Section 1
Snowflakes explained simply
Snowflakes by Nathaniel Hawthorne
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Th is snow in yonder cold gray sky of the morning, and through the partially-frosted window-panes I love to watch the gradual beginning of the storm. A few feathery flakes are scattered widely through the air and hover downward with uncertain flight, now almost alighting on th...
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Th is snow in yonder cold gray sky of the morning, and through the
partially-frosted window-panes I love to watch the gradual beginning of
the storm. A few feathery flakes are scattered widely through the air
and hover downward with uncertain flight, now almost alighting on the
earth, now whirled again aloft into remote regions of the atmosphere.
These are not the big flakes heavy with moisture which melt as they
touch the ground and are portentous of a soaking rain. It is to be in
good earnest a wintry storm. The two or three people visible on the
sidewalks have an aspect of endurance, a blue-nosed, frosty fortitude,
which is evidently assumed in anticipation of a comfortless and
blustering day. By nightfall—or, at least, before the sun sheds another
glimmering smile upon us—the street and our little garden will be
heaped with mountain snowdrifts. The soil, already frozen for weeks
past, is prepared to sustain whatever burden may be laid upon it, and
to a Northern eye the landscape will lose its melancholy bleakness and
acquire a beauty of its own when Mother Earth, like her children, shall
have put on the fleecy garb of her winter’s wear. The cloud-spirits are
slowly weaving her white mantle. As yet, indeed, there is barely a rime
like hoar-frost over the brown surface of the street; the withered
green of the grass-plat is still discernible, and the slated roofs of
the houses do but begin to look gray instead of black. All the snow
that has yet fallen within the circumference of my view, were it heaped
up together, would hardly equal the hillock of a grave. Thus gradually
by silent and stealthy influences are great changes wrought. These
little snow-particles which the storm-spirit flings by handfuls through
the air will bury the great Earth under their accumulated mass, nor
permit her to behold her sister Sky again for dreary months. We
likewise shall lose sight of our mother’s familiar visage, and must
content ourselves with looking heavenward the oftener.
Now, leaving the Storm to do his appointed office, let us sit down, pen
in hand, by our fireside. Gloomy as it may seem, there is an influence
productive of cheerfulness and favorable to imaginative thought in the
atmosphere of a snowy day. The native of a Southern clime may woo the
Muse beneath the heavy shade of summer foliage reclining on banks of
turf, while the sound of singing-birds and warbling rivulets chimes in
with the music of his soul. In our brief summer I do not think, but
only exist in the vague enjoyment of a dream. My hour of inspiration—if
that hour ever comes—is when the green log hisses upon the hearth, and
the bright flame, brighter for the gloom of the chamber, rustles high
up the chimney, and the coals drop tinkling down among the growing
heaps of ashes. When the casement rattles in the gust and the
snowflakes or the sleety raindrops pelt hard against the window-panes,
then I spread out my sheet of paper with the certainty that thoughts
and fancies will gleam forth upon it like stars at twilight or like
violets in May, perhaps to fade as soon. However transitory their glow,
they at least shine amid the darksome shadow which the clouds of the
outward sky fling through the room. Blessed, therefore, and reverently
welcomed by me, her true-born son, be New England’s winter, which makes
us one and all the nurslings of the storm and sings a familiar lullaby
even in the wildest shriek of the December blast. Now look we forth
again and see how much of his task the storm-spirit has done.
Slow and sure! He has the day—perchance the week—before him, and may
take his own time to accomplish Nature’s burial in snow. A smooth
mantle is scarcely yet thrown over the withered grass-plat, and the dry
stalks of annuals still thrust themselves through the white surface in
all parts of the garden. The leafless rose-bushes stand shivering in a
shallow snowdrift, looking, poor things! as disconsolate as if they
possessed a human consciousness of the dreary scene. This is a sad time
for the shrubs that do not perish with the summer. They neither live
nor die; what they retain of life seems but the chilling sense of
death. Very sad are the flower-shrubs in midwinter. The roofs of the
houses are now all white, save where the eddying wind has kept them
bare at the bleak corners. To discern the real intensity of the storm,
we must fix upon some distant object—as yonder spire—and observe how
the riotous gust fights with the descending snow throughout the
intervening space. Sometimes the entire prospect is obscured; then,
again, we have a distinct but transient glimpse of the tall steeple,
like a giant’s ghost; and now the dense wreaths sweep between, as if
demons were flinging snowdrifts at each other in mid-air. Look next
into the street, where we have an amusing parallel to the combat of
those fancied demons in the upper regions. It is a snow-battle of
schoolboys. What a pretty satire on war and military glory might be
written in the form of a child’s story by describing the snow-ball
fights of two rival schools, the alternate defeats and victories of
each, and the final triumph of one party, or perhaps of neither! What
pitched battles worthy to be chanted in Homeric strains! What storming
of fortresses built all of massive snow-blocks! What feats of
individual prowess and embodied onsets of martial enthusiasm! And when
some well-contested and decisive victory had put a period to the war,
both armies should unite to build a lofty monument of snow upon the
battlefield and crown it with the victor’s statue hewn of the same
frozen marble. In a few days or weeks thereafter the passer-by would
observe a shapeless mound upon the level common, and, unmindful of the
famous victory, would ask, “How came it there? Who reared it? And what
means it?” The shattered pedestal of many a battle-monument has
provoked these questions when none could answer.
