Section 12
Chapter 12 explained simply
Silas Marner by George Eliot
Original excerpt
Excerpt preview
While Godfrey Cass was taking draughts of forgetfulness from the sweet presence of Nancy, willingly losing all sense of that hidden bond which at other moments galled and fretted him so as to mingle irritation with the very sunshine, Godfrey’s wife was...
Read full original text in reading mode
Public-domain original
While Godfrey Cass was taking draughts of forgetfulness from the sweet
presence of Nancy, willingly losing all sense of that hidden bond which
at other moments galled and fretted him so as to mingle irritation with
the very sunshine, Godfrey’s wife was walking with slow uncertain steps
through the snow-covered Raveloe lanes, carrying her child in her arms.
This journey on New Year’s Eve was a premeditated act of vengeance
which she had kept in her heart ever since Godfrey, in a fit of
passion, had told her he would sooner die than acknowledge her as his
wife. There would be a great party at the Red House on New Year’s Eve,
she knew: her husband would be smiling and smiled upon, hiding _her_
existence in the darkest corner of his heart. But she would mar his
pleasure: she would go in her dingy rags, with her faded face, once as
handsome as the best, with her little child that had its father’s hair
and eyes, and disclose herself to the Squire as his eldest son’s wife.
It is seldom that the miserable can help regarding their misery as a
wrong inflicted by those who are less miserable. Molly knew that the
cause of her dingy rags was not her husband’s neglect, but the demon
Opium to whom she was enslaved, body and soul, except in the lingering
mother’s tenderness that refused to give him her hungry child. She knew
this well; and yet, in the moments of wretched unbenumbed
consciousness, the sense of her want and degradation transformed itself
continually into bitterness towards Godfrey. _He_ was well off; and if
she had her rights she would be well off too. The belief that he
repented his marriage, and suffered from it, only aggravated her
vindictiveness. Just and self-reproving thoughts do not come to us too
thickly, even in the purest air, and with the best lessons of heaven
and earth; how should those white-winged delicate messengers make their
way to Molly’s poisoned chamber, inhabited by no higher memories than
those of a barmaid’s paradise of pink ribbons and gentlemen’s jokes?
She had set out at an early hour, but had lingered on the road,
inclined by her indolence to believe that if she waited under a warm
shed the snow would cease to fall. She had waited longer than she knew,
and now that she found herself belated in the snow-hidden ruggedness of
the long lanes, even the animation of a vindictive purpose could not
keep her spirit from failing. It was seven o’clock, and by this time
she was not very far from Raveloe, but she was not familiar enough with
those monotonous lanes to know how near she was to her journey’s end.
She needed comfort, and she knew but one comforter—the familiar demon
in her bosom; but she hesitated a moment, after drawing out the black
remnant, before she raised it to her lips. In that moment the mother’s
love pleaded for painful consciousness rather than oblivion—pleaded to
be left in aching weariness, rather than to have the encircling arms
benumbed so that they could not feel the dear burden. In another moment
Molly had flung something away, but it was not the black remnant—it was
an empty phial. And she walked on again under the breaking cloud, from
which there came now and then the light of a quickly veiled star, for a
freezing wind had sprung up since the snowing had ceased. But she
walked always more and more drowsily, and clutched more and more
automatically the sleeping child at her bosom.
Slowly the demon was working his will, and cold and weariness were his
helpers. Soon she felt nothing but a supreme immediate longing that
curtained off all futurity—the longing to lie down and sleep. She had
arrived at a spot where her footsteps were no longer checked by a
hedgerow, and she had wandered vaguely, unable to distinguish any
objects, notwithstanding the wide whiteness around her, and the growing
starlight. She sank down against a straggling furze bush, an easy
pillow enough; and the bed of snow, too, was soft. She did not feel
that the bed was cold, and did not heed whether the child would wake
and cry for her. But her arms had not yet relaxed their instinctive
clutch; and the little one slumbered on as gently as if it had been
rocked in a lace-trimmed cradle.
