Section 1
Tannis of the Flats explained simply
Tannis of the Flats by L. M. Montgomery
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Few people in Avonlea could understand why Elinor Blair had never married. She had been one of the most beautiful girls in our part of the Island and, as a woman of fifty, she was still very attractive. In her youth she had had ever so many beaux, as we of...
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Few people in Avonlea could understand why Elinor Blair had never
married. She had been one of the most beautiful girls in our
part of the Island and, as a woman of fifty, she was still very
attractive. In her youth she had had ever so many beaux, as we
of our generation well remembered; but, after her return from
visiting her brother Tom in the Canadian Northwest, more than
twenty-five years ago, she had seemed to withdraw within herself,
keeping all men at a safe, though friendly, distance. She had
been a gay, laughing girl when she went West; she came back quiet
and serious, with a shadowed look in her eyes which time could
not quite succeed in blotting out.
Elinor had never talked much about her visit, except to describe
the scenery and the life, which in that day was rough indeed.
Not even to me, who had grown up next door to her and who had
always seemed more a sister than a friend, did she speak of other
than the merest commonplaces. But when Tom Blair made a flying
trip back home, some ten years later, there were one or two of us
to whom he related the story of Jerome Carey,--a story revealing
only too well the reason for Elinor's sad eyes and utter
indifference to masculine attentions. I can recall almost his
exact words and the inflections of his voice, and I remember,
too, that it seemed to me a far cry from the tranquil, pleasant
scene before us, on that lovely summer day, to the elemental life
of the Flats.
The Flats was a forlorn little trading station fifteen miles up
the river from Prince Albert, with a scanty population of
half-breeds and three white men. When Jerome Carey was sent to
take charge of the telegraph office there, he cursed his fate in
the picturesque language permissible in the far Northwest.
Not that Carey was a profane man, even as men go in the West. He
was an English gentleman, and he kept both his life and his
vocabulary pretty clean. But--the Flats!
Outside of the ragged cluster of log shacks, which comprised the
settlement, there was always a shifting fringe of teepees where
the Indians, who drifted down from the Reservation, camped with
their dogs and squaws and papooses. There are standpoints from
which Indians are interesting, but they cannot be said to offer
congenial social attractions. For three weeks after Carey went
to the Flats he was lonelier than he had ever imagined it
possible to be, even in the Great Lone Land. If it had not been
for teaching Paul Dumont the telegraphic code, Carey believed he
would have been driven to suicide in self-defense.
The telegraphic importance of the Flats consisted in the fact
that it was the starting point of three telegraph lines to remote
trading posts up North. Not many messages came therefrom, but
the few that did come generally amounted to something worth
while. Days and even weeks would pass without a single one being
clicked to the Flats. Carey was debarred from talking over the
wires to the Prince Albert man for the reason that they were on
officially bad terms. He blamed the latter for his transfer to
the Flats.
Carey slept in a loft over the office, and got his meals at Joe
Esquint's, across the "street." Joe Esquint's wife was a good
cook, as cooks go among the breeds, and Carey soon became a great
pet of hers. Carey had a habit of becoming a pet with women. He
had the "way" that has to be born in a man and can never be
acquired. Besides, he was as handsome as clean-cut features,
deep-set, dark-blue eyes, fair curls and six feet of muscle could
make him. Mrs. Joe Esquint thought that his mustache was the
most wonderfully beautiful thing, in its line, that she had ever
seen.
Fortunately, Mrs. Joe was so old and fat and ugly that even the
malicious and inveterate gossip of skulking breeds and Indians,
squatting over teepee fires, could not hint at anything
questionable in the relations between her and Carey. But it was
a different matter with Tannis Dumont.
Tannis came home from the academy at Prince Albert early in July,
when Carey had been at the Flats a month and had exhausted all
the few novelties of his position. Paul Dumont had already
become so expert at the code that his mistakes no longer afforded
Carey any fun, and the latter was getting desperate. He had
serious intentions of throwing up the business altogether, and
betaking himself to an Alberta ranch, where at least one would
have the excitement of roping horses. When he saw Tannis Dumont
he thought he would hang on awhile longer, anyway.
