Section 13
Part II, Section 2 — The Officer explained simply
Notes from Underground by Fyodor Dostoevsky
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But the period of my dissipation would end and I always felt very sick afterwards. It was followed by remorse—I tried to drive it away; I felt too sick. By degrees, however, I grew used to that too. I grew used to everything, or rather I voluntarily resigned myself to enduring it. But I had a means of escape that reconciled...
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But the period of my dissipation would end and I always felt very sick
afterwards. It was followed by remorse—I tried to drive it away; I felt
too sick. By degrees, however, I grew used to that too. I grew used to
everything, or rather I voluntarily resigned myself to enduring it. But
I had a means of escape that reconciled everything—that was to find
refuge in “the sublime and the beautiful,” in dreams, of course. I was
a terrible dreamer, I would dream for three months on end, tucked away
in my corner, and you may believe me that at those moments I had no
resemblance to the gentleman who, in the perturbation of his chicken
heart, put a collar of German beaver on his great-coat. I suddenly
became a hero. I would not have admitted my six-foot lieutenant even if
he had called on me. I could not even picture him before me then. What
were my dreams and how I could satisfy myself with them—it is hard to
say now, but at the time I was satisfied with them. Though, indeed,
even now, I am to some extent satisfied with them. Dreams were
particularly sweet and vivid after a spell of dissipation; they came
with remorse and with tears, with curses and transports. There were
moments of such positive intoxication, of such happiness, that there
was not the faintest trace of irony within me, on my honour. I had
faith, hope, love. I believed blindly at such times that by some
miracle, by some external circumstance, all this would suddenly open
out, expand; that suddenly a vista of suitable activity—beneficent,
good, and, above all, _ready made_ (what sort of activity I had no
idea, but the great thing was that it should be all ready for me)—would
rise up before me—and I should come out into the light of day, almost
riding a white horse and crowned with laurel. Anything but the foremost
place I could not conceive for myself, and for that very reason I quite
contentedly occupied the lowest in reality. Either to be a hero or to
grovel in the mud—there was nothing between. That was my ruin, for when
I was in the mud I comforted myself with the thought that at other
times I was a hero, and the hero was a cloak for the mud: for an
ordinary man it was shameful to defile himself, but a hero was too
lofty to be utterly defiled, and so he might defile himself. It is
worth noting that these attacks of the “sublime and the beautiful”
visited me even during the period of dissipation and just at the times
when I was touching the bottom. They came in separate spurts, as though
reminding me of themselves, but did not banish the dissipation by their
appearance. On the contrary, they seemed to add a zest to it by
contrast, and were only sufficiently present to serve as an appetising
sauce. That sauce was made up of contradictions and sufferings, of
agonising inward analysis, and all these pangs and pin-pricks gave a
certain piquancy, even a significance to my dissipation—in fact,
completely answered the purpose of an appetising sauce. There was a
certain depth of meaning in it. And I could hardly have resigned myself
to the simple, vulgar, direct debauchery of a clerk and have endured
all the filthiness of it. What could have allured me about it then and
have drawn me at night into the street? No, I had a lofty way of
getting out of it all.
And what loving-kindness, oh Lord, what loving-kindness I felt at times
in those dreams of mine! in those “flights into the sublime and the
beautiful”; though it was fantastic love, though it was never applied
to anything human in reality, yet there was so much of this love that
one did not feel afterwards even the impulse to apply it in reality;
that would have been superfluous. Everything, however, passed
satisfactorily by a lazy and fascinating transition into the sphere of
art, that is, into the beautiful forms of life, lying ready, largely
stolen from the poets and novelists and adapted to all sorts of needs
and uses. I, for instance, was triumphant over everyone; everyone, of
course, was in dust and ashes, and was forced spontaneously to
recognise my superiority, and I forgave them all. I was a poet and a
grand gentleman, I fell in love; I came in for countless millions and
immediately devoted them to humanity, and at the same time I confessed
before all the people my shameful deeds, which, of course, were not
merely shameful, but had in them much that was “sublime and beautiful”
something in the Manfred style. Everyone would kiss me and weep (what
idiots they would be if they did not), while I should go barefoot and
hungry preaching new ideas and fighting a victorious Austerlitz against
the obscurantists. Then the band would play a march, an amnesty would
be declared, the Pope would agree to retire from Rome to Brazil; then
there would be a ball for the whole of Italy at the Villa Borghese on
the shores of Lake Como, Lake Como being for that purpose transferred
to the neighbourhood of Rome; then would come a scene in the bushes,
and so on, and so on—as though you did not know all about it? You will
say that it is vulgar and contemptible to drag all this into public
after all the tears and transports which I have myself confessed. But
why is it contemptible? Can you imagine that I am ashamed of it all,
and that it was stupider than anything in your life, gentlemen? And I
can assure you that some of these fancies were by no means badly
composed.... It did not all happen on the shores of Lake Como. And yet
you are right—it really is vulgar and contemptible. And most
contemptible of all it is that now I am attempting to justify myself to
you. And even more contemptible than that is my making this remark now.
