Section 1
The Dream of Little Tuk explained simply
The Dream of Little Tuk by Hans Christian Andersen
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Ah! yes, that was little Tuk: in reality his name was not Tuk, but that was what he called himself before he could speak plain: he meant it for Charles, and it is all well enough if one does but know it. He had now to take care of his little sister Augusta, who was much younger t...
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Ah! yes, that was little Tuk: in reality his name was not Tuk, but that
was what he called himself before he could speak plain: he meant it for
Charles, and it is all well enough if one does but know it. He had now
to take care of his little sister Augusta, who was much younger than
himself, and he was, besides, to learn his lesson at the same time; but
these two things would not do together at all. There sat the poor little
fellow, with his sister on his lap, and he sang to her all the songs he
knew; and he glanced the while from time to time into the geography-book
that lay open before him. By the next morning he was to have learnt
all the towns in Zealand by heart, and to know about them all that is
possible to be known.
His mother now came home, for she had been out, and took little Augusta
on her arm. Tuk ran quickly to the window, and read so eagerly that he
pretty nearly read his eyes out; for it got darker and darker, but his
mother had no money to buy a candle.
“There goes the old washerwoman over the way,” said his mother, as she
looked out of the window. “The poor woman can hardly drag herself along,
and she must now drag the pail home from the fountain. Be a good boy,
Tukey, and run across and help the old woman, won't you?”
So Tuk ran over quickly and helped her; but when he came back again into
the room it was quite dark, and as to a light, there was no thought of
such a thing. He was now to go to bed; that was an old turn-up bedstead;
in it he lay and thought about his geography lesson, and of Zealand, and
of all that his master had told him. He ought, to be sure, to have read
over his lesson again, but that, you know, he could not do. He therefore
put his geography-book under his pillow, because he had heard that was
a very good thing to do when one wants to learn one's lesson; but one
cannot, however, rely upon it entirely. Well, there he lay, and thought
and thought, and all at once it was just as if someone kissed his eyes
and mouth: he slept, and yet he did not sleep; it was as though the old
washerwoman gazed on him with her mild eyes and said, “It were a great
sin if you were not to know your lesson tomorrow morning. You have aided
me, I therefore will now help you; and the loving God will do so at all
times.” And all of a sudden the book under Tuk's pillow began scraping
and scratching.
“Kickery-ki! kluk! kluk! kluk!”--that was an old hen who came creeping
along, and she was from Kjoge. “I am a Kjoger hen,” said she, and then
she related how many inhabitants there were there, and about the battle
that had taken place, and which, after all, was hardly worth talking
about.
* Kjoge, a town in the bay of Kjoge. “To see the Kjoge
hens,” is an expression similar to “showing a child London,”
which is said to be done by taking his head in both bands,
and so lifting him off the ground. At the invasion of the
English in 1807, an encounter of a no very glorious nature
took place between the British troops and the undisciplined
Danish militia.
“Kribledy, krabledy--plump!” down fell somebody: it was a wooden bird,
the popinjay used at the shooting-matches at Prastoe. Now he said that
there were just as many inhabitants as he had nails in his body; and he
was very proud. “Thorwaldsen lived almost next door to me.* Plump! Here
I lie capitally.”
* Prastoe, a still smaller town than Kjoge. Some hundred paces from
it lies the manor-house Ny Soe, where Thorwaldsen, the famed sculptor,
generally sojourned during his stay in Denmark, and where he called many
of his immortal works into existence.
But little Tuk was no longer lying down: all at once he was on
horseback. On he went at full gallop, still galloping on and on. A
knight with a gleaming plume, and most magnificently dressed, held him
before him on the horse, and thus they rode through the wood to the old
town of Bordingborg, and that was a large and very lively town. High
towers rose from the castle of the king, and the brightness of many
candles streamed from all the windows; within was dance and song,
and King Waldemar and the young, richly-attired maids of honor danced
together. The morn now came; and as soon as the sun appeared, the whole
town and the king's palace crumbled together, and one tower after the
other; and at last only a single one remained standing where the castle
had been before,* and the town was so small and poor, and the school
boys came along with their books under their arms, and said, “2000
inhabitants!” but that was not true, for there were not so many.
