Section 4
Part I, Section 4 — Pleasure in Pain explained simply
Notes from Underground by Fyodor Dostoevsky
Original excerpt
Excerpt preview
“Ha, ha, ha! You will be finding enjoyment in toothache next,” you cry, with a laugh. “Well, even in toothache there is enjoyment,” I answer. I had toothache for a whole month and I know there is. In that case, of course, people are not spiteful in silence, but moan; but they are not candid moans, they are malignant moans, and...
Read full original text in reading mode
Public-domain original
IV
“Ha, ha, ha! You will be finding enjoyment in toothache next,” you cry,
with a laugh.
“Well, even in toothache there is enjoyment,” I answer. I had toothache
for a whole month and I know there is. In that case, of course, people
are not spiteful in silence, but moan; but they are not candid moans,
they are malignant moans, and the malignancy is the whole point. The
enjoyment of the sufferer finds expression in those moans; if he did
not feel enjoyment in them he would not moan. It is a good example,
gentlemen, and I will develop it. Those moans express in the first
place all the aimlessness of your pain, which is so humiliating to your
consciousness; the whole legal system of nature on which you spit
disdainfully, of course, but from which you suffer all the same while
she does not. They express the consciousness that you have no enemy to
punish, but that you have pain; the consciousness that in spite of all
possible Wagenheims you are in complete slavery to your teeth; that if
someone wishes it, your teeth will leave off aching, and if he does
not, they will go on aching another three months; and that finally if
you are still contumacious and still protest, all that is left you for
your own gratification is to thrash yourself or beat your wall with
your fist as hard as you can, and absolutely nothing more. Well, these
mortal insults, these jeers on the part of someone unknown, end at last
in an enjoyment which sometimes reaches the highest degree of
voluptuousness. I ask you, gentlemen, listen sometimes to the moans of
an educated man of the nineteenth century suffering from toothache, on
the second or third day of the attack, when he is beginning to moan,
not as he moaned on the first day, that is, not simply because he has
toothache, not just as any coarse peasant, but as a man affected by
progress and European civilisation, a man who is “divorced from the
soil and the national elements,” as they express it now-a-days. His
moans become nasty, disgustingly malignant, and go on for whole days
and nights. And of course he knows himself that he is doing himself no
sort of good with his moans; he knows better than anyone that he is
only lacerating and harassing himself and others for nothing; he knows
that even the audience before whom he is making his efforts, and his
whole family, listen to him with loathing, do not put a ha’porth of
faith in him, and inwardly understand that he might moan differently,
more simply, without trills and flourishes, and that he is only amusing
himself like that from ill-humour, from malignancy. Well, in all these
recognitions and disgraces it is that there lies a voluptuous pleasure.
As though he would say: “I am worrying you, I am lacerating your
hearts, I am keeping everyone in the house awake. Well, stay awake
then, you, too, feel every minute that I have toothache. I am not a
hero to you now, as I tried to seem before, but simply a nasty person,
an impostor. Well, so be it, then! I am very glad that you see through
me. It is nasty for you to hear my despicable moans: well, let it be
nasty; here I will let you have a nastier flourish in a minute....” You
do not understand even now, gentlemen? No, it seems our development and
our consciousness must go further to understand all the intricacies of
this pleasure. You laugh? Delighted. My jests, gentlemen, are of course
in bad taste, jerky, involved, lacking self-confidence. But of course
that is because I do not respect myself. Can a man of perception
respect himself at all?
Public-domain original text shown for study context.
What happens here
He describes how humiliation and toothache can become perversely pleasurable when a person broods over them.
Why this scene matters
Dostoevsky shows resentment feeding on itself. Suffering becomes a stage where the ego performs.
Characters in this scene
- The underground man: Turning pain into self-conscious performance.
Simple story version
He explains that a person can strangely enjoy complaining and suffering because it gives the ego something to hold.