Section 16
Chapter 16 explained simply
Silas Marner by George Eliot
Original excerpt
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It was a bright autumn Sunday, sixteen years after Silas Marner had found his new treasure on the hearth. The bells of the old Raveloe church were ringing the cheerful peal which told that the morning service was ended; and out of the arched doorway in the...
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It was a bright autumn Sunday, sixteen years after Silas Marner had
found his new treasure on the hearth. The bells of the old Raveloe
church were ringing the cheerful peal which told that the morning
service was ended; and out of the arched doorway in the tower came
slowly, retarded by friendly greetings and questions, the richer
parishioners who had chosen this bright Sunday morning as eligible for
church-going. It was the rural fashion of that time for the more
important members of the congregation to depart first, while their
humbler neighbours waited and looked on, stroking their bent heads or
dropping their curtsies to any large ratepayer who turned to notice
them.
Foremost among these advancing groups of well-clad people, there are
some whom we shall recognize, in spite of Time, who has laid his hand
on them all. The tall blond man of forty is not much changed in feature
from the Godfrey Cass of six-and-twenty: he is only fuller in flesh,
and has only lost the indefinable look of youth—a loss which is marked
even when the eye is undulled and the wrinkles are not yet come.
Perhaps the pretty woman, not much younger than he, who is leaning on
his arm, is more changed than her husband: the lovely bloom that used
to be always on her cheek now comes but fitfully, with the fresh
morning air or with some strong surprise; yet to all who love human
faces best for what they tell of human experience, Nancy’s beauty has a
heightened interest. Often the soul is ripened into fuller goodness
while age has spread an ugly film, so that mere glances can never
divine the preciousness of the fruit. But the years have not been so
cruel to Nancy. The firm yet placid mouth, the clear veracious glance
of the brown eyes, speak now of a nature that has been tested and has
kept its highest qualities; and even the costume, with its dainty
neatness and purity, has more significance now the coquetries of youth
can have nothing to do with it.
Mr. and Mrs. Godfrey Cass (any higher title has died away from Raveloe
lips since the old Squire was gathered to his fathers and his
inheritance was divided) have turned round to look for the tall aged
man and the plainly dressed woman who are a little behind—Nancy having
observed that they must wait for “father and Priscilla”—and now they
all turn into a narrower path leading across the churchyard to a small
gate opposite the Red House. We will not follow them now; for may there
not be some others in this departing congregation whom we should like
to see again—some of those who are not likely to be handsomely clad,
and whom we may not recognize so easily as the master and mistress of
the Red House?
But it is impossible to mistake Silas Marner. His large brown eyes seem
to have gathered a longer vision, as is the way with eyes that have
been short-sighted in early life, and they have a less vague, a more
answering gaze; but in everything else one sees signs of a frame much
enfeebled by the lapse of the sixteen years. The weaver’s bent
shoulders and white hair give him almost the look of advanced age,
though he is not more than five-and-fifty; but there is the freshest
blossom of youth close by his side—a blonde dimpled girl of eighteen,
who has vainly tried to chastise her curly auburn hair into smoothness
under her brown bonnet: the hair ripples as obstinately as a brooklet
under the March breeze, and the little ringlets burst away from the
restraining comb behind and show themselves below the bonnet-crown.
Eppie cannot help being rather vexed about her hair, for there is no
other girl in Raveloe who has hair at all like it, and she thinks hair
ought to be smooth. She does not like to be blameworthy even in small
things: you see how neatly her prayer-book is folded in her spotted
handkerchief.
That good-looking young fellow, in a new fustian suit, who walks behind
her, is not quite sure upon the question of hair in the abstract, when
Eppie puts it to him, and thinks that perhaps straight hair is the best
in general, but he doesn’t want Eppie’s hair to be different. She
surely divines that there is some one behind her who is thinking about
her very particularly, and mustering courage to come to her side as
soon as they are out in the lane, else why should she look rather shy,
and take care not to turn away her head from her father Silas, to whom
she keeps murmuring little sentences as to who was at church and who
was not at church, and how pretty the red mountain-ash is over the
Rectory wall?
“I wish _we_ had a little garden, father, with double daisies in, like
Mrs. Winthrop’s,” said Eppie, when they were out in the lane; “only
they say it ’ud take a deal of digging and bringing fresh soil—and you
couldn’t do that, could you, father? Anyhow, I shouldn’t like you to do
it, for it ’ud be too hard work for you.”