*Bordingborg, in the reign of King Waldemar, a considerable place, now
an unimportant little town. One solitary tower only, and some remains of
a wall, show where the castle once stood.
And little Tukey lay in his bed: it seemed to him as if he dreamed, and
yet as if he were not dreaming; however, somebody was close beside him.
“Little Tukey! Little Tukey!” cried someone near. It was a seaman,
quite a little personage, so little as if he were a midshipman; but a
midshipman it was not.
“Many remembrances from Corsor.* That is a town that is just rising
into importance; a lively town that has steam-boats and stagecoaches:
formerly people called it ugly, but that is no longer true. I lie on
the sea,” said Corsor; “I have high roads and gardens, and I have given
birth to a poet who was witty and amusing, which all poets are not. I
once intended to equip a ship that was to sail all round the earth; but
I did not do it, although I could have done so: and then, too, I smell
so deliciously, for close before the gate bloom the most beautiful
roses.”
*Corsor, on the Great Belt, called, formerly, before the introduction
of steam-vessels, when travellers were often obliged to wait a long time
for a favorable wind, “the most tiresome of towns.” The poet Baggesen
was born here.
Little Tuk looked, and all was red and green before his eyes; but as
soon as the confusion of colors was somewhat over, all of a sudden there
appeared a wooded slope close to the bay, and high up above stood a
magnificent old church, with two high pointed towers. From out the
hill-side spouted fountains in thick streams of water, so that there
was a continual splashing; and close beside them sat an old king with
a golden crown upon his white head: that was King Hroar, near the
fountains, close to the town of Roeskilde, as it is now called. And up
the slope into the old church went all the kings and queens of Denmark,
hand in hand, all with their golden crowns; and the organ played and
the fountains rustled. Little Tuk saw all, heard all. “Do not forget the
diet,” said King Hroar.*
*Roeskilde, once the capital of Denmark. The town takes its name from
King Hroar, and the many fountains in the neighborhood. In the beautiful
cathedral the greater number of the kings and queens of Denmark are
interred. In Roeskilde, too, the members of the Danish Diet assemble.
Again all suddenly disappeared. Yes, and whither? It seemed to him
just as if one turned over a leaf in a book. And now stood there an
old peasant-woman, who came from Soroe,* where grass grows in the
market-place. She had an old grey linen apron hanging over her head and
back: it was so wet, it certainly must have been raining. “Yes, that it
has,” said she; and she now related many pretty things out of Holberg's
comedies, and about Waldemar and Absalon; but all at once she cowered
together, and her head began shaking backwards and forwards, and she
looked as she were going to make a spring. “Croak! croak!” said she.
“It is wet, it is wet; there is such a pleasant deathlike stillness in
Sorbe!” She was now suddenly a frog, “Croak”; and now she was an old
woman. “One must dress according to the weather,” said she. “It is wet;
it is wet. My town is just like a bottle; and one gets in by the neck,
and by the neck one must get out again! In former times I had the
finest fish, and now I have fresh rosy-cheeked boys at the bottom of the
bottle, who learn wisdom, Hebrew, Greek--Croak!”
* Sorbe, a very quiet little town, beautifully situated, surrounded by
woods and lakes. Holberg, Denmark's Moliere, founded here an academy
for the sons of the nobles. The poets Hauch and Ingemann were appointed
professors here. The latter lives there still.
When she spoke it sounded just like the noise of frogs, or as if one
walked with great boots over a moor; always the same tone, so uniform
and so tiring that little Tuk fell into a good sound sleep, which, by
the bye, could not do him any harm.
