Section 6
Chapter 6 — The Mystery of Golden Milestone explained simply
The Story Girl by L. M. Montgomery
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Paddy was smeared with medicated lard the next day, all of us assisting at the rite, although the Story Girl was high priestess. Then, out of regard for mats and cushions, he was kept in durance vile in the granary until he had licked his fur clean. This treatment being repeated every day for a...
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Paddy was smeared with medicated lard the next day, all of us assisting
at the rite, although the Story Girl was high priestess. Then, out of
regard for mats and cushions, he was kept in durance vile in the granary
until he had licked his fur clean. This treatment being repeated every
day for a week, Pat recovered his usual health and spirits, and our
minds were set at rest to enjoy the next excitement—collecting for a
school library fund.
Our teacher thought it would be an excellent thing to have a library
in connection with the school; and he suggested that each of the pupils
should try to see how much money he or she could raise for the project
during the month of June. We might earn it by honest toil, or gather it
in by contributions levied on our friends.
The result was a determined rivalry as to which pupil should collect
the largest sum; and this rivalry was especially intense in our home
coterie.
Our relatives started us with a quarter apiece. For the rest, we knew we
must depend on our own exertions. Peter was handicapped at the beginning
by the fact that he had no family friend to finance him.
"If my Aunt Jane’d been living she’d have given me something," he
remarked. "And if my father hadn’t run away he might have given me
something too. But I’m going to do the best I can anyhow. Your Aunt
Olivia says I can have the job of gathering the eggs, and I’m to have
one egg out of every dozen to sell for myself."
Felicity made a similar bargain with her mother. The Story Girl and
Cecily were each to be paid ten cents a week for washing dishes in their
respective homes. Felix and Dan contracted to keep the gardens free from
weeds. I caught brook trout in the westering valley of spruces and sold
them for a cent apiece.
Sara Ray was the only unhappy one among us. She could do nothing. She
had no relatives in Carlisle except her mother, and her mother did not
approve of the school library project, and would not give Sara a cent,
or put her in any way of earning one. To Sara, this was humiliation
indescribable. She felt herself an outcast and an alien to our busy
little circle, where each member counted every day, with miserly
delight, his slowly increasing hoard of small cash.
"I’m just going to pray to God to send me some money," she announced
desperately at last.
"I don’t believe that will do any good," said Dan. "He gives lots of
things, but he doesn’t give money, because people can earn that for
themselves."
"I can’t," said Sara, with passionate defiance. "I think He ought to
take that into account."
"Don’t worry, dear," said Cecily, who always poured balm. "If you can’t
collect any money everybody will know it isn’t your fault."
"I won’t ever feel like reading a single book in the library if I can’t
give something to it," mourned Sara.
Dan and the girls and I were sitting in a row on Aunt Olivia’s garden
fence, watching Felix weed. Felix worked well, although he did not like
weeding—"fat boys never do," Felicity informed him. Felix pretended not
to hear her, but I knew he did, because his ears grew red. Felix’s face
never blushed, but his ears always gave him away. As for Felicity, she
did not say things like that out of malice prepense. It never occurred
to her that Felix did not like to be called fat.
"I always feel so sorry for the poor weeds," said the Story Girl
dreamily. "It must be very hard to be rooted up."
"They shouldn’t grow in the wrong place," said Felicity mercilessly.
"When weeds go to heaven I suppose they will be flowers," continued the
Story Girl.
"You do think such queer things," said Felicity.
"A rich man in Toronto has a floral clock in his garden," I said. "It
looks just like the face of a clock, and there are flowers in it that
open at every hour, so that you can always tell the time."
"Oh, I wish we had one here," exclaimed Cecily.
"What would be the use of it?" asked the Story Girl a little
disdainfully. "Nobody ever wants to know the time in a garden."
I slipped away at this point, suddenly remembering that it was time to
take a dose of magic seed. I had bought it from Billy Robinson three
days before in school. Billy had assured me that it would make me grow
fast.
I was beginning to feel secretly worried because I did not grow. I had
overheard Aunt Janet say I was going to be short, like Uncle Alec. Now,
I loved Uncle Alec, but I wanted to be taller than he was. So when Billy
confided to me, under solemn promise of secrecy, that he had some "magic
seed," which would make boys grow, and would sell me a box of it for ten
cents, I jumped at the offer. Billy was taller than any boy of his age
in Carlisle, and he assured me it all came from taking magic seed.
"I was a regular runt before I begun," he said, "and look at me now. I
got it from Peg Bowen. She’s a witch, you know. I wouldn’t go near her
again for a bushel of magic seed. It was an awful experience. I haven’t
much left, but I guess I’ve enough to do me till I’m as tall as I want
to be. You must take a pinch of the seed every three hours, walking
backward, and you must never tell a soul you’re taking it, or it won’t
work. I wouldn’t spare any of it to any one but you."