“Yes, I could do it, child, if you want a bit o’ garden: these long
evenings, I could work at taking in a little bit o’ the waste, just
enough for a root or two o’ flowers for you; and again, i’ the morning,
I could have a turn wi’ the spade before I sat down to the loom. Why
didn’t you tell me before as you wanted a bit o’ garden?”
“_I_ can dig it for you, Master Marner,” said the young man in fustian,
who was now by Eppie’s side, entering into the conversation without the
trouble of formalities. “It’ll be play to me after I’ve done my day’s
work, or any odd bits o’ time when the work’s slack. And I’ll bring you
some soil from Mr. Cass’s garden—he’ll let me, and willing.”
“Eh, Aaron, my lad, are you there?” said Silas; “I wasn’t aware of you;
for when Eppie’s talking o’ things, I see nothing but what she’s
a-saying. Well, if you could help me with the digging, we might get her
a bit o’ garden all the sooner.”
“Then, if you think well and good,” said Aaron, “I’ll come to the
Stone-pits this afternoon, and we’ll settle what land’s to be taken in,
and I’ll get up an hour earlier i’ the morning, and begin on it.”
“But not if you don’t promise me not to work at the hard digging,
father,” said Eppie. “For I shouldn’t ha’ said anything about it,” she
added, half-bashfully, half-roguishly, “only Mrs. Winthrop said as
Aaron ’ud be so good, and—”
“And you might ha’ known it without mother telling you,” said Aaron.
“And Master Marner knows too, I hope, as I’m able and willing to do a
turn o’ work for him, and he won’t do me the unkindness to anyways take
it out o’ my hands.”
“There, now, father, you won’t work in it till it’s all easy,” said
Eppie, “and you and me can mark out the beds, and make holes and plant
the roots. It’ll be a deal livelier at the Stone-pits when we’ve got
some flowers, for I always think the flowers can see us and know what
we’re talking about. And I’ll have a bit o’ rosemary, and bergamot, and
thyme, because they’re so sweet-smelling; but there’s no lavender only
in the gentlefolks’ gardens, I think.”
“That’s no reason why you shouldn’t have some,” said Aaron, “for I can
bring you slips of anything; I’m forced to cut no end of ’em when I’m
gardening, and throw ’em away mostly. There’s a big bed o’ lavender at
the Red House: the missis is very fond of it.”
“Well,” said Silas, gravely, “so as you don’t make free for us, or ask
for anything as is worth much at the Red House: for Mr. Cass’s been so
good to us, and built us up the new end o’ the cottage, and given us
beds and things, as I couldn’t abide to be imposin’ for garden-stuff or
anything else.”
“No, no, there’s no imposin,’” said Aaron; “there’s never a garden in
all the parish but what there’s endless waste in it for want o’
somebody as could use everything up. It’s what I think to myself
sometimes, as there need nobody run short o’ victuals if the land was
made the most on, and there was never a morsel but what could find its
way to a mouth. It sets one thinking o’ that—gardening does. But I must
go back now, else mother ’ull be in trouble as I aren’t there.”
“Bring her with you this afternoon, Aaron,” said Eppie; “I shouldn’t
like to fix about the garden, and her not know everything from the
first—should _you_, father?”
“Aye, bring her if you can, Aaron,” said Silas; “she’s sure to have a
word to say as’ll help us to set things on their right end.”
Aaron turned back up the village, while Silas and Eppie went on up the
lonely sheltered lane.
“O daddy!” she began, when they were in privacy, clasping and squeezing
Silas’s arm, and skipping round to give him an energetic kiss. “My
little old daddy! I’m so glad. I don’t think I shall want anything else
when we’ve got a little garden; and I knew Aaron would dig it for us,”
she went on with roguish triumph—“I knew that very well.”
“You’re a deep little puss, you are,” said Silas, with the mild passive
happiness of love-crowned age in his face; “but you’ll make yourself
fine and beholden to Aaron.”
“Oh, no, I shan’t,” said Eppie, laughing and frisking; “he likes it.”
“Come, come, let me carry your prayer-book, else you’ll be dropping it,
jumping i’ that way.”