Tannis was the daughter of old Auguste Dumont, who kept the one
small store at the Flats, lived in the one frame house that the
place boasted, and was reputed to be worth an amount of money
which, in half-breed eyes, was a colossal fortune. Old Auguste
was black and ugly and notoriously bad-tempered. But Tannis was
a beauty.
Tannis' great-grandmother had been a Cree squaw who married a
French trapper. The son of this union became in due time the
father of Auguste Dumont. Auguste married a woman whose mother
was a French half-breed and whose father was a pure-bred Highland
Scotchman. The result of this atrocious mixture was its
justification--Tannis of the Flats--who looked as if all the
blood of all the Howards might be running in her veins.
But, after all, the dominant current in those same veins was from
the race of plain and prairie. The practiced eye detected it in
the slender stateliness of carriage, in the graceful, yet
voluptuous, curves of the lithe body, in the smallness and
delicacy of hand and foot, in the purple sheen on
straight-falling masses of blue-black hair, and, more than all
else, in the long, dark eye, full and soft, yet alight with a
slumbering fire. France, too, was responsible for somewhat in
Tannis. It gave her a light step in place of the stealthy
half-breed shuffle, it arched her red upper lip into a more
tremulous bow, it lent a note of laughter to her voice and a
sprightlier wit to her tongue. As for her red-headed Scotch
grandfather, he had bequeathed her a somewhat whiter skin and
ruddier bloom than is usually found in the breeds.
Old Auguste was mightily proud of Tannis. He sent her to school
for four years in Prince Albert, bound that his girl should have
the best. A High School course and considerable mingling in the
social life of the town--for old Auguste was a man to be
conciliated by astute politicians, since he controlled some two
or three hundred half-breed votes--sent Tannis home to the Flats
with a very thin, but very deceptive, veneer of culture and
civilization overlying the primitive passions and ideas of her
nature.
Carey saw only the beauty and the veneer. He made the mistake of
thinking that Tannis was what she seemed to be--a fairly
well-educated, up-to-date young woman with whom a friendly
flirtation was just what it was with white womankind--the
pleasant amusement of an hour or season. It was a mistake--a
very big mistake. Tannis understood something of piano playing,
something less of grammar and Latin, and something less still of
social prevarications. But she understood absolutely nothing of
flirtation. You can never get an Indian to see the sense of
Platonics.
Carey found the Flats quite tolerable after the homecoming of
Tannis. He soon fell into the habit of dropping into the Dumont
house to spend the evening, talking with Tannis in the
parlor--which apartment was amazingly well done for a place like
the Flats--Tannis had not studied Prince Albert parlors four
years for nothing--or playing violin and piano duets with her.
When music and conversation palled, they went for long gallops
over the prairies together. Tannis rode to perfection, and
managed her bad-tempered brute of a pony with a skill and grace
that made Carey applaud her. She was glorious on horseback.
Sometimes he grew tired of the prairies and then he and Tannis
paddled themselves over the river in Nitchie Joe's dug-out, and
landed on the old trail that struck straight into the wooded belt
of the Saskatchewan valley, leading north to trading posts on the
frontier of civilization. There they rambled under huge pines,
hoary with the age of centuries, and Carey talked to Tannis about
England and quoted poetry to her. Tannis liked poetry; she had
studied it at school, and understood it fairly well. But once
she told Carey that she thought it a long, round-about way of
saying what you could say just as well in about a dozen plain
words. Carey laughed. He liked to evoke those little speeches
of hers. They sounded very clever, dropping from such arched,
ripely-tinted lips.
If you had told Carey that he was playing with fire he would have
laughed at you. In the first place he was not in the slightest
degree in love with Tannis--he merely admired and liked her. In
the second place, it never occurred to him that Tannis might be
in love with him. Why, he had never attempted any love-making
with her! And, above all, he was obsessed with that aforesaid
fatal idea that Tannis was like the women he had associated with
all his life, in reality as well as in appearance. He did not
know enough of the racial characteristics to understand.
