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Chapter VII. MANŒUVERING
1. Sun Tzŭ said: In war, the general receives his commands from the
sovereign.
2. Having collected an army and concentrated his forces, he must blend
and harmonise the different elements thereof before pitching his camp.
3. After that, comes tactical manœuvering, than which there is nothing
more difficult.
The difficulty of tactical manœuvering consists in turning the devious
into the direct, and misfortune into gain.
4. Thus, to take a long and circuitous route, after enticing the enemy
out of the way, and though starting after him, to contrive to reach the
goal before him, shows knowledge of the artifice of _deviation_.
5. Manœuvering with an army is advantageous; with an undisciplined
multitude, most dangerous.
6. If you set a fully equipped army in march in order to snatch an
advantage, the chances are that you will be too late. On the other
hand, to detach a flying column for the purpose involves the sacrifice
of its baggage and stores.
7. Thus, if you order your men to roll up their buff-coats, and make
forced marches without halting day or night, covering double the usual
distance at a stretch,
doing a hundred _li_ in order to wrest an advantage, the leaders of all
your three divisions will fall into the hands of the enemy.
8. The stronger men will be in front, the jaded ones will fall behind,
and on this plan only one-tenth of your army will reach its
destination.
9. If you march fifty _li_ in order to outmanœuver the enemy, you will
lose the leader of your first division, and only half your force will
reach the goal.
10. If you march thirty _li_ with the same object, two-thirds of your
army will arrive.
11. We may take it then that an army without its baggage-train is lost;
without provisions it is lost; without bases of supply it is lost.
12. We cannot enter into alliances until we are acquainted with the
designs of our neighbours.
13. We are not fit to lead an army on the march unless we are familiar
with the face of the country—its mountains and forests, its pitfalls
and precipices, its marshes and swamps.
14. We shall be unable to turn natural advantages to account unless we
make use of local guides.
15. In war, practise dissimulation, and you will succeed.
Move only if there is a real advantage to be gained.
16. Whether to concentrate or to divide your troops, must be decided by
circumstances.
17. Let your rapidity be that of the wind,
your compactness that of the forest.
18. In raiding and plundering be like fire,
in immovability like a mountain.
19. Let your plans be dark and impenetrable as night, and when you
move, fall like a thunderbolt.
20. When you plunder a countryside, let the spoil be divided amongst
your men;
when you capture new territory, cut it up into allotments for the
benefit of the soldiery.
21. Ponder and deliberate before you make a move.
22. He will conquer who has learnt the artifice of deviation.
Such is the art of manœuvering.
23. The Book of Army Management says:
On the field of battle,
the spoken word does not carry far enough: hence the institution of
gongs and drums. Nor can ordinary objects be seen clearly enough: hence
the institution of banners and flags.
24. Gongs and drums, banners and flags, are means whereby the ears and
eyes of the host may be focussed on one particular point.
25. The host thus forming a single united body, is it impossible either
for the brave to advance alone, or for the cowardly to retreat alone.
This is the art of handling large masses of men.
26. In night-fighting, then, make much use of signal-fires and drums,
and in fighting by day, of flags and banners, as a means of influencing
the ears and eyes of your army.
27. A whole army may be robbed of its spirit;
a commander-in-chief may be robbed of his presence of mind.
28. Now a soldier’s spirit is keenest in the morning;
by noonday it has begun to flag; and in the evening, his mind is bent
only on returning to camp.
29. A clever general, therefore, avoids an army when its spirit is
keen, but attacks it when it is sluggish and inclined to return. This
is the art of studying moods.
30. Disciplined and calm, to await the appearance of disorder and
hubbub amongst the enemy:—this is the art of retaining self-possession.
31. To be near the goal while the enemy is still far from it, to wait
at ease while the enemy is toiling and struggling, to be well-fed while
the enemy is famished:—this is the art of husbanding one’s strength.
32. To refrain from intercepting an enemy whose banners are in perfect
order, to refrain from attacking an army drawn up in calm and confident
array:—this is the art of studying circumstances.
33. It is a military axiom not to advance uphill against the enemy, nor
to oppose him when he comes downhill.
34. Do not pursue an enemy who simulates flight; do not attack soldiers
whose temper is keen.
35. Do not swallow a bait offered by the enemy.
Do not interfere with an army that is returning home.
36. When you surround an army, leave an outlet free.
Do not press a desperate foe too hard.
37. Such is the art of warfare.