Eppie was now aware that her behaviour was under observation, but it
was only the observation of a friendly donkey, browsing with a log
fastened to his foot—a meek donkey, not scornfully critical of human
trivialities, but thankful to share in them, if possible, by getting
his nose scratched; and Eppie did not fail to gratify him with her
usual notice, though it was attended with the inconvenience of his
following them, painfully, up to the very door of their home.
But the sound of a sharp bark inside, as Eppie put the key in the door,
modified the donkey’s views, and he limped away again without bidding.
The sharp bark was the sign of an excited welcome that was awaiting
them from a knowing brown terrier, who, after dancing at their legs in
a hysterical manner, rushed with a worrying noise at a tortoise-shell
kitten under the loom, and then rushed back with a sharp bark again, as
much as to say, “I have done my duty by this feeble creature, you
perceive”; while the lady-mother of the kitten sat sunning her white
bosom in the window, and looked round with a sleepy air of expecting
caresses, though she was not going to take any trouble for them.
The presence of this happy animal life was not the only change which
had come over the interior of the stone cottage. There was no bed now
in the living-room, and the small space was well filled with decent
furniture, all bright and clean enough to satisfy Dolly Winthrop’s eye.
The oaken table and three-cornered oaken chair were hardly what was
likely to be seen in so poor a cottage: they had come, with the beds
and other things, from the Red House; for Mr. Godfrey Cass, as every
one said in the village, did very kindly by the weaver; and it was
nothing but right a man should be looked on and helped by those who
could afford it, when he had brought up an orphan child, and been
father and mother to her—and had lost his money too, so as he had
nothing but what he worked for week by week, and when the weaving was
going down too—for there was less and less flax spun—and Master Marner
was none so young. Nobody was jealous of the weaver, for he was
regarded as an exceptional person, whose claims on neighbourly help
were not to be matched in Raveloe. Any superstition that remained
concerning him had taken an entirely new colour; and Mr. Macey, now a
very feeble old man of fourscore and six, never seen except in his
chimney-corner or sitting in the sunshine at his door-sill, was of
opinion that when a man had done what Silas had done by an orphan
child, it was a sign that his money would come to light again, or
leastwise that the robber would be made to answer for it—for, as Mr.
Macey observed of himself, his faculties were as strong as ever.
Silas sat down now and watched Eppie with a satisfied gaze as she
spread the clean cloth, and set on it the potato-pie, warmed up slowly
in a safe Sunday fashion, by being put into a dry pot over a
slowly-dying fire, as the best substitute for an oven. For Silas would
not consent to have a grate and oven added to his conveniences: he
loved the old brick hearth as he had loved his brown pot—and was it not
there when he had found Eppie? The gods of the hearth exist for us
still; and let all new faith be tolerant of that fetishism, lest it
bruise its own roots.
Silas ate his dinner more silently than usual, soon laying down his
knife and fork, and watching half-abstractedly Eppie’s play with Snap
and the cat, by which her own dining was made rather a lengthy
business. Yet it was a sight that might well arrest wandering thoughts:
Eppie, with the rippling radiance of her hair and the whiteness of her
rounded chin and throat set off by the dark-blue cotton gown, laughing
merrily as the kitten held on with her four claws to one shoulder, like
a design for a jug-handle, while Snap on the right hand and Puss on the
other put up their paws towards a morsel which she held out of the
reach of both—Snap occasionally desisting in order to remonstrate with
the cat by a cogent worrying growl on the greediness and futility of
her conduct; till Eppie relented, caressed them both, and divided the
morsel between them.
But at last Eppie, glancing at the clock, checked the play, and said,
“O daddy, you’re wanting to go into the sunshine to smoke your pipe.
But I must clear away first, so as the house may be tidy when godmother
comes. I’ll make haste—I won’t be long.”