But, if Carey thought his relationship with Tannis was that of
friendship merely, he was the only one at the Flats who did think
so. All the half-breeds and quarter-breeds and any-fractional
breeds there believed that he meant to marry Tannis. There would
have been nothing surprising to them in that. They did not know
that Carey's second cousin was a baronet, and they would not have
understood that it need make any difference, if they had. They
thought that rich old Auguste's heiress, who had been to school
for four years in Prince Albert, was a catch for anybody.
Old Auguste himself shrugged his shoulders over it and was
well-pleased enough. An Englishman was a prize by way of a
husband for a half-breed girl, even if he were only a telegraph
operator. Young Paul Dumont worshipped Carey, and the
half-Scotch mother, who might have understood, was dead. In all
the Flats there were but two people who disapproved of the match
they thought an assured thing. One of these was the little
priest, Father Gabriel. He liked Tannis, and he liked Carey; but
he shook his head dubiously when he heard the gossip of the
shacks and teepees. Religions might mingle, but the different
bloods--ah, it was not the right thing! Tannis was a good girl,
and a beautiful one; but she was no fit mate for the fair,
thorough-bred Englishman. Father Gabriel wished fervently that
Jerome Carey might soon be transferred elsewhere. He even went
to Prince Albert and did a little wire-pulling on his own
account, but nothing came of it. He was on the wrong side of
politics.
The other malcontent was Lazarre Merimee, a lazy,
besotted French half-breed, who was, after his fashion, in love
with Tannis. He could never have got her, and he knew it--old
Auguste and young Paul would have incontinently riddled him with
bullets had he ventured near the house as a suitor,--but he hated
Carey none the less, and watched for a chance to do him an
ill-turn. There is no worse enemy in all the world than a
half-breed. Your true Indian is bad enough, but his diluted
descendant is ten times worse.
As for Tannis, she loved Carey with all her heart, and that was
all there was about it.
If Elinor Blair had never gone to Prince Albert there is no
knowing what might have happened, after all. Carey, so powerful
in propinquity, might even have ended by learning to love Tannis
and marrying her, to his own worldly undoing. But Elinor did go
to Prince Albert, and her going ended all things for Tannis of
the Flats.
Carey met her one evening in September, when he had ridden into
town to attend a dance, leaving Paul Dumont in charge of the
telegraph office. Elinor had just arrived in Prince Albert on a
visit to Tom, to which she had been looking forward during the
five years since he had married and moved out West from Avonlea.
As I have already said, she was very beautiful at that time, and
Carey fell in love with her at the first moment of their meeting.
During the next three weeks he went to town nine times and called
at the Dumonts' only once. There were no more rides and walks
with Tannis. This was not intentional neglect on his part. He
had simply forgotten all about her. The breeds surmised a
lover's quarrel, but Tannis understood. There was another woman
back there in town.
It would be quite impossible to put on paper any adequate idea of
her emotions at this stage. One night, she followed Carey when
he went to Prince Albert, riding out of earshot, behind him on
her plains pony, but keeping him in sight. Lazarre, in a fit of
jealousy, had followed Tannis, spying on her until she started
back to the Flats. After that he watched both Carey and Tannis
incessantly, and months later had told Tom all he had learned
through his low sneaking.
Tannis trailed Carey to the Blair house, on the bluffs above the
town, and saw him tie his horse at the gate and enter. She, too,
tied her pony to a poplar, lower down, and then crept stealthily
through the willows at the side of the house until she was close
to the windows. Through one of them she could see Carey and
Elinor. The half-breed girl crouched down in the shadow and
glared at her rival. She saw the pretty, fair-tinted face, the
fluffy coronal of golden hair, the blue, laughing eyes of the
woman whom Jerome Carey loved, and she realized very plainly that
there was nothing left to hope for. She, Tannis of the Flats,
could never compete with that other. It was well to know so
much, at least.
After a time, she crept softly away, loosed her pony, and lashed
him mercilessly with her whip through the streets of the town and
out the long, dusty river trail. A man turned and looked after
her as she tore past a brightly lighted store on Water Street.
"That was Tannis of the Flats," he said to a companion. "She was
in town last winter, going to school--a beauty and a bit of the
devil, like all those breed girls. What in thunder is she riding
like that for?"