But even in this sleep there came a dream, or whatever else it was: his
little sister Augusta, she with the blue eyes and the fair curling hair,
was suddenly a tall, beautiful girl, and without having wings was yet
able to fly; and she now flew over Zealand--over the green woods and the
blue lakes.
“Do you hear the cock crow, Tukey? Cock-a-doodle-doo! The cocks are
flying up from Kjoge! You will have a farm-yard, so large, oh! so very
large! You will suffer neither hunger nor thirst! You will get on in the
world! You will be a rich and happy man! Your house will exalt itself
like King Waldemar's tower, and will be richly decorated with marble
statues, like that at Prastoe. You understand what I mean. Your name
shall circulate with renown all round the earth, like unto the ship that
was to have sailed from Corsor; and in Roeskilde--”
“Do not forget the diet!” said King Hroar.
“Then you will speak well and wisely, little Tukey; and when at last you
sink into your grave, you shall sleep as quietly--”
“As if I lay in Soroe,” said Tuk, awaking. It was bright day, and he was
now quite unable to call to mind his dream; that, however, was not at
all necessary, for one may not know what the future will bring.
And out of bed he jumped, and read in his book, and now all at once he
knew his whole lesson. And the old washerwoman popped her head in at the
door, nodded to him friendly, and said, “Thanks, many thanks, my good
child, for your help! May the good ever-loving God fulfil your loveliest
dream!”
Little Tukey did not at all know what he had dreamed, but the loving God
knew it.
THE NAUGHTY BOY
Along time ago, there lived an old poet, a thoroughly kind old poet. As
he was sitting one evening in his room, a dreadful storm arose without,
and the rain streamed down from heaven; but the old poet sat warm
and comfortable in his chimney-corner, where the fire blazed and the
roasting apple hissed.
“Those who have not a roof over their heads will be wetted to the skin,”
said the good old poet.
“Oh let me in! Let me in! I am cold, and I'm so wet!” exclaimed suddenly
a child that stood crying at the door and knocking for admittance, while
the rain poured down, and the wind made all the windows rattle.
“Poor thing!” said the old poet, as he went to open the door. There
stood a little boy, quite naked, and the water ran down from his long
golden hair; he trembled with cold, and had he not come into a warm room
he would most certainly have perished in the frightful tempest.
“Poor child!” said the old poet, as he took the boy by the hand. “Come
in, come in, and I will soon restore ! shalt have wine and
roasted apples, for thou art verily a charming child!” And the boy was
so really. His eyes were like two bright stars; and although the water
trickled down his hair, it waved in beautiful curls. He looked exactly
like a little angel, but he was so pale, and his whole body trembled
with cold. He had a nice little bow in his hand, but it was quite
spoiled by the rain, and the tints of his many-colored arrows ran one
into the other.
The old poet seated himself beside his hearth, and took the little
fellow on his lap; he squeezed the water out of his dripping hair,
warmed his hands between his own, and boiled for him some sweet wine.
Then the boy recovered, his cheeks again grew rosy, he jumped down from
the lap where he was sitting, and danced round the kind old poet.
“You are a merry fellow,” said the old man. “What's your name?”
“My name is Cupid,” answered the boy. “Don't you know me? There lies my
bow; it shoots well, I can assure you! Look, the weather is now clearing
up, and the moon is shining clear again through the window.”
“Why, your bow is quite spoiled,” said the old poet.
“That were sad indeed,” said the boy, and he took the bow in his hand
and examined it on every side. “Oh, it is dry again, and is not hurt at
all; the string is quite tight. I will try it directly.” And he bent his
bow, took aim, and shot an arrow at the old poet, right into his heart.
“You see now that my bow was not spoiled,” said he laughing; and away he
ran.
The naughty boy, to shoot the old poet in that way; he who had taken him
into his warm room, who had treated him so kindly, and who had given him
warm wine and the very best apples!
The poor poet lay on the earth and wept, for the arrow had really flown
into his heart.