Silas had taken to smoking a pipe daily during the last two years,
having been strongly urged to it by the sages of Raveloe, as a practice
“good for the fits”; and this advice was sanctioned by Dr. Kimble, on
the ground that it was as well to try what could do no harm—a principle
which was made to answer for a great deal of work in that gentleman’s
medical practice. Silas did not highly enjoy smoking, and often
wondered how his neighbours could be so fond of it; but a humble sort
of acquiescence in what was held to be good, had become a strong habit
of that new self which had been developed in him since he had found
Eppie on his hearth: it had been the only clew his bewildered mind
could hold by in cherishing this young life that had been sent to him
out of the darkness into which his gold had departed. By seeking what
was needful for Eppie, by sharing the effect that everything produced
on her, he had himself come to appropriate the forms of custom and
belief which were the mould of Raveloe life; and as, with reawakening
sensibilities, memory also reawakened, he had begun to ponder over the
elements of his old faith, and blend them with his new impressions,
till he recovered a consciousness of unity between his past and
present. The sense of presiding goodness and the human trust which come
with all pure peace and joy, had given him a dim impression that there
had been some error, some mistake, which had thrown that dark shadow
over the days of his best years; and as it grew more and more easy to
him to open his mind to Dolly Winthrop, he gradually communicated to
her all he could describe of his early life. The communication was
necessarily a slow and difficult process, for Silas’s meagre power of
explanation was not aided by any readiness of interpretation in Dolly,
whose narrow outward experience gave her no key to strange customs, and
made every novelty a source of wonder that arrested them at every step
of the narrative. It was only by fragments, and at intervals which left
Dolly time to revolve what she had heard till it acquired some
familiarity for her, that Silas at last arrived at the climax of the
sad story—the drawing of lots, and its false testimony concerning him;
and this had to be repeated in several interviews, under new questions
on her part as to the nature of this plan for detecting the guilty and
clearing the innocent.
“And yourn’s the same Bible, you’re sure o’ that, Master Marner—the
Bible as you brought wi’ you from that country—it’s the same as what
they’ve got at church, and what Eppie’s a-learning to read in?”
“Yes,” said Silas, “every bit the same; and there’s drawing o’ lots in
the Bible, mind you,” he added in a lower tone.
“Oh, dear, dear,” said Dolly in a grieved voice, as if she were hearing
an unfavourable report of a sick man’s case. She was silent for some
minutes; at last she said—
“There’s wise folks, happen, as know how it all is; the parson knows,
I’ll be bound; but it takes big words to tell them things, and such as
poor folks can’t make much out on. I can never rightly know the meaning
o’ what I hear at church, only a bit here and there, but I know it’s
good words—I do. But what lies upo’ your mind—it’s this, Master Marner:
as, if Them above had done the right thing by you, They’d never ha’ let
you be turned out for a wicked thief when you was innicent.”
“Ah!” said Silas, who had now come to understand Dolly’s phraseology,
“that was what fell on me like as if it had been red-hot iron; because,
you see, there was nobody as cared for me or clave to me above nor
below. And him as I’d gone out and in wi’ for ten year and more, since
when we was lads and went halves—mine own familiar friend in whom I
trusted, had lifted up his heel again’ me, and worked to ruin me.”
“Eh, but he was a bad un—I can’t think as there’s another such,” said
Dolly. “But I’m o’ercome, Master Marner; I’m like as if I’d waked and
didn’t know whether it was night or morning. I feel somehow as sure as
I do when I’ve laid something up though I can’t justly put my hand on
it, as there was a rights in what happened to you, if one could but
make it out; and you’d no call to lose heart as you did. But we’ll talk
on it again; for sometimes things come into my head when I’m leeching
or poulticing, or such, as I could never think on when I was sitting
still.”
Dolly was too useful a woman not to have many opportunities of
illumination of the kind she alluded to, and she was not long before
she recurred to the subject.
“Master Marner,” she said, one day that she came to bring home Eppie’s
washing, “I’ve been sore puzzled for a good bit wi’ that trouble o’
yourn and the drawing o’ lots; and it got twisted back’ards and
for’ards, as I didn’t know which end to lay hold on. But it come to me
all clear like, that night when I was sitting up wi’ poor Bessy Fawkes,
as is dead and left her children behind, God help ’em—it come to me as
clear as daylight; but whether I’ve got hold on it now, or can anyways
bring it to my tongue’s end, that I don’t know. For I’ve often a deal
inside me as’ll never come out; and for what you talk o’ your folks in
your old country niver saying prayers by heart nor saying ’em out of a
book, they must be wonderful cliver; for if I didn’t know ‘Our Father,’
and little bits o’ good words as I can carry out o’ church wi’ me, I
might down o’ my knees every night, but nothing could I say.”
“But you can mostly say something as I can make sense on, Mrs.
Winthrop,” said Silas.