One day, a fortnight later, Carey went over the river alone for a
ramble up the northern trail, and an undisturbed dream of Elinor.
When he came back Tannis was standing at the canoe landing, under
a pine tree, in a rain of finely sifted sunlight. She was
waiting for him and she said, without any preface:
"Mr. Carey, why do you never come to see me, now?"
Carey flushed like any girl. Her tone and look made him feel
very uncomfortable. He remembered, self-reproachfully, that he
must have seemed very neglectful, and he stammered something
about having been busy.
"Not very busy," said Tannis, with her terrible directness. "It
is not that. It is because you are going to Prince Albert to see
a white woman!"
Even in his embarrassment Carey noted that this was the first
time he had ever heard Tannis use the expression, "a white
woman," or any other that would indicate her sense of a
difference between herself and the dominant race. He understood,
at the same moment, that this girl was not to be trifled
with--that she would have the truth out of him, first or last.
But he felt indescribably foolish.
"I suppose so," he answered lamely.
"And what about me?" asked Tannis.
When you come to think of it, this was an embarrassing question,
especially for Carey, who had believed that Tannis understood the
game, and played it for its own sake, as he did.
"I don't understand you, Tannis," he said hurriedly.
"You have made me love you," said Tannis.
The words sound flat enough on paper. They did not sound flat to
Tom, as repeated by Lazarre, and they sounded anything but flat
to Carey, hurled at him as they were by a woman trembling with
all the passions of her savage ancestry. Tannis had justified
her criticism of poetry. She had said her half-dozen words,
instinct with all the despair and pain and wild appeal that all
the poetry in the world had ever expressed.
They made Carey feel like a scoundrel. All at once he realized
how impossible it would be to explain matters to Tannis, and that
he would make a still bigger fool of himself, if he tried.
"I am very sorry," he stammered, like a whipped schoolboy.
"It is no matter," interrupted Tannis violently. "What
difference does it make about me--a half-breed girl? We breed
girls are only born to amuse the white men. That is so--is it
not? Then, when they are tired of us, they push us aside and go
back to their own kind. Oh, it is very well. But I will not
forget--my father and brother will not forget. They will make
you sorry to some purpose!"
She turned, and stalked away to her canoe. He waited under the
pines until she crossed the river; then he, too, went miserably
home. What a mess he had contrived to make of things! Poor
Tannis! How handsome she had looked in her fury--and how much
like a squaw! The racial marks always come out plainly under the
stress of emotion, as Tom noted later.
Her threat did not disturb him. If young Paul and old Auguste
made things unpleasant for him, he thought himself more than a
match for them. It was the thought of the suffering he had
brought upon Tannis that worried him. He had not, to be sure,
been a villain; but he had been a fool, and that is almost as
bad, under some circumstances.
The Dumonts, however, did not trouble him. After all, Tannis'
four years in Prince Albert had not been altogether wasted. She
knew that white girls did not mix their male relatives up in a
vendetta when a man ceased calling on them--and she had nothing
else to complain of that could be put in words. After some
reflection she concluded to hold her tongue. She even laughed
when old Auguste asked her what was up between her and her
fellow, and said she had grown tired of him. Old Auguste
shrugged his shoulders resignedly. It was just as well, maybe.
Those English sons-in-law sometimes gave themselves too many
airs.
So Carey rode often to town and Tannis bided her time, and
plotted futile schemes of revenge, and Lazarre Merimee scowled
and got drunk--and life went on at the Flats as usual, until
the last week in October, when a big wind and rainstorm swept
over the northland.
It was a bad night. The wires were down between the Flats and
Prince Albert and all communication with the outside world was
cut off. Over at Joe Esquint's the breeds were having a carouse
in honor of Joe's birthday. Paul Dumont had gone over, and Carey
was alone in the office, smoking lazily and dreaming of Elinor.
Suddenly, above the plash of rain and whistle of wind, he heard
outcries in the street. Running to the door he was met by Mrs.
Joe Esquint, who grasped him breathlessly.
"Meestair Carey--come quick! Lazarre, he kill Paul--they fight!"