“Fie!” said he. “How naughty a boy Cupid is! I will tell all children
about him, that they may take care and not play with him, for he will
only cause them sorrow and many a heartache.”
And all good children to whom he related this story, took great heed
of this naughty Cupid; but he made fools of them still, for he is
astonishingly cunning. When the university students come from the
lectures, he runs beside them in a black coat, and with a book under his
arm. It is quite impossible for them to know him, and they walk along
with him arm in arm, as if he, too, were a student like themselves; and
then, unperceived, he thrusts an arrow to their bosom. When the young
maidens come from being examined by the clergyman, or go to church to
be confirmed, there he is again close behind them. Yes, he is forever
following people. At the play, he sits in the great chandelier and burns
in bright flames, so that people think it is really a flame, but they
soon discover it is something else. He roves about in the garden of the
palace and upon the ramparts: yes, once he even shot your father and
mother right in the heart. Ask them only and you will hear what they'll
tell you. Oh, he is a naughty boy, that Cupid; you must never have
anything to do with him. He is forever running after everybody. Only
think, he shot an arrow once at your old grandmother! But that is a
long time ago, and it is all past now; however, a thing of that sort she
never forgets. Fie, naughty Cupid! But now you know him, and you know,
too, how ill-behaved he is!
THE RED SHOES
There was once a little girl who was very pretty and delicate, but in
summer she was forced to run about with bare feet, she was so poor, and
in winter wear very large wooden shoes, which made her little insteps
quite red, and that looked so dangerous!
In the middle of the village lived old Dame Shoemaker; she sat and sewed
together, as well as she could, a little pair of shoes out of old red
strips of cloth; they were very clumsy, but it was a kind thought. They
were meant for the little girl. The little girl was called Karen.
On the very day her mother was buried, Karen received the red shoes,
and wore them for the first time. They were certainly not intended for
mourning, but she had no others, and with stockingless feet she followed
the poor straw coffin in them.
Suddenly a large old carriage drove up, and a large old lady sat in it:
she looked at the little girl, felt compassion for her, and then said to
the clergyman:
“Here, give me the little girl. I will adopt her!”
And Karen believed all this happened on account of the red shoes, but
the old lady thought they were horrible, and they were burnt. But Karen
herself was cleanly and nicely dressed; she must learn to read and sew;
and people said she was a nice little thing, but the looking-glass said:
“Thou art more than nice, thou art beautiful!”
Now the queen once travelled through the land, and she had her little
daughter with her. And this little daughter was a princess, and people
streamed to the castle, and Karen was there also, and the little
princess stood in her fine white dress, in a window, and let herself be
stared at; she had neither a train nor a golden crown, but splendid
red morocco shoes. They were certainly far handsomer than those Dame
Shoemaker had made for little Karen. Nothing in the world can be
compared with red shoes.
Now Karen was old enough to be confirmed; she had new clothes and was to
have new shoes also. The rich shoemaker in the city took the measure of
her little foot. This took place at his house, in his room; where stood
large glass-cases, filled with elegant shoes and brilliant boots. All
this looked charming, but the old lady could not see well, and so had
no pleasure in them. In the midst of the shoes stood a pair of red ones,
just like those the princess had worn. How beautiful they were! The
shoemaker said also they had been made for the child of a count, but had
not fitted.
“That must be patent leather!” said the old lady. “They shine so!”
“Yes, they shine!” said Karen, and they fitted, and were bought, but the
old lady knew nothing about their being red, else she would never have
allowed Karen to have gone in red shoes to be confirmed. Yet such was
the case.
Everybody looked at her feet; and when she stepped through the chancel
door on the church pavement, it seemed to her as if the old figures on
the tombs, those portraits of old preachers and preachers' wives, with
stiff ruffs, and long black dresses, fixed their eyes on her red shoes.
And she thought only of them as the clergyman laid his hand upon her
head, and spoke of the holy baptism, of the covenant with God, and how
she should be now a matured Christian; and the organ pealed so solemnly;
the sweet children's voices sang, and the old music-directors sang, but
Karen only thought of her red shoes.
