Night-Sketches explained simply

BENEATH AN UMBRELLA Pleasant is a rainy winter’s day within-doors. The best study for such a day—or the best amusement: call it what you will—is a book of travels describing scenes the most unlike that sombre one which is mistily presented through the windows. I have experienced that Fancy is then most successful in imparting distinct shapes and vivid colors to the objects which the author has spread upon his page, and that his words become magic spells to summon up a thousand varied pictures. Strange landscapes glimmer through the familiar walls of the room, and outlandish figures thrust themselves almost within the sacred precincts of the hearth. Small as my chamber is, it has space enough to contain the ocean-like circumference of an Arabian desert, its parched sands tracked by the long line of a caravan with the camels patiently journeying through the heavy sunshine. Though my ceiling be not lofty, yet I can pile up the mountains of Central Asia beneath it till their summits shine far above the clouds of the middle atmosphere. And with my humble means—a wealth that is not taxable—I can transport hither the magnificent merchandise of an Oriental bazaar, and call a crowd of purchasers from distant countries to pay a fair profit for the precious articles which are displayed on all sides. True it is, however, that amid the bustle of traffic, or whatever else may seem to be going on around me, the raindrops will occasionally be heard to patter against my window-panes, which look forth upon one of the quietest streets in a New England town. After a time, too, the visions vanish, and will not appear again at my bidding. Then, it being nightfall, a gloomy sense of unreality depresses my spirits, and impels me to venture out before the clock shall strike bedtime to satisfy myself that the world is not entirely made up of such shadowy materials as have busied me throughout the day. A dreamer may dwell so long among fantasies that the things without him will seem as unreal as those within. When eve has fairly set in, therefore, I sally forth, tightly buttoning my shaggy overcoat and hoisting my umbrella, the silken dome of which immediately resounds with the heavy drumming of the invisible raindrops. Pausing on the lowest doorstep, I contrast the warmth and cheerfulness of my deserted fireside with the drear obscurity and chill discomfort into which I am about to plunge. Now come fearful auguries innumerable as the drops of rain. Did not my manhood cry shame upon me, I should turn back within-doors, resume my elbow-chair, my slippers and my book, pass such an evening of sluggish enjoyment as the day has been, and go to bed inglorious. The same shivering reluctance, no doubt, has quelled for a moment the adventurous spirit of many a traveller when his feet, which were destined to measure the earth around, were leaving their last tracks in the home-paths. In my own case poor human nature may be allowed a few misgivings. I look upward and discern no sky, not even an unfathomable void, but only a black, impenetrable nothingness, as though heaven and all its lights were blotted from the system of the universe. It is as if Nature were dead and the world had put on black and the clouds were weeping for her. With their tears upon my cheek I turn my eyes earthward, but find little consolation here below. A lamp is burning dimly at the distant corner, and throws just enough of light along the street to show, and exaggerate by so faintly showing, the perils and difficulties which beset my path. Yonder dingily-white remnant of a huge snowbank, which will yet cumber the sidewalk till the latter days of March, over or through that wintry waste must I stride onward. Beyond lies a certain Slough of Despond, a concoction of mud and liquid filth, ankle-deep, leg-deep, neck-deep—in a word, of unknown bottom—on which the lamplight does not even glimmer, but which I have occasionally watched in the gradual growth of its horrors from morn till nightfall. Should I flounder into its depths, farewell to upper earth! And hark! how roughly resounds the roaring of a stream the turbulent career of which is partially reddened by the gleam of the lamp, but elsewhere brawls noisily through the densest gloom! Oh, should I be swept away in fording that impetuous and unclean torrent, the coroner will have a job with an unfortunate gentleman who would fain end his troubles anywhere but in a mud-puddle. Pshaw! I will linger not another instant at arm’s-length from these dim terrors, which grow more obscurely formidable the longer I delay to grapple with them. Now for the onset, and, lo! with little damage save a dash of