Carey, with a smothered oath, rushed across the street. He had
been afraid of something of the sort, and had advised Paul not to
go, for those half-breed carouses almost always ended in a free
fight. He burst into the kitchen at Joe Esquint's, to find a
circle of mute spectators ranged around the room and Paul and
Lazarre in a clinch in the center. Carey was relieved to find it
was only an affair of fists. He promptly hurled himself at the
combatants and dragged Paul away, while Mrs. Joe Esquint--Joe
himself being dead-drunk in a corner--flung her fat arms about
Lazarre and held him back.
"Stop this," said Carey sternly.
"Let me get at him," foamed Paul. "He insulted my sister. He
said that you--let me get at him!"
He could not writhe free from Carey's iron grip. Lazarre, with a
snarl like a wolf, sent Mrs. Joe spinning, and rushed at Paul.
Carey struck out as best he could, and Lazarre went reeling back
against the table. It went over with a crash and the light went
out!
Mrs. Joe's shrieks might have brought the roof down. In the
confusion that ensued, two pistol shots rang out sharply. There
was a cry, a groan, a fall--then a rush for the door. When Mrs.
Joe Esquint's sister-in-law, Marie, dashed in with another lamp,
Mrs. Joe was still shrieking, Paul Dumont was leaning sickly
against the wall with a dangling arm, and Carey lay face downward
on the floor, with blood trickling from under him.
Marie Esquint was a woman of nerve. She told Mrs. Joe to shut
up, and she turned Carey over. He was conscious, but seemed
dazed and could not help himself. Marie put a coat under his
head, told Paul to lie down on the bench, ordered Mrs. Joe to get
a bed ready, and went for the doctor. It happened that there was
a doctor at the Flats that night--a Prince Albert man who had
been up at the Reservation, fixing up some sick Indians, and had
been stormstaid at old Auguste's on his way back.
Marie soon returned with the doctor, old Auguste, and Tannis.
Carey was carried in and laid on Mrs. Esquint's bed. The doctor
made a brief examination, while Mrs. Joe sat on the floor and
howled at the top of her lungs. Then he shook his head.
"Shot in the back," he said briefly.
"How long?" asked Carey, understanding.
"Perhaps till morning," answered the doctor. Mrs. Joe gave a
louder howl than ever at this, and Tannis came and stood by the
bed. The doctor, knowing that he could do nothing for Carey,
hurried into the kitchen to attend to Paul, who had a badly
shattered arm, and Marie went with him.
Carey looked stupidly at Tannis.
"Send for her," he said.
Tannis smiled cruelly.
"There is no way. The wires are down, and there is no man at the
Flats who will go to town to-night," she answered.
"My God, I MUST see her before I die," burst out Carey
pleadingly. "Where is Father Gabriel? HE will go."
"The priest went to town last night and has not come back," said
Tannis.
Carey groaned and shut his eyes. If Father Gabriel was away,
there was indeed no one to go. Old Auguste and the doctor could
not leave Paul and he knew well that no breed of them all at the
Flats would turn out on such a night, even if they were not, one
and all, mortally scared of being mixed up in the law and justice
that would be sure to follow the affair. He must die without
seeing Elinor.
Tannis looked inscrutably down on the pale face on Mrs. Joe
Esquint's dirty pillows. Her immobile features gave no sign of
the conflict raging within her. After a short space she turned
and went out, shutting the door softly on the wounded man and
Mrs. Joe, whose howls had now simmered down to whines. In the
next room, Paul was crying out with pain as the doctor worked on
his arm, but Tannis did not go to him. Instead, she slipped out
and hurried down the stormy street to old Auguste's stable. Five
minutes later she was galloping down the black, wind-lashed river
trail, on her way to town, to bring Elinor Blair to her lover's
deathbed.
I hold that no woman ever did anything more unselfish than this
deed of Tannis! For the sake of love she put under her feet the
jealousy and hatred that had clamored at her heart. She held,
not only revenge, but the dearer joy of watching by Carey to the
last, in the hollow of her hand, and she cast both away that the
man she loved might draw his dying breath somewhat easier. In a
white woman the deed would have been merely commendable. In
Tannis of the Flats, with her ancestry and tradition, it was
lofty self-sacrifice.