Turn we again to the fireside and sit musing there, lending our ears to
the wind till perhaps it shall seem like an articulate voice and
dictate wild and airy matter for the pen. Would it might inspire me to
sketch out the personification of a New England winter! And that idea,
if I can seize the snow-wreathed figures that flit before my fancy,
shall be the theme of the next page.
How does Winter herald his approach? By the shrieking blast of latter
autumn which is Nature’s cry of lamentation as the destroyer rushes
among the shivering groves where she has lingered and scatters the sear
leaves upon the tempest. When that cry is heard, the people wrap
themselves in cloaks and shake their heads disconsolately, saying,
“Winter is at hand.” Then the axe of the woodcutter echoes sharp and
diligently in the forest; then the coal-merchants rejoice because each
shriek of Nature in her agony adds something to the price of coal per
ton; then the peat-smoke spreads its aromatic fragrance through the
atmosphere. A few days more, and at eventide the children look out of
the window and dimly perceive the flaunting of a snowy mantle in the
air. It is stern Winter’s vesture. They crowd around the hearth and
cling to their mother’s gown or press between their father’s knees,
affrighted by the hollow roaring voice that bellows adown the wide flue
of the chimney.
It is the voice of Winter; and when parents and children hear it, they
shudder and exclaim, “Winter is come. Cold Winter has begun his reign
already.” Now throughout New England each hearth becomes an altar
sending up the smoke of a continued sacrifice to the immitigable deity
who tyrannizes over forest, country-side and town. Wrapped in his white
mantle, his staff a huge icicle, his beard and hair a wind-tossed
snowdrift, he travels over the land in the midst of the northern blast,
and woe to the homeless wanderer whom he finds upon his path! There he
lies stark and stiff, a human shape of ice, on the spot where Winter
overtook him. On strides the tyrant over the rushing rivers and broad
lakes, which turn to rock beneath his footsteps. His dreary empire is
established; all around stretches the desolation of the pole. Yet not
ungrateful be his New England children (for Winter is our sire, though
a stern and rough one)—not ungrateful even for the severities which
have nourished our unyielding strength of character. And let us thank
him, too, for the sleigh-rides cheered by the music of merry bells; for
the crackling and rustling hearth when the ruddy firelight gleams on
hardy manhood and the blooming cheek of woman: for all the
home-enjoyments and the kindred virtues which flourish in a frozen
soil. Not that we grieve when, after some seven months of storm and
bitter frost, Spring, in the guise of a flower-crowned virgin, is seen
driving away the hoary despot, pelting him with violets by the handful
and strewing green grass on the path behind him. Often ere he will give
up his empire old Winter rushes fiercely buck and hurls a snowdrift at
the shrinking form of Spring, yet step by step he is compelled to
retreat northward, and spends the summer month within the Arctic
circle.
Such fantasies, intermixed among graver toils of mind, have made the
winter’s day pass pleasantly. Meanwhile, the storm has raged without
abatement, and now, as the brief afternoon declines, is tossing denser
volumes to and fro about the atmosphere. On the window-sill there is a
layer of snow reaching halfway up the lowest pane of glass. The garden
is one unbroken bed. Along the street are two or three spots of
uncovered earth where the gust has whirled away the snow, heaping it
elsewhere to the fence-tops or piling huge banks against the doors of
houses. A solitary passenger is seen, now striding mid-leg deep across
a drift, now scudding over the bare ground, while his cloak is swollen
with the wind. And now the jingling of bells—a sluggish sound
responsive to the horse’s toilsome progress through the unbroken
drifts—announces the passage of a sleigh with a boy clinging behind and
ducking his head to escape detection by the driver. Next comes a sledge
laden with wood for some unthrifty housekeeper whom winter has
surprised at a cold hearth. But what dismal equipage now struggles
along the uneven street? A sable hearse bestrewn with snow is bearing a
dead man through the storm to his frozen bed. Oh how dreary is a burial
in winter, when the bosom of Mother Earth has no warmth for her poor
child!
Evening—the early eve of December—begins to spread its deepening veil
over the comfortless scene. The firelight gradually brightens and
throws my flickering shadow upon the walls and ceiling of the chamber,
but still the storm rages and rattles against the windows. Alas! I
shiver and think it time to be disconsolate, but, taking a farewell
glance at dead Nature in her shroud, I perceive a flock of snowbirds
skimming lightsomely through the tempest and flitting from drift to
drift as sportively as swallows in the delightful prime of summer.
come they? Where do they build their nests and seek their food?
Why, having airy wings, do they not follow summer around the earth,
instead of making themselves the playmates of the storm and fluttering
on the dreary verge of the winter’s eve? I know not whence they come,
nor why; yet my spirit has been cheered by that wandering flock of
snow-birds.
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What happens here
Snowflakes follows moral symbolism, community pressure, secrecy, conscience, and hidden consequences.
Why this scene matters
This story matters because it turns moral symbolism, community pressure, secrecy, conscience, and hidden consequences into a compact public-domain reading experience that is easier to understand when the plot is explained plainly first.
Characters in this scene
- Main figure: The person, animal, or symbolic figure at the center of the story.
- The problem: The pressure, temptation, danger, or misunderstanding that drives the action.
- The story world: The setting and surrounding characters that make the choice or surprise meaningful.