But the complete torpor came at last: the fingers lost their tension,
the arms unbent; then the little head fell away from the bosom, and the
blue eyes opened wide on the cold starlight. At first there was a
little peevish cry of “mammy,” and an effort to regain the pillowing
arm and bosom; but mammy’s ear was deaf, and the pillow seemed to be
slipping away backward. Suddenly, as the child rolled downward on its
mother’s knees, all wet with snow, its eyes were caught by a bright
glancing light on the white ground, and, with the ready transition of
infancy, it was immediately absorbed in watching the bright living
thing running towards it, yet never arriving. That bright living thing
must be caught; and in an instant the child had slipped on all-fours,
and held out one little hand to catch the gleam. But the gleam would
not be caught in that way, and now the head was held up to see where
the cunning gleam came from. It came from a very bright place; and the
little one, rising on its legs, toddled through the snow, the old grimy
shawl in which it was wrapped trailing behind it, and the queer little
bonnet dangling at its back—toddled on to the open door of Silas
Marner’s cottage, and right up to the warm hearth, where there was a
bright fire of logs and sticks, which had thoroughly warmed the old
sack (Silas’s greatcoat) spread out on the bricks to dry. The little
one, accustomed to be left to itself for long hours without notice from
its mother, squatted down on the sack, and spread its tiny hands
towards the blaze, in perfect contentment, gurgling and making many
inarticulate communications to the cheerful fire, like a new-hatched
gosling beginning to find itself comfortable. But presently the warmth
had a lulling effect, and the little golden head sank down on the old
sack, and the blue eyes were veiled by their delicate half-transparent
lids.
But where was Silas Marner while this strange visitor had come to his
hearth? He was in the cottage, but he did not see the child. During the
last few weeks, since he had lost his money, he had contracted the
habit of opening his door and looking out from time to time, as if he
thought that his money might be somehow coming back to him, or that
some trace, some news of it, might be mysteriously on the road, and be
caught by the listening ear or the straining eye. It was chiefly at
night, when he was not occupied in his loom, that he fell into this
repetition of an act for which he could have assigned no definite
purpose, and which can hardly be understood except by those who have
undergone a bewildering separation from a supremely loved object. In
the evening twilight, and later whenever the night was not dark, Silas
looked out on that narrow prospect round the Stone-pits, listening and
gazing, not with hope, but with mere yearning and unrest.
This morning he had been told by some of his neighbours that it was New
Year’s Eve, and that he must sit up and hear the old year rung out and
the new rung in, because that was good luck, and might bring his money
back again. This was only a friendly Raveloe-way of jesting with the
half-crazy oddities of a miser, but it had perhaps helped to throw
Silas into a more than usually excited state. Since the on-coming of
twilight he had opened his door again and again, though only to shut it
immediately at seeing all distance veiled by the falling snow. But the
last time he opened it the snow had ceased, and the clouds were parting
here and there. He stood and listened, and gazed for a long while—there
was really something on the road coming towards him then, but he caught
no sign of it; and the stillness and the wide trackless snow seemed to
narrow his solitude, and touched his yearning with the chill of
despair. He went in again, and put his right hand on the latch of the
door to close it—but he did not close it: he was arrested, as he had
been already since his loss, by the invisible wand of catalepsy, and
stood like a graven image, with wide but sightless eyes, holding open
his door, powerless to resist either the good or the evil that might
enter there.
When Marner’s sensibility returned, he continued the action which had
been arrested, and closed his door, unaware of the chasm in his
consciousness, unaware of any intermediate change, except that the
light had grown dim, and that he was chilled and faint. He thought he
had been too long standing at the door and looking out. Turning towards
the hearth, where the two logs had fallen apart, and sent forth only a
red uncertain glimmer, he seated himself on his fireside chair, and was
stooping to push his logs together, when, to his blurred vision, it
seemed as if there were gold on the floor in front of the hearth.
