury smell was so
strong that the king began to sneeze with all his might.
"To your very good health," cried the shepherd before anyone else, and
the king was so delighted that he did not regret having given him his
daughter.
In time, when the old king died, the shepherd succeeded him. He made a
very good king and never expected his people to wish him well against
their wills; but, all the same, everyone did wish him well, for they
all loved him.
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What happens here
To Your Good Health! tells a compact fairy-tale episode about quests, bargains, strange helpers, danger, loyalty, and wonder. The story builds around a problem, a test, and a turn that makes the lesson memorable.
Why this scene matters
This tale matters because it preserves a public-domain folk-story pattern in a short readable form. The simple version helps readers follow the action before returning to the original wording.
Characters in this scene
- Hero or central figure: The character whose choice or problem drives To Your Good Health!.
- Helper or opponent: A person, creature, or force that tests, guides, tricks, or blocks the central figure.
- Story world: The magical or social setting that makes the lesson easier to see.