I felt deeply grateful to Billy, and sorry that I had not liked him
better. Somehow, nobody did like Billy Robinson over and above. But I
vowed I WOULD like him in future. I paid him the ten cents cheerfully
and took the magic seed as directed, measuring myself carefully every
day by a mark on the hall door. I could not see any advance in growth
yet, but then I had been taking it only three days.
One day the Story Girl had an inspiration.
"Let us go and ask the Awkward Man and Mr. Campbell for a contribution
to the library fund," she said. "I am sure no one else has asked them,
because nobody in Carlisle is related to them. Let us all go, and if
they give us anything we’ll divide it equally among us."
It was a daring proposition, for both Mr. Campbell and the Awkward Man
were regarded as eccentric personages; and Mr. Campbell was supposed
to detest children. But where the Story Girl led we would follow to the
death. The next day being Saturday, we started out in the afternoon.
We took a short cut to Golden Milestone, over a long, green, dewy land
full of placid meadows, where sunshine had fallen asleep. At first all
was not harmonious. Felicity was in an ill humour; she had wanted to
wear her second best dress, but Aunt Janet had decreed that her school
clothes were good enough to go "traipsing about in the dust." Then the
Story Girl arrived, arrayed not in any second best but in her very best
dress and hat, which her father had sent her from Paris—a dress of
soft, crimson silk, and a white leghorn hat encircled by flame-red
poppies. Neither Felicity nor Cecily could have worn it; but it became
the Story Girl perfectly. In it she was a thing of fire and laughter
and glow, as if the singular charm of her temperament were visible and
tangible in its vivid colouring and silken texture.
"I shouldn’t think you’d put on your best clothes to go begging for the
library in," said Felicity cuttingly.
"Aunt Olivia says that when you are going to have an important interview
with a man you ought to look your very best," said the Story Girl,
giving her skirt a lustrous swirl and enjoying the effect.
"Aunt Olivia spoils you," said Felicity.
"She doesn’t either, Felicity King! Aunt Olivia is just sweet. She
kisses me good-night every night, and your mother NEVER kisses you."
"My mother doesn’t make kisses so common," retorted Felicity. "But she
gives us pie for dinner every day."
"So does Aunt Olivia."
"Yes, but look at the difference in the size of the pieces! And Aunt
Olivia only gives you skim milk. My mother gives us cream."
"Aunt Olivia’s skim milk is as good as your mother’s cream," cried the
Story Girl hotly.
"Oh, girls, don’t fight," said Cecily, the peacemaker. "It’s such a nice
day, and we’ll have a nice time if you don’t spoil it by fighting."
"We’re NOT fighting," said Felicity. "And I like Aunt Olivia. But my
mother is just as good as Aunt Olivia, there now!"
"Of course she is. Aunt Janet is splendid," agreed the Story Girl.
They smiled at each other amicably. Felicity and the Story Girl were
really quite fond of each other, under the queer surface friction that
commonly resulted from their intercourse.
"You said once you knew a story about the Awkward Man," said Felix. "You
might tell it to us."
"All right," agreed the Story Girl. "The only trouble is, I don’t know
the whole story. But I’ll tell you all I do know. I call it ’The Mystery
of the Golden Milestone.’"
"Oh, I don’t believe that story is true," said Felicity. "I believe Mrs.
Griggs was just romancing. She DOES romance, mother says."
"Yes; but I don’t believe she could ever have thought of such a thing
as this herself, so I believe it must be true," said the Story Girl.
"Anyway, this is the story, boys. You know the Awkward Man has lived
alone ever since his mother died, ten years ago. Abel Griggs is his
hired man, and he and his wife live in a little house down the Awkward
Man’s lane. Mrs. Griggs makes his bread for him, and she cleans up his
house now and then. She says he keeps it very neat. But till last fall
there was one room she never saw. It was always locked—the west one,
looking out over his garden. One day last fall the Awkward Man went to
Summerside, and Mrs. Griggs scrubbed his kitchen. Then she went over the
whole house and she tried the door of the west room. Mrs. Griggs is a
VERY curious woman. Uncle Roger says all women have as much curiosity
as is good for them, but Mrs. Griggs has more. She expected to find the
door locked as usual. It was NOT locked. She opened it and went in. What
do you suppose she found?"
"Something like—like Bluebeard’s chamber?" suggested Felix in a scared
tone.
"Oh, no, NO! Nothing like THAT could happen in Prince Edward Island. But
if there HAD been beautiful wives hanging up by their hair all round the
walls I don’t believe Mrs. Griggs could have been much more astonished.