It was eight o'clock when Tannis left the Flats; it was ten when
she drew bridle before the house on the bluff. Elinor was
regaling Tom and his wife with Avonlea gossip when the maid came
to the door.
"Pleas'm, there's a breed girl out on the verandah and she's
asking for Miss Blair."
Elinor went out wonderingly, followed by Tom. Tannis, whip in
hand, stood by the open door, with the stormy night behind her,
and the warm ruby light of the hall lamp showering over her white
face and the long rope of drenched hair that fell from her bare
head. She looked wild enough.
"Jerome Carey was shot in a quarrel at Joe Esquint's to-night,"
she said. "He is dying--he wants you--I have come for you."
Elinor gave a little cry, and steadied herself on Tom's shoulder.
Tom said he knew he made some exclamation of horror. He had
never approved of Carey's attentions to Elinor, but such news was
enough to shock anybody. He was determined, however, that Elinor
should not go out in such a night and to such a scene, and told
Tannis so in no uncertain terms.
"I came through the storm," said Tannis, contemptuously. "Cannot
she do as much for him as I can?"
The good, old Island blood in Elinor's veins showed to some
purpose. "Yes," she answered firmly. "No, Tom, don't object--I
must go. Get my horse--and your own."
Ten minutes later three riders galloped down the bluff road and
took the river trail. Fortunately the wind was at their backs
and the worst of the storm was over. Still, it was a wild, black
ride enough. Tom rode, cursing softly under his breath. He did
not like the whole thing--Carey done to death in some low
half-breed shack, this handsome, sullen girl coming as his
messenger, this nightmare ride, through wind and rain. It all
savored too much of melodrama, even for the Northland, where
people still did things in a primitive way. He heartily wished
Elinor had never left Avonlea.
It was past twelve when they reached the Flats. Tannis was the
only one who seemed to be able to think coherently. It was she
who told Tom where to take the horses and then led Elinor to the
room where Carey was dying. The doctor was sitting by the
bedside and Mrs. Joe was curled up in a corner, sniffling to
herself. Tannis took her by the shoulder and turned her, none
too gently, out of the room. The doctor, understanding, left at
once. As Tannis shut the door she saw Elinor sink on her knees
by the bed, and Carey's trembling hand go out to her head.
Tannis sat down on the floor outside of the door and wrapped
herself up in a shawl Marie Esquint had dropped. In that
attitude she looked exactly like a squaw, and all comers and
goers, even old Auguste, who was hunting for her, thought she was
one, and left her undisturbed. She watched there until dawn came
whitely up over the prairies and Jerome Carey died. She knew
when it happened by Elinor's cry.
Tannis sprang up and rushed in. She was too late for even a
parting look.
The girl took Carey's hand in hers, and turned to the weeping
Elinor with a cold dignity.
"Now go," she said. "You had him in life to the very last. He
is mine now."
"There must be some arrangements made," faltered Elinor.
"My father and brother will make all arrangements, as you call
them," said Tannis steadily. "He had no near relatives in the
world--none at all in Canada--he told me so. You may send out a
Protestant minister from town, if you like; but he will be buried
here at the Flats and his grave will be mine--all mine! Go!"
And Elinor, reluctant, sorrowful, yet swayed by a will and an
emotion stronger than her own, went slowly out, leaving Tannis of
the Flats alone with her dead.
Public-domain original text shown for study context.
What happens here
Tannis of the Flats follows Avonlea life, family loyalty, small-town choices, romance, character change.
Why this scene matters
Tannis of the Flats matters because it carries part of Tannis of the Flats's larger pattern: Avonlea life, family loyalty, small-town choices, romance, character change. Reading the situation first makes the public-domain original easier to follow.
Characters in this scene
- Main characters: The people or creatures whose choices carry this part of Tannis of the Flats.
- Family or social world: The surrounding relationships, rules, promises, fears, or expectations shaping the action.
- Narrative pressure: The problem, wish, secret, danger, or misunderstanding that keeps the section moving.