“Well, then, Master Marner, it come to me summat like this: I can make
nothing o’ the drawing o’ lots and the answer coming wrong; it ’ud
mayhap take the parson to tell that, and he could only tell us i’ big
words. But what come to me as clear as the daylight, it was when I was
troubling over poor Bessy Fawkes, and it allays comes into my head when
I’m sorry for folks, and feel as I can’t do a power to help ’em, not if
I was to get up i’ the middle o’ the night—it comes into my head as
Them above has got a deal tenderer heart nor what I’ve got—for I can’t
be anyways better nor Them as made me; and if anything looks hard to
me, it’s because there’s things I don’t know on; and for the matter o’
that, there may be plenty o’ things I don’t know on, for it’s little as
I know—that it is. And so, while I was thinking o’ that, you come into
my mind, Master Marner, and it all come pouring in:—if _I_ felt i’ my
inside what was the right and just thing by you, and them as prayed and
drawed the lots, all but that wicked un, if _they_’d ha’ done the right
thing by you if they could, isn’t there Them as was at the making on
us, and knows better and has a better will? And that’s all as ever I
can be sure on, and everything else is a big puzzle to me when I think
on it. For there was the fever come and took off them as were
full-growed, and left the helpless children; and there’s the breaking
o’ limbs; and them as ’ud do right and be sober have to suffer by them
as are contrairy—eh, there’s trouble i’ this world, and there’s things
as we can niver make out the rights on. And all as we’ve got to do is
to trusten, Master Marner—to do the right thing as fur as we know, and
to trusten. For if us as knows so little can see a bit o’ good and
rights, we may be sure as there’s a good and a rights bigger nor what
we can know—I feel it i’ my own inside as it must be so. And if you
could but ha’ gone on trustening, Master Marner, you wouldn’t ha’ run
away from your fellow-creaturs and been so lone.”
“Ah, but that ’ud ha’ been hard,” said Silas, in an under-tone; “it ’ud
ha’ been hard to trusten then.”
“And so it would,” said Dolly, almost with compunction; “them things
are easier said nor done; and I’m partly ashamed o’ talking.”
“Nay, nay,” said Silas, “you’re i’ the right, Mrs. Winthrop—you’re i’
the right. There’s good i’ this world—I’ve a feeling o’ that now; and
it makes a man feel as there’s a good more nor he can see, i’ spite o’
the trouble and the wickedness. That drawing o’ the lots is dark; but
the child was sent to me: there’s dealings with us—there’s dealings.”
This dialogue took place in Eppie’s earlier years, when Silas had to
part with her for two hours every day, that she might learn to read at
the dame school, after he had vainly tried himself to guide her in that
first step to learning. Now that she was grown up, Silas had often been
led, in those moments of quiet outpouring which come to people who live
together in perfect love, to talk with _her_ too of the past, and how
and why he had lived a lonely man until she had been sent to him. For
it would have been impossible for him to hide from Eppie that she was
not his own child: even if the most delicate reticence on the point
could have been expected from Raveloe gossips in her presence, her own
questions about her mother could not have been parried, as she grew up,
without that complete shrouding of the past which would have made a
painful barrier between their minds. So Eppie had long known how her
mother had died on the snowy ground, and how she herself had been found
on the hearth by father Silas, who had taken her golden curls for his
lost guineas brought back to him. The tender and peculiar love with
which Silas had reared her in almost inseparable companionship with
himself, aided by the seclusion of their dwelling, had preserved her
from the lowering influences of the village talk and habits, and had
kept her mind in that freshness which is sometimes falsely supposed to
be an invariable attribute of rusticity. Perfect love has a breath of
poetry which can exalt the relations of the least-instructed human
beings; and this breath of poetry had surrounded Eppie from the time
when she had followed the bright gleam that beckoned her to Silas’s
hearth; so that it is not surprising if, in other things besides her
delicate prettiness, she was not quite a common village maiden, but had
a touch of refinement and fervour which came from no other teaching
than that of tenderly-nurtured unvitiated feeling. She was too childish
and simple for her imagination to rove into questions about her unknown
father; for a long while it did not even occur to her that she must
have had a father; and the first time that the idea of her mother
having had a husband presented itself to her, was when Silas showed her
the wedding-ring which had been taken from the wasted finger, and had
been carefully preserved by him in a little lackered box shaped like a
shoe. He delivered this box into Eppie’s charge when she had grown up,
and she often opened it to look at the ring: but still she thought
hardly at all about the father of whom it was the symbol. Had she not a
father very close to her, who loved her better than any real fathers in
the village seemed to love their daughters? On the contrary, who her
mother was, and how she came to die in that forlornness, were questions
that often pressed on Eppie’s mind. Her knowledge of Mrs. Winthrop, who
was her nearest friend next to Silas, made her feel that a mother must
be very precious; and she had again and again asked Silas to tell her
how her mother looked, whom she was like, and how he had found her
against the furze bush, led towards it by the little footsteps and the
outstretched arms. The furze bush was there still; and this afternoon,
when Eppie came out with Silas into the sunshine, it was the first
object that arrested her eyes and thoughts.