rain in the face and breast, a splash of mud high up the pantaloons and the left boot full of ice-cold water, behold me at the corner of the street. The lamp throws down a circle of red light around me, and twinkling onward from corner to corner I discern other beacons, marshalling my way to a brighter scene. But this is a lonesome and dreary spot. The tall edifices bid gloomy defiance to the storm with their blinds all closed, even as a man winks when he faces a spattering gust. How loudly tinkles the collected rain down the tin spouts! The puffs of wind are boisterous, and seem to assail me from various quarters at once. I have often observed that this corner is a haunt and loitering-place for those winds which have no work to do upon the deep dashing ships against our iron-bound shores, nor in the forest tearing up the sylvan giants with half a rood of soil at their vast roots. Here they amuse themselves with lesser freaks of mischief. See, at this moment, how they assail yonder poor woman who is passing just within the verge of the lamplight! One blast struggles for her umbrella and turns it wrong side outward, another whisks the cape of her cloak across her eyes, while a third takes most unwarrantable liberties with the lower part of her attire. Happily, the good dame is no gossamer, but a figure of rotundity and fleshly substance; else would these aerial tormentors whirl her aloft like a witch upon a broomstick, and set her down, doubtless, in the filthiest kennel hereabout. From hence I tread upon firm pavements into the centre of the town. Here there is almost as brilliant an illumination as when some great victory has been won either on the battlefield or at the polls. Two rows of shops with windows down nearly to the ground cast a glow from side to side, while the black night hangs overhead like a canopy, and thus keeps the splendor from diffusing itself away. The wet sidewalks gleam with a broad sheet of red light. The raindrops glitter as if the sky were pouring down rubies. The spouts gush with fire. Methinks the scene is an emblem of the deceptive glare which mortals throw around their footsteps in the moral world, thus bedazzling themselves till they forget the impenetrable obscurity that hems them in, and that can be dispelled only by radiance from above. And, after all, it is a cheerless scene, and cheerless are the wanderers in it. Here comes one who has so long been familiar with tempestuous weather that he takes the bluster of the storm for a friendly greeting, as if it should say, “How fare ye, brother?” He is a retired sea-captain wrapped in some nameless garment of the pea-jacket order, and is now laying his course toward the marine-insurance office, there to spin yarns of gale and shipwreck with a crew of old seadogs like himself. The blast will put in its word among their hoarse voices, and be understood by all of them. Next I meet an unhappy slipshod gentleman with a cloak flung hastily over his shoulders, running a race with boisterous winds and striving to glide between the drops of rain. Some domestic emergency or other has blown this miserable man from his warm fireside in quest of a doctor. See that little vagabond! How carelessly he has taken his stand right underneath a spout while staring at some object of curiosity in a shop-window! Surely the rain is his native element; he must have fallen with it from the clouds, as frogs are supposed to do. Here is a picture, and a pretty one—a young man and a girl, both enveloped in cloaks and huddled beneath the scanty protection of a cotton umbrella. She wears rubber overshoes, but he is in his dancing-pumps, and they are on their way no doubt, to some cotillon-party or subscription-ball at a dollar a head, refreshments included. Thus they struggle against the gloomy tempest, lured onward by a vision of festal splendor. But ah! a most lamentable disaster! Bewildered by the red, blue and yellow meteors in an apothecary’s window, they have stepped upon a slippery remnant of ice, and are precipitated into a confluence of swollen floods at the corner of two streets. Luckless lovers! Were it my nature to be other than a looker-on in life, I would attempt your rescue. Since that may not be, I vow, should you be drowned, to weave such a pathetic story of your fate as shall call forth tears enough to drown you both anew. Do ye touch bottom, my young friends? Yes; they emerge like a water-nymph and a river-deity, and paddle hand in hand out of the depths of the dark pool. They hurry homeward, dripping, disconsolate, abashed, but with love too warm to be chilled by the cold water. They have stood a test which proves too strong for many. Faithful though over head and ears in trouble! Onward I go, deriving a sympathetic joy or sorrow from the varied aspect of mortal affairs even as my figure catches a gleam from the lighted windows or is blackened by an interval of darkness. Not that mine is altogether a chameleon spirit with no hue of its own. Now I pass into a more retired street where the dwellings of wealth and poverty are intermingled, presenting a range of strongly-contrasted pictures. Here, too, may be found the golden mean. Through yonder casement I discern a family circle—the grandmother, the parents and the children—all flickering, shadow-like, in the glow of a wood-fire.