Section 16
Chapter 16 — A Red Rose and a Lace Shawl explained simply
Pollyanna by Eleanor H. Porter
Original excerpt
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It was on a rainy day about a week after Pollyanna's visit to Mr. John Pendleton, that Miss Polly was driven by Timothy to an early afternoon committee meeting of the Ladies' Aid Society. When she returned at three o'clock, her cheeks were a bright, pretty...
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It was on a rainy day about a week after Pollyanna's visit to Mr. John
Pendleton, that Miss Polly was driven by Timothy to an early afternoon
committee meeting of the Ladies' Aid Society. When she returned at three
o'clock, her cheeks were a bright, pretty pink, and her hair, blown by
the damp wind, had fluffed into kinks and curls wherever the loosened
pins had given leave.
Pollyanna had never before seen her aunt look like this.
“Oh--oh--oh! Why, Aunt Polly, you've got 'em, too,” she cried
rapturously, dancing round and round her aunt, as that lady entered the
sitting room.
“Got what, you impossible child?”
Pollyanna was still revolving round and round her aunt.
“And I never knew you had 'em! Can folks have 'em when you don't know
they've got 'em? DO you suppose I could?--'fore I get to Heaven, I
mean,” she cried, pulling out with eager fingers the straight locks
above her ears. “But then, they wouldn't be black, if they did come. You
can't hide the black part.”
“Pollyanna, what does all this mean?” demanded Aunt Polly, hurriedly
removing her hat, and trying to smooth back her disordered hair.
“No, no--please, Aunt Polly!” Pollyanna's jubilant voice turned to one
of distressed appeal. “Don't smooth 'em out! It's those that I'm talking
about--those darling little black curls. Oh, Aunt Polly, they're so
pretty!”
“Nonsense! What do you mean, Pollyanna, by going to the Ladies' Aid the
other day in that absurd fashion about that beggar boy?”
“But it isn't nonsense,” urged Pollyanna, answering only the first of
her aunt's remarks. “You don't know how pretty you look with your hair
like that! Oh, Aunt Polly, please, mayn't I do your hair like I did Mrs.
Snow's, and put in a flower? I'd so love to see you that way! Why, you'd
be ever so much prettier than she was!”
“Pollyanna!” (Miss Polly spoke very sharply--all the more sharply
because Pollyanna's words had given her an odd throb of joy: when before
had anybody cared how she, or her hair looked? When before had anybody
“loved” to see her “pretty”?) “Pollyanna, you did not answer my
question. Why did you go to the Ladies' Aid in that absurd fashion?”
“Yes'm, I know; but, please, I didn't know it was absurd until I went
and found out they'd rather see their report grow than Jimmy. So then
I wrote to MY Ladies' Aiders--'cause Jimmy is far away from them,
you know; and I thought maybe he could be their little India boy same
as--Aunt Polly, WAS I your little India girl? And, Aunt Polly, you WILL
let me do your hair, won't you?”
Aunt Polly put her hand to her throat--the old, helpless feeling was
upon her, she knew.
“But, Pollyanna, when the ladies told me this afternoon how you came to
them, I was so ashamed! I--”
Pollyanna began to dance up and down lightly on her toes.
“You didn't!--You didn't say I COULDN'T do your hair,” she crowed
triumphantly; “and so I'm sure it means just the other way 'round,
sort of--like it did the other day about Mr. Pendleton's jelly that you
didn't send, but didn't want me to say you didn't send, you know. Now
wait just where you are. I'll get a comb.”
“But Pollyanna, Pollyanna,” remonstrated Aunt Polly, following the
little girl from the room and panting up-stairs after her.
“Oh, did you come up here?” Pollyanna greeted her at the door of Miss
Polly's own room. “That'll be nicer yet! I've got the comb. Now sit
down, please, right here. Oh, I'm so glad you let me do it!”
“But, Pollyanna, I--I--”
Miss Polly did not finish her sentence. To her helpless amazement she
found herself in the low chair before the dressing table, with her
hair already tumbling about her ears under ten eager, but very gentle
fingers.