Gold!—his own gold—brought back to him as mysteriously as it had been
taken away! He felt his heart begin to beat violently, and for a few
moments he was unable to stretch out his hand and grasp the restored
treasure. The heap of gold seemed to glow and get larger beneath his
agitated gaze. He leaned forward at last, and stretched forth his hand;
but instead of the hard coin with the familiar resisting outline, his
fingers encountered soft warm curls. In utter amazement, Silas fell on
his knees and bent his head low to examine the marvel: it was a
sleeping child—a round, fair thing, with soft yellow rings all over its
head. Could this be his little sister come back to him in a dream—his
little sister whom he had carried about in his arms for a year before
she died, when he was a small boy without shoes or stockings? That was
the first thought that darted across Silas’s blank wonderment. _Was_ it
a dream? He rose to his feet again, pushed his logs together, and,
throwing on some dried leaves and sticks, raised a flame; but the flame
did not disperse the vision—it only lit up more distinctly the little
round form of the child, and its shabby clothing. It was very much like
his little sister. Silas sank into his chair powerless, under the
double presence of an inexplicable surprise and a hurrying influx of
memories. How and when had the child come in without his knowledge? He
had never been beyond the door. But along with that question, and
almost thrusting it away, there was a vision of the old home and the
old streets leading to Lantern Yard—and within that vision another, of
the thoughts which had been present with him in those far-off scenes.
The thoughts were strange to him now, like old friendships impossible
to revive; and yet he had a dreamy feeling that this child was somehow
a message come to him from that far-off life: it stirred fibres that
had never been moved in Raveloe—old quiverings of tenderness—old
impressions of awe at the presentiment of some Power presiding over his
life; for his imagination had not yet extricated itself from the sense
of mystery in the child’s sudden presence, and had formed no
conjectures of ordinary natural means by which the event could have
been brought about.
But there was a cry on the hearth: the child had awaked, and Marner
stooped to lift it on his knee. It clung round his neck, and burst
louder and louder into that mingling of inarticulate cries with “mammy”
by which little children express the bewilderment of waking. Silas
pressed it to him, and almost unconsciously uttered sounds of hushing
tenderness, while he bethought himself that some of his porridge, which
had got cool by the dying fire, would do to feed the child with if it
were only warmed up a little.
He had plenty to do through the next hour. The porridge, sweetened with
some dry brown sugar from an old store which he had refrained from
using for himself, stopped the cries of the little one, and made her
lift her blue eyes with a wide quiet gaze at Silas, as he put the spoon
into her mouth. Presently she slipped from his knee and began to toddle
about, but with a pretty stagger that made Silas jump up and follow her
lest she should fall against anything that would hurt her. But she only
fell in a sitting posture on the ground, and began to pull at her
boots, looking up at him with a crying face as if the boots hurt her.
He took her on his knee again, but it was some time before it occurred
to Silas’s dull bachelor mind that the wet boots were the grievance,
pressing on her warm ankles. He got them off with difficulty, and baby
was at once happily occupied with the primary mystery of her own toes,
inviting Silas, with much chuckling, to consider the mystery too. But
the wet boots had at last suggested to Silas that the child had been
walking on the snow, and this roused him from his entire oblivion of
any ordinary means by which it could have entered or been brought into
his house. Under the prompting of this new idea, and without waiting to
form conjectures, he raised the child in his arms, and went to the
door. As soon as he had opened it, there was the cry of “mammy” again,
which Silas had not heard since the child’s first hungry waking.
Bending forward, he could just discern the marks made by the little
feet on the virgin snow, and he followed their track to the furze
bushes. “Mammy!” the little one cried again and again, stretching
itself forward so as almost to escape from Silas’s arms, before he
himself was aware that there was something more than the bush before
him—that there was a human body, with the head sunk low in the furze,
and half-covered with the shaken snow.
Public-domain original text shown for study context.
What happens here
Chapter 12 follows isolation, loss, community, parenthood, redemption.
Why this scene matters
Chapter 12 matters because it carries part of Silas Marner's larger pattern: isolation, loss, community, parenthood, redemption. Reading the situation first makes the public-domain original easier to follow.
Characters in this scene
- Main characters: The people or creatures whose choices carry this part of Silas Marner.
- Family or social world: The surrounding relationships, rules, promises, fears, or expectations shaping the action.
- Narrative pressure: The problem, wish, secret, danger, or misunderstanding that keeps the section moving.