—Bluster, fierce blast, and beat, thou wintry rain, against the window-panes! Ye cannot damp the enjoyment of that fireside.—Surely my fate is hard that I should be wandering homeless here, taking to my bosom night and storm and solitude instead of wife and children. Peace, murmurer! Doubt not that darker guests are sitting round the hearth, though the warm blaze hides all but blissful images. Well, here is still a brighter scene—a stately mansion illuminated for a ball, with cut-glass chandeliers and alabaster lamps in every room, and sunny landscapes hanging round the walls. See! a coach has stopped, whence emerges a slender beauty who, canopied by two umbrellas, glides within the portal and vanishes amid lightsome thrills of music. Will she ever feel the night-wind and the rain? Perhaps—perhaps! And will Death and Sorrow ever enter that proud mansion? As surely as the dancers will be gay within its halls to-night. Such thoughts sadden yet satisfy my heart, for they teach me that the poor man in this mean, weatherbeaten hovel, without a fire to cheer him, may call the rich his brother—brethren by Sorrow, who must be an inmate of both their households; brethren by Death, who will lead them both to other homes. Onward, still onward, I plunge into the night. Now have I reached the utmost limits of the town, where the last lamp struggles feebly with the darkness like the farthest star that stands sentinel on the borders of uncreated space. It is strange what sensations of sublimity may spring from a very humble source. Such are suggested by this hollow roar of a subterranean cataract where the mighty stream of a kennel precipitates itself beneath an iron grate and is seen no more on earth. Listen a while to its voice of mystery, and Fancy will magnify it till you start and smile at the illusion. And now another sound—the rumbling of wheels as the mail-coach, outward bound, rolls heavily off the pavements and splashes through the mud and water of the road. All night long the poor passengers will be tossed to and fro between drowsy watch and troubled sleep, and will dream of their own quiet beds and awake to find themselves still jolting onward. Happier my lot, who will straightway hie me to my familiar room and toast myself comfortably before the fire, musing and fitfully dozing and fancying a strangeness in such sights as all may see. But first let me gaze at this solitary figure who comes hitherward with a tin lantern which throws the circular pattern of its punched holes on the ground about him. He passes fearlessly into the unknown gloom, whither I will not follow him. This figure shall supply me with a moral wherewith, for lack of a more appropriate one, I may wind up my sketch. He fears not to tread the dreary path before him, because his lantern, which was kindled at the fireside of his home, will light him back to that same fireside again. And thus we, night-wanderers through a stormy and dismal world, if we bear the lamp of Faith enkindled at a celestial fire, it will surely lead us home to that heaven whence its radiance was borrowed. ENDICOTT AND THE RED CROSS At noon of an autumnal day more than two centuries ago the English colors were displayed by the standard bearer of the Salem train-band, which had mustered for martial exercise under the orders of John Endicott. It was a period when the religious exiles were accustomed often to buckle on their armor and practise the handling of their weapons of war. Since the first settlement of New England its prospects had never been so dismal. The dissensions between Charles I. and his subjects were then, and for several years afterward, confined to the floor of Parliament. The measures of the king and ministry were rendered more tyrannically violent by an opposition which had not yet acquired sufficient confidence in its own strength to resist royal injustice with the sword. The bigoted and haughty primate Laud, archbishop of Canterbury, controlled the religious affairs of the realm, and was consequently invested with powers