“Oh, my! what pretty hair you've got,” prattled Pollyanna; “and there's
so much more of it than Mrs. Snow has, too! But, of course, you need
more, anyhow, because you're well and can go to places where folks
can see it. My! I reckon folks'll be glad when they do see it--and
surprised, too, 'cause you've hid it so long. Why, Aunt Polly, I'll make
you so pretty everybody'll just love to look at you!”
“Pollyanna!” gasped a stifled but shocked voice from a veil of hair.
“I--I'm sure I don't know why I'm letting you do this silly thing.”
“Why, Aunt Polly, I should think you'd be glad to have folks like to
look at you! Don't you like to look at pretty things? I'm ever so much
happier when I look at pretty folks, 'cause when I look at the other
kind I'm so sorry for them.”
“But--but--”
“And I just love to do folks' hair,” purred Pollyanna, contentedly. “I
did quite a lot of the Ladies' Aiders'--but there wasn't any of them so
nice as yours. Mrs. White's was pretty nice, though, and she looked
just lovely one day when I dressed her up in--Oh, Aunt Polly, I've just
happened to think of something! But it's a secret, and I sha'n't tell.
Now your hair is almost done, and pretty quick I'm going to leave you
just a minute; and you must promise--promise--PROMISE not to stir nor
peek, even, till I come back. Now remember!” she finished, as she ran
from the room.
Aloud Miss Polly said nothing. To herself she said that of course she
should at once undo the absurd work of her niece's fingers, and put her
hair up properly again. As for “peeking” just as if she cared how--
At that moment--unaccountably--Miss Polly caught a glimpse of herself in
the mirror of the dressing table. And what she saw sent such a flush of
rosy color to her cheeks that--she only flushed the more at the sight.
She saw a face--not young, it is true--but just now alight with
excitement and surprise. The cheeks were a pretty pink. The eyes
sparkled. The hair, dark, and still damp from the outdoor air, lay
in loose waves about the forehead and curved back over the ears in
wonderfully becoming lines, with softening little curls here and there.
So amazed and so absorbed was Miss Polly with what she saw in the glass
that she quite forgot her determination to do over her hair, until she
heard Pollyanna enter the room again. Before she could move, then, she
felt a folded something slipped across her eyes and tied in the back.
“Pollyanna, Pollyanna! What are you doing?” she cried.
Pollyanna chuckled.
“That's just what I don't want you to know, Aunt Polly, and I was afraid
you WOULD peek, so I tied on the handkerchief. Now sit still. It won't
take but just a minute, then I'll let you see.”
“But, Pollyanna,” began Miss Polly, struggling blindly to her feet, “you
must take this off! You--child, child! what ARE you doing?” she gasped,
as she felt a soft something slipped about her shoulders.
Pollyanna only chuckled the more gleefully. With trembling fingers she
was draping about her aunt's shoulders the fleecy folds of a beautiful
lace shawl, yellowed from long years of packing away, and fragrant with
lavender. Pollyanna had found the shawl the week before when Nancy had
been regulating the attic; and it had occurred to her to-day that there
was no reason why her aunt, as well as Mrs. White of her Western home,
should not be “dressed up.”
Her task completed, Pollyanna surveyed her work with eyes that approved,
but that saw yet one touch wanting. Promptly, therefore, she pulled
her aunt toward the sun parlor where she could see a belated red rose
blooming on the trellis within reach of her hand.
“Pollyanna, what are you doing? Where are you taking me to?” recoiled
Aunt Polly, vainly trying to hold herself back. “Pollyanna, I shall
not--”
“It's just to the sun parlor--only a minute! I'll have you ready
now quicker'n no time,” panted Pollyanna, reaching for the rose and
thrusting it into the soft hair above Miss Polly's left ear. “There!”
she exulted, untying the knot of the handkerchief and flinging the bit
of linen far from her. “Oh, Aunt Polly, now I reckon you'll be glad I
dressed you up!”
For one dazed moment Miss Polly looked at her bedecked self, and at her
surroundings; then she gave a low cry and fled to her room. Pollyanna,
following the direction of her aunt's last dismayed gaze, saw, through
the open windows of the sun parlor, the horse and gig turning into the
driveway. She recognized at once the man who held the reins. Delightedly
she leaned forward.
“Dr. Chilton, Dr. Chilton! Did you want to see me? I'm up here.”