In the afternoon, the old lady heard from everyone that the shoes had
been red, and she said that it was very wrong of Karen, that it was not
at all becoming, and that in future Karen should only go in black shoes
to church, even when she should be older.
The next Sunday there was the sacrament, and Karen looked at the black
shoes, looked at the red ones--looked at them again, and put on the red
shoes.
The sun shone gloriously; Karen and the old lady walked along the path
through the corn; it was rather dusty there.
At the church door stood an old soldier with a crutch, and with a
wonderfully long beard, which was more red than white, and he bowed to
the ground, and asked the old lady whether he might dust her shoes. And
Karen stretched out her little foot.
“See, what beautiful dancing shoes!” said the soldier. “Sit firm when
you dance”; and he put his hand out towards the soles.
And the old lady gave the old soldier alms, and went into the church
with Karen.
And all the people in the church looked at Karen's red shoes, and all
the pictures, and as Karen knelt before the altar, and raised the cup to
her lips, she only thought of the red shoes, and they seemed to swim
in it; and she forgot to sing her psalm, and she forgot to pray, “Our
Father in Heaven!”
Now all the people went out of church, and the old lady got into her
carriage. Karen raised her foot to get in after her, when the old
soldier said,
“Look, what beautiful dancing shoes!”
And Karen could not help dancing a step or two, and when she began her
feet continued to dance; it was just as though the shoes had power over
them. She danced round the church corner, she could not leave off; the
coachman was obliged to run after and catch hold of her, and he lifted
her in the carriage, but her feet continued to dance so that she trod on
the old lady dreadfully. At length she took the shoes off, and then her
legs had peace.
The shoes were placed in a closet at home, but Karen could not avoid
looking at them.
Now the old lady was sick, and it was said she could not recover. She
must be nursed and waited upon, and there was no one whose duty it was
so much as Karen's. But there was a great ball in the city, to which
Karen was invited. She looked at the old lady, who could not recover,
she looked at the red shoes, and she thought there could be no sin in
it; she put on the red shoes, she might do that also, she thought. But
then she went to the ball and began to dance.
When she wanted to dance to the right, the shoes would dance to the
left, and when she wanted to dance up the room, the shoes danced back
again, down the steps, into the street, and out of the city gate. She
danced, and was forced to dance straight out into the gloomy wood.
Then it was suddenly light up among the trees, and she fancied it must
be the moon, for there was a face; but it was the old soldier with
the red beard; he sat there, nodded his head, and said, “Look, what
beautiful dancing shoes!”
Then she was terrified, and wanted to fling off the red shoes, but they
clung fast; and she pulled down her stockings, but the shoes seemed to
have grown to her feet. And she danced, and must dance, over fields and
meadows, in rain and sunshine, by night and day; but at night it was the
most fearful.
She danced over the churchyard, but the dead did not dance--they had
something better to do than to dance. She wished to seat herself on a
poor man's grave, where the bitter tansy grew; but for her there was
neither peace nor rest; and when she danced towards the open church
door, she saw an angel standing there. He wore long, white garments; he
had wings which reached from his shoulders to the earth; his countenance
was severe and grave; and in his hand he held a sword, broad and
glittering.
“Dance shalt thou!” said he. “Dance in thy red shoes till thou art pale
and cold! Till thy skin shrivels up and thou art a skeleton! Dance shalt
thou from door to door, and where proud, vain children dwell, thou shalt
knock, that they may hear thee and tremble! Dance shalt thou--!”
“Mercy!” cried Karen. But she did not hear the angel's reply, for the
shoes carried her through the gate into the fields, across roads and
bridges, and she must keep ever dancing.
One morning she danced past a door which she well knew. Within sounded
a psalm; a coffin, decked with flowers, was borne forth. Then she knew
that the old lady was dead, and felt that she was abandoned by all, and
condemned by the angel of God.