which might have wrought the utter ruin of the two Puritan colonies, Plymouth and Massachusetts. There is evidence on record that our forefathers perceived their danger, but were resolved that their infant country should not fall without a struggle, even beneath the giant strength of the king’s right arm. Such was the aspect of the times when the folds of the English banner with the red cross in its field were flung out over a company of Puritans. Their leader, the famous Endicott, was a man of stern and resolute countenance, the effect of which was heightened by a grizzled beard that swept the upper portion of his breastplate. This piece of armor was so highly polished that the whole surrounding scene had its image in the glittering steel. The central object in the mirrored picture was an edifice of humble architecture with neither steeple nor bell to proclaim it—what, nevertheless, it was—the house of prayer. A token of the perils of the wilderness was seen in the grim head of a wolf which had just been slain within the precincts of the town, and, according to the regular mode of claiming the bounty, was nailed on the porch of the meeting-house. The blood was still plashing on the doorstep. There happened to be visible at the same noontide hour so many other characteristics of the times and manners of the Puritans that we must endeavor to represent them in a sketch, though far less vividly than they were reflected in the polished breastplate of John Endicott. In close vicinity to the sacred edifice appeared that important engine of Puritanic authority the whipping-post, with the soil around it well trodden by the feet of evil-doers who had there been disciplined. At one corner of the meeting-house was the pillory and at the other the stocks, and, by a singular good fortune for our sketch, the head of an Episcopalian and suspected Catholic was grotesquely encased in the former machine, while a fellow-criminal who had boisterously quaffed a health to the king was confined by the legs in the latter. Side by side on the meeting-house steps stood a male and a female figure. The man was a tall, lean, haggard personification of fanaticism, bearing on his breast this label, “A WANTON GOSPELLER,” which betokened that he had dared to give interpretations of Holy Writ unsanctioned by the infallible judgment of the civil and religious rulers. His aspect showed no lack of zeal to maintain his heterodoxies even at the stake. The woman wore a cleft stick on her tongue, in appropriate retribution for having wagged that unruly member against the elders of the church, and her countenance and gestures gave much cause to apprehend that the moment the stick should be removed a repetition of the offence would demand new ingenuity in chastising it. The above-mentioned individuals had been sentenced to undergo their various modes of ignominy for the space of one hour at noonday. But among the crowd were several whose punishment would be lifelong—some whose ears had been cropped like those of puppy-dogs, others whose cheeks had been branded with the initials of their misdemeanors; one with his nostrils slit and seared, and another with a halter about his neck, which he was forbidden ever to take off or to conceal beneath his garments. Methinks he must have been grievously tempted to affix the other end of the rope to some convenient beam or bough. There was likewise a young woman with no mean share of beauty whose doom it was to wear the letter A on the breast of her gown in the eyes of all the world and her own children. And even her own children knew what that initial signified. Sporting with her infamy, the lost and desperate creature had embroidered the fatal token in scarlet cloth with golden thread and the nicest art of needlework; so that the capital A might have been thought to mean “Admirable,” or anything rather than “Adulteress.” Let not the reader argue from any of these evidences of iniquity that the times of the Puritans were more vicious than our own, when as we pass along the very street of this sketch we discern no badge of infamy on man or woman. It was the policy of our ancestors to search out even the most secret sins and expose them to shame, without fear or favor, in the broadest light of the noonday sun. Were such the custom now, perchance we might find materials for a no less piquant sketch than the above. Except the malefactors whom we have described and the diseased or infirm persons, the whole male population of the town, between sixteen years and sixty were seen in the ranks of the train-band. A few stately savages in all the pomp and dignity of the primeval Indian stood gazing at the spectacle. Their