“Father,” she said, in a tone of gentle gravity, which sometimes came
like a sadder, slower cadence across her playfulness, “we shall take
the furze bush into the garden; it’ll come into the corner, and just
against it I’ll put snowdrops and crocuses, ’cause Aaron says they
won’t die out, but’ll always get more and more.”
“Ah, child,” said Silas, always ready to talk when he had his pipe in
his hand, apparently enjoying the pauses more than the puffs, “it
wouldn’t do to leave out the furze bush; and there’s nothing prettier,
to my thinking, when it’s yallow with flowers. But it’s just come into
my head what we’re to do for a fence—mayhap Aaron can help us to a
thought; but a fence we must have, else the donkeys and things ’ull
come and trample everything down. And fencing’s hard to be got at, by
what I can make out.”
“Oh, I’ll tell you, daddy,” said Eppie, clasping her hands suddenly,
after a minute’s thought. “There’s lots o’ loose stones about, some of
’em not big, and we might lay ’em atop of one another, and make a wall.
You and me could carry the smallest, and Aaron ’ud carry the rest—I
know he would.”
“Eh, my precious un,” said Silas, “there isn’t enough stones to go all
round; and as for you carrying, why, wi’ your little arms you couldn’t
carry a stone no bigger than a turnip. You’re dillicate made, my dear,”
he added, with a tender intonation—“that’s what Mrs. Winthrop says.”
“Oh, I’m stronger than you think, daddy,” said Eppie; “and if there
wasn’t stones enough to go all round, why they’ll go part o’ the way,
and then it’ll be easier to get sticks and things for the rest. See
here, round the big pit, what a many stones!”
She skipped forward to the pit, meaning to lift one of the stones and
exhibit her strength, but she started back in surprise.
“Oh, father, just come and look here,” she exclaimed—“come and see how
the water’s gone down since yesterday. Why, yesterday the pit was ever
so full!”
“Well, to be sure,” said Silas, coming to her side. “Why, that’s the
draining they’ve begun on, since harvest, i’ Mr. Osgood’s fields, I
reckon. The foreman said to me the other day, when I passed by ’em,
‘Master Marner,’ he said, ‘I shouldn’t wonder if we lay your bit o’
waste as dry as a bone.’ It was Mr. Godfrey Cass, he said, had gone
into the draining: he’d been taking these fields o’ Mr. Osgood.”
“How odd it’ll seem to have the old pit dried up!” said Eppie, turning
away, and stooping to lift rather a large stone. “See, daddy, I can
carry this quite well,” she said, going along with much energy for a
few steps, but presently letting it fall.
“Ah, you’re fine and strong, aren’t you?” said Silas, while Eppie shook
her aching arms and laughed. “Come, come, let us go and sit down on the
bank against the stile there, and have no more lifting. You might hurt
yourself, child. You’d need have somebody to work for you—and my arm
isn’t over strong.”
Silas uttered the last sentence slowly, as if it implied more than met
the ear; and Eppie, when they sat down on the bank, nestled close to
his side, and, taking hold caressingly of the arm that was not over
strong, held it on her lap, while Silas puffed again dutifully at the
pipe, which occupied his other arm. An ash in the hedgerow behind made
a fretted screen from the sun, and threw happy playful shadows all
about them.
“Father,” said Eppie, very gently, after they had been sitting in
silence a little while, “if I was to be married, ought I to be married
with my mother’s ring?”