But that’s enough, or there will be no end to it; each step will be
more contemptible than the last....
I could never stand more than three months of dreaming at a time
without feeling an irresistible desire to plunge into society. To
plunge into society meant to visit my superior at the office, Anton
Antonitch Syetotchkin. He was the only permanent acquaintance I have
had in my life, and I wonder at the fact myself now. But I only went to
see him when that phase came over me, and when my dreams had reached
such a point of bliss that it became essential at once to embrace my
fellows and all mankind; and for that purpose I needed, at least, one
human being, actually existing. I had to call on Anton Antonitch,
however, on Tuesday—his at-home day; so I had always to time my
passionate desire to embrace humanity so that it might fall on a
Tuesday.
This Anton Antonitch lived on the fourth storey in a house in Five
Corners, in four low-pitched rooms, one smaller than the other, of a
particularly frugal and sallow appearance. He had two daughters and
their aunt, who used to pour out the tea. Of the daughters one was
thirteen and another fourteen, they both had snub noses, and I was
awfully shy of them because they were always whispering and giggling
together. The master of the house usually sat in his study on a leather
couch in front of the table with some grey-headed gentleman, usually a
colleague from our office or some other department. I never saw more
than two or three visitors there, always the same. They talked about
the excise duty; about business in the senate, about salaries, about
promotions, about His Excellency, and the best means of pleasing him,
and so on. I had the patience to sit like a fool beside these people
for four hours at a stretch, listening to them without knowing what to
say to them or venturing to say a word. I became stupefied, several
times I felt myself perspiring, I was overcome by a sort of paralysis;
but this was pleasant and good for me. On returning home I deferred for
a time my desire to embrace all mankind.
I had however one other acquaintance of a sort, Simonov, who was an old
schoolfellow. I had a number of schoolfellows, indeed, in Petersburg,
but I did not associate with them and had even given up nodding to them
in the street. I believe I had transferred into the department I was in
simply to avoid their company and to cut off all connection with my
hateful childhood. Curses on that school and all those terrible years
of penal servitude! In short, I parted from my schoolfellows as soon as
I got out into the world. There were two or three left to whom I nodded
in the street. One of them was Simonov, who had in no way been
distinguished at school, was of a quiet and equable disposition; but I
discovered in him a certain independence of character and even honesty
I don’t even suppose that he was particularly stupid. I had at one time
spent some rather soulful moments with him, but these had not lasted
long and had somehow been suddenly clouded over. He was evidently
uncomfortable at these reminiscences, and was, I fancy, always afraid
that I might take up the same tone again. I suspected that he had an
aversion for me, but still I went on going to see him, not being quite
certain of it.
And so on one occasion, unable to endure my solitude and knowing that
as it was Thursday Anton Antonitch’s door would be closed, I thought of
Simonov. Climbing up to his fourth storey I was thinking that the man
disliked me and that it was a mistake to go and see him. But as it
always happened that such reflections impelled me, as though purposely,
to put myself into a false position, I went in. It was almost a year
since I had last seen Simonov.
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What happens here
He becomes obsessed with an officer who once moved him aside without noticing him and plans a petty revenge by bumping into him.
Why this scene matters
A tiny insult becomes a major drama because the narrator’s pride has no healthy outlet.
Characters in this scene
- The younger underground man: Obsessed with proving his dignity.
- The officer: A socially superior man who barely notices him.
Simple story version
An officer once pushes past him, and the narrator spends a long time planning to bump into him as revenge.