flint-headed arrows were but childish weapons, compared with the matchlocks of the Puritans, and would have rattled harmlessly against the steel caps and hammered iron breastplates which enclosed each soldier in an individual fortress. The valiant John Endicott glanced with an eye of pride at his sturdy followers, and prepared to renew the martial toils of the day. “Come, my stout hearts!” quoth he, drawing his sword. “Let us show these poor heathen that we can handle our weapons like men of might. Well for them if they put us not to prove it in earnest!” The iron-breasted company straightened their line, and each man drew the heavy butt of his matchlock close to his left foot, thus awaiting the orders of the captain. But as Endicott glanced right and left along the front he discovered a personage at some little distance with whom it behoved him to hold a parley. It was an elderly gentleman wearing a black cloak and band and a high-crowned hat beneath which was a velvet skull-cap, the whole being the garb of a Puritan minister. This reverend person bore a staff which seemed to have been recently cut in the forest, and his shoes were bemired, as if he had been travelling on foot through the swamps of the wilderness. His aspect was perfectly that of a pilgrim, heightened also by an apostolic dignity. Just as Endicott perceived him he laid aside his staff and stooped to drink at a bubbling fountain which gushed into the sunshine about a score of yards from the corner of the meeting-house. But ere the good man drank he turned his face heavenward in thankfulness, and then, holding back his gray beard with one hand, he scooped up his simple draught in the hollow of the other. “What ho, good Mr. Williams!” shouted Endicott. “You are welcome back again to our town of peace. How does our worthy Governor Winthrop? And what news from Boston?” “The governor hath his health, worshipful sir,” answered Roger Williams, now resuming his staff and drawing near. “And, for the news, here is a letter which, knowing I was to travel hitherward to-day, His Excellency committed to my charge. Belike it contains tidings of much import, for a ship arrived yesterday from England.” Mr. Williams, the minister of Salem, and of course known to all the spectators, had now reached the spot where Endicott was standing under the banner of his company, and put the governor’s epistle into his hand. The broad seal was impressed with Winthrop’s coat-of-arms. Endicott hastily unclosed the letter and began to read, while, as his eye passed down the page, a wrathful change came over his manly countenance. The blood glowed through it till it seemed to be kindling with an internal heat, nor was it unnatural to suppose that his breastplate would likewise become red hot with the angry fire of the bosom which it covered. Arriving at the conclusion, he shook the letter fiercely in his hand, so that it rustled as loud as the flag above his head. “Black tidings these, Mr. Williams,” said he; “blacker never came to New England. Doubtless you know their purport?” “Yea, truly,” replied Roger Williams, “for the governor consulted respecting this matter with my brethren in the ministry at Boston, and my opinion was likewise asked. And His Excellency entreats you by me that the news be not suddenly noised abroad, lest the people be stirred up unto some outbreak, and thereby give the king and the archbishop a handle against us.” “The governor is a wise man—a wise man, and a meek and moderate,” said Endicott, setting his teeth grimly. “Nevertheless, I must do according to my own best judgment. There is neither man, woman nor child in New England but has a concern as dear as life in these tidings; and if John Endicott’s voice be loud enough, man, woman and child shall hear them.—Soldiers, wheel into a hollow square.—Ho, good people! Here are news for one and all of you.” The soldiers closed in around their captain, and he and Roger Williams stood together under the banner of the red cross, while the women and the aged men pressed forward and the mothers held up their children to look Endicott in the face. A few taps of the drum gave signal for silence and attention. “Fellow-soldiers, fellow-exiles,” began Endicott, speaking under strong excitement, yet powerfully restraining it, “wherefore did ye leave your native country? Wherefore, I say, have we left the green and fertile fields, the cottages, or, perchance, the old gray halls, where we were born and bred, the churchyards where our forefathers lie buried? Wherefore have we come hither to set up our own tombstones in a wilderness? A howling wilderness it is. The wolf and the bear meet us within halloo of our dwellings. The