Section 20
Chapter 20 explained simply
Silas Marner by George Eliot
Original excerpt
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Nancy and Godfrey walked home under the starlight in silence. When they entered the oaken parlour, Godfrey threw himself into his chair, while Nancy laid down her bonnet and shawl, and stood on the hearth near her husband, unwilling to leave him even for a...
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Nancy and Godfrey walked home under the starlight in silence. When they
entered the oaken parlour, Godfrey threw himself into his chair, while
Nancy laid down her bonnet and shawl, and stood on the hearth near her
husband, unwilling to leave him even for a few minutes, and yet fearing
to utter any word lest it might jar on his feeling. At last Godfrey
turned his head towards her, and their eyes met, dwelling in that
meeting without any movement on either side. That quiet mutual gaze of
a trusting husband and wife is like the first moment of rest or refuge
from a great weariness or a great danger—not to be interfered with by
speech or action which would distract the sensations from the fresh
enjoyment of repose.
But presently he put out his hand, and as Nancy placed hers within it,
he drew her towards him, and said—
“That’s ended!”
She bent to kiss him, and then said, as she stood by his side, “Yes,
I’m afraid we must give up the hope of having her for a daughter. It
wouldn’t be right to want to force her to come to us against her will.
We can’t alter her bringing up and what’s come of it.”
“No,” said Godfrey, with a keen decisiveness of tone, in contrast with
his usually careless and unemphatic speech—“there’s debts we can’t pay
like money debts, by paying extra for the years that have slipped by.
While I’ve been putting off and putting off, the trees have been
growing—it’s too late now. Marner was in the right in what he said
about a man’s turning away a blessing from his door: it falls to
somebody else. I wanted to pass for childless once, Nancy—I shall pass
for childless now against my wish.”
Nancy did not speak immediately, but after a little while she
asked—“You won’t make it known, then, about Eppie’s being your
daughter?”
“No: where would be the good to anybody?—only harm. I must do what I
can for her in the state of life she chooses. I must see who it is
she’s thinking of marrying.”
“If it won’t do any good to make the thing known,” said Nancy, who
thought she might now allow herself the relief of entertaining a
feeling which she had tried to silence before, “I should be very
thankful for father and Priscilla never to be troubled with knowing
what was done in the past, more than about Dunsey: it can’t be helped,
their knowing that.”
“I shall put it in my will—I think I shall put it in my will. I
shouldn’t like to leave anything to be found out, like this of Dunsey,”
said Godfrey, meditatively. “But I can’t see anything but difficulties
that ’ud come from telling it now. I must do what I can to make her
happy in her own way. I’ve a notion,” he added, after a moment’s pause,
“it’s Aaron Winthrop she meant she was engaged to. I remember seeing
him with her and Marner going away from church.”
“Well, he’s very sober and industrious,” said Nancy, trying to view the
matter as cheerfully as possible.
Godfrey fell into thoughtfulness again. Presently he looked up at Nancy
sorrowfully, and said—
“She’s a very pretty, nice girl, isn’t she, Nancy?”
“Yes, dear; and with just your hair and eyes: I wondered it had never
struck me before.”
“I think she took a dislike to me at the thought of my being her
father: I could see a change in her manner after that.”
“She couldn’t bear to think of not looking on Marner as her father,”
said Nancy, not wishing to confirm her husband’s painful impression.
“She thinks I did wrong by her mother as well as by her. She thinks me
worse than I am. But she _must_ think it: she can never know all. It’s
part of my punishment, Nancy, for my daughter to dislike me. I should
never have got into that trouble if I’d been true to you—if I hadn’t
been a fool. I’d no right to expect anything but evil could come of
that marriage—and when I shirked doing a father’s part too.”
Nancy was silent: her spirit of rectitude would not let her try to
soften the edge of what she felt to be a just compunction. He spoke
again after a little while, but the tone was rather changed: there was
tenderness mingled with the previous self-reproach.
“And I got _you_, Nancy, in spite of all; and yet I’ve been grumbling
and uneasy because I hadn’t something else—as if I deserved it.”
“You’ve never been wanting to me, Godfrey,” said Nancy, with quiet
sincerity. “My only trouble would be gone if you resigned yourself to
the lot that’s been given us.”
“Well, perhaps it isn’t too late to mend a bit there. Though it _is_
too late to mend some things, say what they will.”
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What happens here
Chapter 20 follows isolation, loss, community, parenthood, redemption.
Why this scene matters
Chapter 20 matters because it carries part of Silas Marner's larger pattern: isolation, loss, community, parenthood, redemption. Reading the situation first makes the public-domain original easier to follow.
Characters in this scene
- Main characters: The people or creatures whose choices carry this part of Silas Marner.
- Family or social world: The surrounding relationships, rules, promises, fears, or expectations shaping the action.
- Narrative pressure: The problem, wish, secret, danger, or misunderstanding that keeps the section moving.