“Yes,” smiled the doctor, a little gravely. “Will you come down,
please?”
In the bedroom Pollyanna found a flushed-faced, angry-eyed woman
plucking at the pins that held a lace shawl in place.
“Pollyanna, how could you?” moaned the woman. “To think of your rigging
me up like this, and then letting me--BE SEEN!”
Pollyanna stopped in dismay.
“But you looked lovely--perfectly lovely, Aunt Polly; and--”
“'Lovely'!” scorned the woman, flinging the shawl to one side and
attacking her hair with shaking fingers.
“Oh, Aunt Polly, please, please let the hair stay!”
“Stay? Like this? As if I would!” And Miss Polly pulled the locks so
tightly back that the last curl lay stretched dead at the ends of her
fingers.
“O dear! And you did look so pretty,” almost sobbed Pollyanna, as she
stumbled through the door.
Down-stairs Pollyanna found the doctor waiting in his gig.
“I've prescribed you for a patient, and he's sent me to get the
prescription filled,” announced the doctor. “Will you go?”
“You mean--an errand--to the drug store?” asked Pollyanna, a little
uncertainly. “I used to go some--for the Ladies' Aiders.”
The doctor shook his head with a smile.
“Not exactly. It's Mr. John Pendleton. He would like to see you to-day,
if you'll be so good as to come. It's stopped raining, so I drove down
after you. Will you come? I'll call for you and bring you back before
six o'clock.”
“I'd love to!” exclaimed Pollyanna. “Let me ask Aunt Polly.”
In a few moments she returned, hat in hand, but with rather a sober
face.
“Didn't--your aunt want you to go?” asked the doctor, a little
diffidently, as they drove away.
“Y-yes,” sighed Pollyanna. “She--she wanted me to go TOO much, I'm
afraid.”
“Wanted you to go TOO MUCH!”
Pollyanna sighed again.
“Yes. I reckon she meant she didn't want me there. You see, she said:
'Yes, yes, run along, run along--do! I wish you'd gone before.'”
The doctor smiled--but with his lips only. His eyes were very grave. For
some time he said nothing; then, a little hesitatingly, he asked:
“Wasn't it--your aunt I saw with you a few minutes ago--in the window of
the sun parlor?”
Pollyanna drew a long breath.
“Yes; that's what's the whole trouble, I suppose. You see I'd dressed
her up in a perfectly lovely lace shawl I found up-stairs, and I'd fixed
her hair and put on a rose, and she looked so pretty. Didn't YOU think
she looked just lovely?”
For a moment the doctor did not answer. When he did speak his voice was
so low Pollyanna could but just hear the words.
“Yes, Pollyanna, I--I thought she did look--just lovely.”
“Did you? I'm so glad! I'll tell her,” nodded the little girl,
contentedly.
To her surprise the doctor gave a sudden exclamation.
“Never! Pollyanna, I--I'm afraid I shall have to ask you not to tell
her--that.”
“Why, Dr. Chilton! Why not? I should think you'd be glad--”
“But she might not be,” cut in the doctor.
Pollyanna considered this for a moment.
“That's so--maybe she wouldn't,” she sighed. “I remember now; 'twas
'cause she saw you that she ran. And she--she spoke afterwards about her
being seen in that rig.”
“I thought as much,” declared the doctor, under his breath.
“Still, I don't see why,” maintained Pollyanna, “--when she looked so
pretty!”
The doctor said nothing. He did not speak again, indeed, until they
were almost to the great stone house in which John Pendleton lay with a
broken leg.
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What happens here
Chapter 16 — A Red Rose and a Lace Shawl follows optimism, grief, kindness, community change, hope.
Why this scene matters
Chapter 16 — A Red Rose and a Lace Shawl matters because it carries part of Pollyanna's larger pattern: optimism, grief, kindness, community change, hope. Reading the situation first makes the public-domain original easier to follow.
Characters in this scene
- Main characters: The people or creatures whose choices carry this part of Pollyanna.
- Family or social world: The surrounding relationships, rules, promises, fears, or expectations shaping the action.
- Narrative pressure: The problem, wish, secret, danger, or misunderstanding that keeps the section moving.