Section 1
The Hollow of the Three Hills explained simply
The Hollow of the Three Hills by Nathaniel Hawthorne
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In those strange old times when fantastic dreams and madmen’s reveries were realized among the actual circumstances of life, two persons met together at an appointed hour and place. One was a lady graceful in form and fair of feature, though pale and troubled and smitten with...
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In those strange old times when fantastic dreams and madmen’s reveries
were realized among the actual circumstances of life, two persons met
together at an appointed hour and place. One was a lady graceful in
form and fair of feature, though pale and troubled and smitten with an
untimely blight in what should have been the fullest bloom of her
years; the other was an ancient and meanly-dressed woman of ill-favored
aspect, and so withered, shrunken and decrepit that even the space
since she began to decay must have exceeded the ordinary term of human
existence. In the spot where they encountered no mortal could observe
them. Three little hills stood near each other, and down in the midst
of them sunk a hollow basin almost mathematically circular, two or
three hundred feet in breadth and of such depth that a stately cedar
might but just be visible above the sides. Dwarf pines were numerous
upon the hills and partly fringed the outer verge of the intermediate
hollow, within which there was nothing but the brown grass of October
and here and there a tree-trunk that had fallen long ago and lay
mouldering with no green successor from its roots. One of these masses
of decaying wood, formerly a majestic oak, rested close beside a pool
of green and sluggish water at the bottom of the basin. Such scenes as
this (so gray tradition tells) were once the resort of a power of evil
and his plighted subjects, and here at midnight or on the dim verge of
evening they were said to stand round the mantling pool disturbing its
putrid waters in the performance of an impious baptismal rite. The
chill beauty of an autumnal sunset was now gilding the three hill-tops,
whence a paler tint stole down their sides into the hollow.
“Here is our pleasant meeting come to pass,” said the aged crone,
“according as thou hast desired. Say quickly what thou wouldst have of
me, for there is but a short hour that we may tarry here.”
As the old withered woman spoke a smile glimmered on her countenance
like lamplight on the wall of a sepulchre. The lady trembled and cast
her eyes upward to the verge of the basin, as if meditating to return
with her purpose unaccomplished. But it was not so ordained.
“I am stranger in this land, as you know,” said she, at length. “Whence
I come it matters not, but I have left those behind me with whom my
fate was intimately bound, and from whom I am cut off for ever. There
is a weight in my bosom that I cannot away with, and I have come hither
to inquire of their welfare.”
“And who is there by this green pool that can bring thee news from the
ends of the earth?” cried the old woman, peering into the lady’s face.
“Not from my lips mayst thou hear these tidings; yet be thou bold, and
the daylight shall not pass away from yonder hilltop before thy wish be
granted.”
“I will do your bidding though I die,” replied the lady, desperately.
The old woman seated herself on the trunk of the fallen tree, threw
aside the hood that shrouded her gray locks and beckoned her companion
to draw near.
“Kneel down,” she said, “and lay your forehead on my knees.”
She hesitated a moment, but the anxiety that had long been kindling
burned fiercely up within her. As she knelt down the border of her
garment was dipped into the pool; she laid her forehead on the old
woman’s knees, and the latter drew a cloak about the lady’s face, so
that she was in darkness. Then she heard the muttered words of prayer,
in the midst of which she started and would have arisen.
“Let me flee! Let me flee and hide myself, that they may not look upon
me!” she cried. But, with returning recollection, she hushed herself
and was still as death, for it seemed as if other voices, familiar in
infancy and unforgotten through many wanderings and in all the
vicissitudes of her heart and fortune, were mingling with the accents
of the prayer. At first the words were faint and indistinct—not
rendered so by distance, but rather resembling the dim pages of a book
which we strive to read by an imperfect and gradually brightening
light. In such a manner, as the prayer proceeded, did those voices
strengthen upon the ear, till at length the petition ended, and the
conversation of an aged man and of a woman broken and decayed like
himself became distinctly audible to the lady as she knelt. But those
strangers appeared not to stand in the hollow depth between the three
hills. Their voices were encompassed and re-echoed by the walls of a
chamber the windows of which were rattling in the breeze; the regular
vibration of a clock, the crackling of a fire and the tinkling of the
embers as they fell among the ashes rendered the scene almost as vivid
as if painted to the eye. By a melancholy hearth sat these two old
people, the man calmly despondent, the woman querulous and tearful, and
their words were all of sorrow. They spoke of a daughter, a wanderer
they knew not where, bearing dishonor along with her and leaving shame
and affliction to bring their gray heads to the grave. They alluded
also to other and more recent woe, but in the midst of their talk their
voices seemed to melt into the sound of the wind sweeping mournfully
among the autumn leaves; and when the lady lifted her eyes, there was
she kneeling in the hollow between three hills.