Silas gave an almost imperceptible start, though the question fell in
with the under-current of thought in his own mind, and then said, in a
subdued tone, “Why, Eppie, have you been a-thinking on it?”
“Only this last week, father,” said Eppie, ingenuously, “since Aaron
talked to me about it.”
“And what did he say?” said Silas, still in the same subdued way, as if
he were anxious lest he should fall into the slightest tone that was
not for Eppie’s good.
“He said he should like to be married, because he was a-going in
four-and-twenty, and had got a deal of gardening work, now Mr. Mott’s
given up; and he goes twice a-week regular to Mr. Cass’s, and once to
Mr. Osgood’s, and they’re going to take him on at the Rectory.”
“And who is it as he’s wanting to marry?” said Silas, with rather a sad
smile.
“Why, me, to be sure, daddy,” said Eppie, with dimpling laughter,
kissing her father’s cheek; “as if he’d want to marry anybody else!”
“And you mean to have him, do you?” said Silas.
“Yes, some time,” said Eppie, “I don’t know when. Everybody’s married
some time, Aaron says. But I told him that wasn’t true: for, I said,
look at father—he’s never been married.”
“No, child,” said Silas, “your father was a lone man till you was sent
to him.”
“But you’ll never be lone again, father,” said Eppie, tenderly. “That
was what Aaron said—‘I could never think o’ taking you away from Master
Marner, Eppie.’ And I said, ‘It ’ud be no use if you did, Aaron.’ And
he wants us all to live together, so as you needn’t work a bit, father,
only what’s for your own pleasure; and he’d be as good as a son to
you—that was what he said.”
“And should you like that, Eppie?” said Silas, looking at her.
“I shouldn’t mind it, father,” said Eppie, quite simply. “And I should
like things to be so as you needn’t work much. But if it wasn’t for
that, I’d sooner things didn’t change. I’m very happy: I like Aaron to
be fond of me, and come and see us often, and behave pretty to you—he
always _does_ behave pretty to you, doesn’t he, father?”
“Yes, child, nobody could behave better,” said Silas, emphatically.
“He’s his mother’s lad.”
“But I don’t want any change,” said Eppie. “I should like to go on a
long, long while, just as we are. Only Aaron does want a change; and he
made me cry a bit—only a bit—because he said I didn’t care for him, for
if I cared for him I should want us to be married, as he did.”
“Eh, my blessed child,” said Silas, laying down his pipe as if it were
useless to pretend to smoke any longer, “you’re o’er young to be
married. We’ll ask Mrs. Winthrop—we’ll ask Aaron’s mother what _she_
thinks: if there’s a right thing to do, she’ll come at it. But there’s
this to be thought on, Eppie: things _will_ change, whether we like it
or no; things won’t go on for a long while just as they are and no
difference. I shall get older and helplesser, and be a burden on you,
belike, if I don’t go away from you altogether. Not as I mean you’d
think me a burden—I know you wouldn’t—but it ’ud be hard upon you; and
when I look for’ard to that, I like to think as you’d have somebody
else besides me—somebody young and strong, as’ll outlast your own life,
and take care on you to the end.” Silas paused, and, resting his wrists
on his knees, lifted his hands up and down meditatively as he looked on
the ground.
“Then, would you like me to be married, father?” said Eppie, with a
little trembling in her voice.
“I’ll not be the man to say no, Eppie,” said Silas, emphatically; “but
we’ll ask your godmother. She’ll wish the right thing by you and her
son too.”
“There they come, then,” said Eppie. “Let us go and meet ’em. Oh, the
pipe! won’t you have it lit again, father?” said Eppie, lifting that
medicinal appliance from the ground.
“Nay, child,” said Silas, “I’ve done enough for to-day. I think,
mayhap, a little of it does me more good than so much at once.”
Public-domain original text shown for study context.
What happens here
Chapter 16 follows isolation, loss, community, parenthood, redemption.
Why this scene matters
Chapter 16 matters because it carries part of Silas Marner's larger pattern: isolation, loss, community, parenthood, redemption. Reading the situation first makes the public-domain original easier to follow.
Characters in this scene
- Main characters: The people or creatures whose choices carry this part of Silas Marner.
- Family or social world: The surrounding relationships, rules, promises, fears, or expectations shaping the action.
- Narrative pressure: The problem, wish, secret, danger, or misunderstanding that keeps the section moving.