She danced, and she was forced to dance through the gloomy night. The
shoes carried her over stack and stone; she was torn till she bled; she
danced over the heath till she came to a little house. Here, she knew,
dwelt the executioner; and she tapped with her fingers at the window,
and said, “Come out! Come out! I cannot come in, for I am forced to
dance!”
And the executioner said, “Thou dost not know who I am, I fancy? I
strike bad people's heads off; and I hear that my axe rings!”
“Don't strike my head off!” said Karen. “Then I can't repent of my sins!
But strike off my feet in the red shoes!”
And then she confessed her entire sin, and the executioner struck off
her feet with the red shoes, but the shoes danced away with the little
feet across the field into the deep wood.
And he carved out little wooden feet for her, and crutches, taught
her the psalm criminals always sing; and she kissed the hand which had
wielded the axe, and went over the heath.
“Now I have suffered enough for the red shoes!” said she. “Now I will
go into the church that people may see me!” And she hastened towards the
church door: but when she was near it, the red shoes danced before her,
and she was terrified, and turned round. The whole week she was unhappy,
and wept many bitter tears; but when Sunday returned, she said, “Well,
now I have suffered and struggled enough! I really believe I am as good
as many a one who sits in the church, and holds her head so high!”
And away she went boldly; but she had not got farther than the
churchyard gate before she saw the red shoes dancing before her; and she
was frightened, and turned back, and repented of her sin from her heart.
And she went to the parsonage, and begged that they would take her
into service; she would be very industrious, she said, and would do
everything she could; she did not care about the wages, only she wished
to have a home, and be with good people. And the clergyman's wife was
sorry for her and took her into service; and she was industrious and
thoughtful. She sat still and listened when the clergyman read the Bible
in the evenings. All the children thought a great deal of her; but when
they spoke of dress, and grandeur, and beauty, she shook her head.
The following Sunday, when the family was going to church, they asked
her whether she would not go with them; but she glanced sorrowfully,
with tears in her eyes, at her crutches. The family went to hear the
word of God; but she went alone into her little chamber; there was only
room for a bed and chair to stand in it; and here she sat down with her
Prayer-Book; and whilst she read with a pious mind, the wind bore
the strains of the organ towards her, and she raised her tearful
countenance, and said, “O God, help me!”
And the sun shone so clearly, and straight before her stood the angel
of God in white garments, the same she had seen that night at the church
door; but he no longer carried the sharp sword, but in its stead a
splendid green spray, full of roses. And he touched the ceiling with the
spray, and the ceiling rose so high, and where he had touched it there
gleamed a golden star. And he touched the walls, and they widened out,
and she saw the organ which was playing; she saw the old pictures of the
preachers and the preachers' wives. The congregation sat in cushioned
seats, and sang out of their Prayer-Books. For the church itself had
come to the poor girl in her narrow chamber, or else she had come into
the church. She sat in the pew with the clergyman's family, and when
they had ended the psalm and looked up, they nodded and said, “It is
right that thou art come!”
“It was through mercy!” she said.
And the organ pealed, and the children's voices in the choir sounded so
sweet and soft! The clear sunshine streamed so warmly through the window
into the pew where Karen sat! Her heart was so full of sunshine, peace,
and joy, that it broke. Her soul flew on the sunshine to God, and there
no one asked after the RED SHOES.
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What happens here
The Dream of Little Tuk follows fairy-tale testing, social appearance, longing, transformation, and moral surprise.
Why this scene matters
This story matters because it turns fairy-tale testing, social appearance, longing, transformation, and moral surprise into a compact public-domain reading experience that is easier to understand when the plot is explained plainly first.
Characters in this scene
- Main figure: The person, animal, or symbolic figure at the center of the story.
- The problem: The pressure, temptation, danger, or misunderstanding that drives the action.
- The story world: The setting and surrounding characters that make the choice or surprise meaningful.