“A weary and lonesome time yonder old couple have of it,” remarked the
old woman, smiling in the lady’s face.
“And did you also hear them?” exclaimed she, a sense of intolerable
humiliation triumphing over her agony and fear.
“Yea, and we have yet more to hear,” replied the old woman, “wherefore
cover thy face quickly.”
Again the withered hag poured forth the monotonous words of a prayer
that was not meant to be acceptable in heaven, and soon in the pauses
of her breath strange murmurings began to thicken, gradually
increasing, so as to drown and overpower the charm by which they grew.
Shrieks pierced through the obscurity of sound and were succeeded by
the singing of sweet female voices, which in their turn gave way to a
wild roar of laughter broken suddenly by groanings and sobs, forming
altogether a ghastly confusion of terror and mourning and mirth. Chains
were rattling, fierce and stern voices uttered threats and the scourge
resounded at their command. All these noises deepened and became
substantial to the listener’s ear, till she could distinguish every
soft and dreamy accent of the love-songs that died causelessly into
funeral-hymns. She shuddered at the unprovoked wrath which blazed up
like the spontaneous kindling of flume, and she grew faint at the
fearful merriment raging miserably around her. In the midst of this
wild scene, where unbound passions jostled each other in a drunken
career, there was one solemn voice of a man, and a manly and melodious
voice it might once have been. He went to and fro continually, and his
feet sounded upon the floor. In each member of that frenzied company
whose own burning thoughts had become their exclusive world he sought
an auditor for the story of his individual wrong, and interpreted their
laughter and tears as his reward of scorn or pity. He spoke of woman’s
perfidy, of a wife who had broken her holiest vows, of a home and heart
made desolate. Even as he went on, the shout, the laugh, the shriek,
the sob, rose up in unison, till they changed into the hollow, fitful
and uneven sound of the wind as it fought among the pine trees on those
three lonely hills.
The lady looked up, and there was the withered woman smiling in her
face.
“Couldst thou have thought there were such merry times in a mad-house?”
inquired the latter.
“True, true!” said the lady to herself; “there is mirth within its
walls, but misery, misery without.”
“Wouldst thou hear more?” demanded the old woman.
“There is one other voice I would fain listen to again,” replied the
lady, faintly.
“Then lay down thy head speedily upon my knees, that thou mayst get
thee hence before the hour be past.”
The golden skirts of day were yet lingering upon the hills, but deep
shades obscured the hollow and the pool, as if sombre night were rising
thence to overspread the world. Again that evil woman began to weave
her spell. Long did it proceed unanswered, till the knolling of a bell
stole in among the intervals of her words like a clang that had
travelled far over valley and rising ground and was just ready to die
in the air. The lady shook upon her companion’s knees as she heard that
boding sound. Stronger it grew, and sadder, and deepened into the tone
of a death-bell, knolling dolefully from some ivy-mantled tower and
bearing tidings of mortality and woe to the cottage, to the hall and to
the solitary wayfarer, that all might weep for the doom appointed in
turn to them. Then came a measured tread, passing slowly, slowly on, as
of mourners with a coffin, their garments trailing on the ground, so
that the ear could measure the length of their melancholy array. Before
them went the priest, reading the burial-service, while the leaves of
his book were rustling in the breeze. And though no voice but his was
heard to speak aloud, still there were revilings and anathemas,
whispered but distinct, from women and from men, breathed against the
daughter who had wrung the aged hearts of her parents, the wife who had
betrayed the trusting fondness of her husband, the mother who had
sinned against natural affection and left her child to die. The
sweeping sound of the funeral train faded away like a thin vapor, and
the wind, that just before had seemed to shake the coffin-pall, moaned
sadly round the verge of the hollow between three hills. But when the
old woman stirred the kneeling lady, she lifted not her head.
“Here has been a sweet hour’s sport!” said the withered crone,
chuckling to herself.
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What happens here
The Hollow of the Three Hills follows guilt, memory, and a supernatural listening place.
Why this scene matters
This story matters because it turns guilt, memory, and a supernatural listening place into a compact public-domain reading lesson about character, perception, and consequences.
Characters in this scene
- The central figure: The person whose moral imagination or private flaw drives the story.
- The symbolic setting: The place or situation that gives Hawthorne’s moral problem its shape.