Section 21
Chapter 21: Poetic Words and Metaphor explained simply
Poetics by Aristotle
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Words are of two kinds, simple and double. By simple I mean those composed of non-significant elements, such as Greek term. By double or compound, those composed either of a significant and non-significant element (though within the whole word no element is…
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Words are of two kinds, simple and double. By simple I mean those
composed of non-significant elements, such as Greek term. By double
or compound, those composed either of a significant and non-significant
element (though within the whole word no element is significant), or
of elements that are both significant. A word may likewise be triple,
quadruple, or multiple in form, like so many Massilian expressions, e.g.
'Hermo-caico-xanthus who prayed to Father Zeus>.'
Every word is either current, or strange, or metaphorical, or
ornamental, or newly-coined, or lengthened, or contracted, or altered.
By a current or proper word I mean one which is in general use among
a people; by a strange word, one which is in use in another country.
Plainly, therefore, the same word may be at once strange and current,
but not in relation to the same people. The word Greek term, 'lance,' is to the Cyprians a current term but
to us a strange one.
Metaphor is the application of an alien name by transference either from
genus to species, or from species to genus, or from species to species,
or by analogy, that is, proportion. Thus from genus to species, as:
'There lies my ship'; for lying at anchor is a species of lying. From
species to genus, as: 'Verily ten thousand noble deeds hath Odysseus
wrought'; for ten thousand is a species of large number, and is here
used for a large number generally. From species to species, as: 'With
blade of bronze drew away the life,' and 'Cleft the water with the
vessel of unyielding bronze.' Here Greek term,
'to draw away,' is used for Greek term, 'to cleave,'
and Greek term again for Greek term,--each being a species of taking away. Analogy or proportion is
when the second term is to the first as the fourth to the third. We
may then use the fourth for the second, or the second for the fourth.
Sometimes too we qualify the metaphor by adding the term to which the
proper word is relative. Thus the cup is to Dionysus as the shield to
Ares. The cup may, therefore, be called 'the shield of Dionysus,' and
the shield 'the cup of Ares.' Or, again, as old age is to life, so is
evening to day. Evening may therefore be called 'the old age of
the day,' and old age, 'the evening of life,' or, in the phrase
of Empedocles, 'life's setting sun.' For some of the terms of the
proportion there is at times no word in existence; still the metaphor
may be used. For instance, to scatter seed is called sowing: but the
action of the sun in scattering his rays is nameless. Still this process
bears to the sun the same relation as sowing to the seed. Hence the
expression of the poet 'sowing the god-created light.' There is another
way in which this kind of metaphor may be employed. We may apply an
alien term, and then deny of that term one of its proper attributes; as
if we were to call the shield, not 'the cup of Ares,' but 'the wineless
cup.'
Greek term
A newly-coined word is one which has never been even in local use, but
is adopted by the poet himself. Some such words there appear to be: as
Greek term, 'sprouters,' for Greek term, 'horns,' and Greek term,
'supplicator,' for Greek term, 'priest.'
A word is lengthened when its own vowel is exchanged for a longer one,
or when a syllable is inserted. A word is contracted when some part of
it is removed. Instances of lengthening are,--Greek term for Greek term, and Greek term for Greek term: of contraction,--Greek term, Greek term, and Greek term, as in Greek term.
An altered word is one in which part of the ordinary form is left
unchanged, and part is re-cast; as in Greek term,
Greek term is for Greek term.
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Simple English explanation
Aristotle discusses kinds of words, including ordinary words, strange words, lengthened forms, and metaphor. Metaphor is especially important because it shows insight into likeness.
1-minute summary
Aristotle classifies different kinds of words, including ordinary terms, strange words, coined words, and metaphors. He gives special attention to metaphor as a mark of poetic skill.
Key takeaways
- Poetic language can use ordinary and unusual words.
- Metaphor transfers meaning from one thing to another.
- Good metaphor requires seeing likeness.
- Word choice shapes clarity, elevation, and style.
Modern example
Calling time a river is not literal, but it helps readers feel movement, loss, and direction.