The room had never been furnished in his mother’s time, but now it was
ELEGANTLY furnished, though Mrs. Griggs says SHE doesn’t know when or
how that furniture was brought there. She says she never saw a room
like it in a country farmhouse. It was like a bed-room and sitting-room
combined. The floor was covered with a carpet like green velvet. There
were fine lace curtains at the windows and beautiful pictures on the
walls. There was a little white bed, and a dressing-table, a bookcase
full of books, a stand with a work basket on it, and a rocking-chair.
There was a woman’s picture above the bookcase. Mrs. Griggs says she
thinks it was a coloured photograph, but she didn’t know who it was.
Anyway, it was a very pretty girl. But the most amazing thing of all was
that A WOMAN’S DRESS was hanging over a chair by the table. Mrs. Griggs
says it NEVER belonged to Jasper Dale’s mother, for she thought it a sin
to wear anything but print and drugget; and this dress was of PALE BLUE
silk. Besides that, there was a pair of blue satin slippers on the floor
beside it—HIGH-HEELED slippers. And on the fly-leaves of the books
the name ’Alice’ was written. Now, there never was an Alice in the Dale
connection and nobody ever heard of the Awkward Man having a sweetheart.
There, isn’t that a lovely mystery?"
"It’s a pretty queer yarn," said Felix. "I wonder if it is true—and
what it means."
"I intend to find out what it means," said the Story Girl. "I am going
to get acquainted with the Awkward Man sometime, and then I’ll find out
his Alice-secret."
"I don’t see how you’ll ever get acquainted with him," said Felicity.
"He never goes anywhere except to church. He just stays home and reads
books when he isn’t working. Mother says he is a perfect hermit."
"I’ll manage it somehow," said the Story Girl—and we had no doubt that
she would. "But I must wait until I’m a little older, for he wouldn’t
tell the secret of the west room to a little girl. And I mustn’t wait
till I’m TOO old, for he is frightened of grown-up girls, because he
thinks they laugh at his awkwardness. I know I will like him. He has
such a nice face, even if he is awkward. He looks like a man you could
tell things to."
"Well, I’d like a man who could move around without falling over his own
feet," said Felicity. "And then the look of him! Uncle Roger says he is
long, lank, lean, narrow, and contracted."
"Things always sound worse than they are when Uncle Roger says them,"
said the Story Girl. "Uncle Edward says Jasper Dale is a very clever man
and it’s a great pity he wasn’t able to finish his college course. He
went to college two years, you know. Then his father died, and he stayed
home with his mother because she was very delicate. I call him a hero. I
wonder if it is true that he writes poetry. Mrs. Griggs says it is. She
says she has seen him writing it in a brown book. She said she couldn’t
get near enough to read it, but she knew it was poetry by the shape of
it."
"Very likely. If that blue silk dress story is true, I’d believe
ANYTHING of him," said Felicity.
We were near Golden Milestone now. The house was a big, weather-gray
structure, overgrown with vines and climbing roses. Something about
the three square windows in the second story gave it an appearance of
winking at us in a friendly fashion through its vines—at least, so the
Story Girl said; and, indeed, we could see it for ourselves after she
had once pointed it out to us.
We did not get into the house, however. We met the Awkward man in his
yard, and he gave us a quarter apiece for our library. He did not seem
awkward or shy; but then we were only children, and his foot was on his
native heath.
He was a tall, slender man, who did not look his forty years, so
unwrinkled was his high, white forehead, so clear and lustrous his
large, dark-blue eyes, so free from silver threads his rather long black
hair. He had large hands and feet, and walked with a slight stoop. I
am afraid we stared at him rather rudely while the Story Girl talked
to him. But was not an Awkward Man, who was also a hermit and kept blue
silk dresses in a locked room, and possibly wrote poetry, a legitimate
object of curiosity? I leave it to you.
When we got away we compared notes, and found that we all liked him—and
this, although he had said little and had appeared somewhat glad to get
rid of us.
"He gave us the money like a gentleman," said the Story Girl. "I felt he
didn’t grudge it. And now for Mr. Campbell. It was on HIS account I put
on my red silk. I don’t suppose the Awkward Man noticed it at all, but
Mr. Campbell will, or I’m much mistaken."
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What happens here
Chapter 6 — The Mystery of Golden Milestone continues The Story Girl, focusing on childhood, storytelling, memory, friendship, family, and rural life. The chapter moves the reader through a specific pressure, choice, or change in the story.
Why this scene matters
This section matters because it shows one part of The Story Girl's larger pattern: childhood, storytelling, memory, friendship, family, and rural life. Reading the situation first makes the older prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of The Story Girl.
- Family or social world: The relationships, class pressures, rules, or expectations shaping the chapter.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps this section moving.