savage lieth in wait for us in the dismal shadow of the woods. The stubborn roots of the trees break our ploughshares when we would till the earth. Our children cry for bread, and we must dig in the sands of the seashore to satisfy them. Wherefore, I say again, have we sought this country of a rugged soil and wintry sky? Was it not for the enjoyment of our civil rights? Was it not for liberty to worship God according to our conscience?” “Call you this liberty of conscience?” interrupted a voice on the steps of the meeting-house. It was the wanton gospeller. A sad and quiet smile flitted across the mild visage of Roger Williams, but Endicott, in the excitement of the moment, shook his sword wrathfully at the culprit—an ominous gesture from a man like him. “What hast thou to do with conscience, thou knave?” cried he. “I said liberty to worship God, not license to profane and ridicule him. Break not in upon my speech, or I will lay thee neck and heels till this time to-morrow.—Hearken to me, friends, nor heed that accursed rhapsodist. As I was saying, we have sacrificed all things, and have come to a land whereof the Old World hath scarcely heard, that we might make a new world unto ourselves and painfully seek a path from hence to heaven. But what think ye now? This son of a Scotch tyrant—this grandson of a papistical and adulterous Scotch woman whose death proved that a golden crown doth not always save an anointed head from the block—” “Nay, brother, nay,” interposed Mr. Williams; “thy words are not meet for a secret chamber, far less for a public street.” “Hold thy peace, Roger Williams!” answered Endicott, imperiously. “My spirit is wiser than thine for the business now in hand.—I tell ye, fellow-exiles, that Charles of England and Laud, our bitterest persecutor, arch-priest of Canterbury, are resolute to pursue us even hither. They are taking counsel, saith this letter, to send over a governor-general in whose breast shall be deposited all the law and equity of the land. They are minded, also, to establish the idolatrous forms of English episcopacy; so that when Laud shall kiss the pope’s toe as cardinal of Rome he may deliver New England, bound hand and foot, into the power of his master.” A deep groan from the auditors—a sound of wrath as well as fear and sorrow—responded to this intelligence. “Look ye to it, brethren,” resumed Endicott, with increasing energy. “If this king and this arch-prelate have their will, we shall briefly behold a cross on the spire of this tabernacle which we have builded, and a high altar within its walls, with wax tapers burning round it at noon-day. We shall hear the sacring-bell and the voices of the Romish priests saying the mass. But think ye, Christian men, that these abominations may be suffered without a sword drawn, without a shot fired, without blood spilt—yea, on the very stairs of the pulpit? No! Be ye strong of hand and stout of heart. Here we stand on our own soil, which we have bought with our goods, which we have won with our swords, which we have cleared with our axes, which we have tilled with the sweat of our brows, which we have sanctified with our prayers to the God that brought us hither! Who shall enslave us here? What have we to do with this mitred prelate—with this crowned king? What have we to do with England?” Endicott gazed round at the excited countenances of the people, now full of his own spirit, and then turned suddenly to the standard-bearer, who stood close behind him. “Officer, lower your banner,” said he. The officer obeyed, and, brandishing his sword, Endicott thrust it through the cloth and with his left hand rent the red cross completely out of the banner. He then waved the tattered ensign above his head. “Sacrilegious wretch!” cried the high-churchman in the pillory, unable longer to restrain himself; “thou hast rejected the symbol of our holy religion.” “Treason! treason!” roared the royalist in the stocks. “He hath defaced the king’s banner!” “Before God and man I will avouch the deed,” answered Endicott.—“Beat a flourish, drummer—shout, soldiers and people—in honor of the ensign of New England. Neither pope nor tyrant hath part in it now.” With a cry of triumph the people gave their sanction to one of the boldest exploits which our history records. And for ever honored be the name of Endicott! We look back through the mist of ages, and recognize in the rending of the red cross from New England’s banner the first omen of that deliverance which our fathers consummated after the bones of the stern Puritan had lain more than a century in the dust. THE LILY’S QUEST AN APOLOGUE Two lovers once upon a time had planned a little summer-house in the form of an antique temple which it was their purpose to consecrate to all manner of refined and innocent enjoyments. There they would hold pleasant intercourse with one another and the circle of their familiar friends; there they would give festivals of delicious fruit; there they would hear lightsome music intermingled with the strains of pathos which make joy more sweet; there they would read poetry and fiction and permit their own minds to flit away in day-dreams and romance; there, in short—for why should we shape out the vague sunshine of their hopes?—there all pure delights were to cluster like roses among the pillars of the edifice and blossom ever new and spontaneously. So one breezy and cloudless afternoon Adam Forrester and Lilias Fay set out upon a ramble over the wide estate which they were to possess together, seeking a proper site for their temple of happiness. They were themselves a fair and happy spectacle, fit priest and priestess for such a shrine, although, making poetry of the pretty name of Lilias, Adam Forrester was wont to call her “Lily” because her form was as fragile and her cheek almost as pale. As they passed hand in hand down the avenue of drooping elms that led from the portal of Lilias Fay’s paternal mansion they seemed to glance like winged creatures through the strips of sunshine, and to scatter brightness where the deep shadows fell. But, setting forth at the same time with this youthful pair, there was a dismal figure wrapped in a black velvet cloak that might have been made of a coffin-pall, and with a sombre hat such as mourners wear drooping its broad brim over his heavy brows. Glancing behind them, the lovers well knew who it was that followed, but wished from their hearts that he had been elsewhere, as being a companion so strangely unsuited to their joyous errand. It was a near relative of Lilias Fay, an old man by the name of Walter Gascoigne, who had long labored under the burden of a melancholy spirit which was sometimes maddened into absolute insanity and always had a tinge of it. What a contrast between the young pilgrims of bliss and their unbidden associate! They looked as if moulded of heaven’s sunshine and he of earth’s gloomiest shade; they flitted along like Hope and Joy roaming hand in hand through life, while his darksome figure stalked behind, a type of all the woeful influences which life could fling upon them. But the three had not gone far when they reached a spot that pleased the gentle Lily, and she paused. “What sweeter place shall we find than this?” said she. “Why should we seek farther for the site of our temple?” It was indeed a delightful spot of earth, though undistinguished by any very prominent beauties, being merely a nook in the shelter of a hill, with the prospect of a distant lake in one direction and of a church-spire in another. There were vistas and pathways leading onward and onward into the green woodlands and vanishing away in the glimmering shade. The temple, if erected here, would look toward the west; so that the lovers could shape all sorts of magnificent dreams out of the purple, violet and gold of the sunset sky, and few of their anticipated pleasures were dearer than this sport of fantasy. “Yes,” said Adam Forrester; “we might seek all day and find no lovelier spot. We will build our temple here.” But their sad old companion, who had taken his stand on the very site which they proposed to cover with a marble floor, shook his head and frowned, and the young man and the Lily deemed it almost enough to blight the spot and desecrate it for their airy temple that his dismal figure had thrown its shadow there. He pointed to some scattered stones, the remnants of a former structure, and to flowers such as young girls delight to nurse in their gardens, but which had now relapsed into the wild simplicity of nature. “Not here,” cried old Walter Gascoigne. “Here, long ago, other mortals built their temple of happiness; seek another site for yours.” “What!” exclaimed Lilias Fay. “Have any ever planned such a temple save ourselves?” “Poor child!” said her gloomy kinsman. “In one shape or other every mortal has dreamed your dream.” Then he told the lovers, how—not, indeed, an antique temple, but a dwelling—had once stood there, and that a dark-clad guest had dwelt among its inmates, sitting for ever at the fireside and poisoning all their household mirth. Under this type Adam Forrester and Lilias saw that the old man spake of sorrow. He told of nothing that might not be recorded in the history of almost every household, and yet his hearers felt as if no sunshine ought to fall upon a spot where human grief had left so deep a stain—or, at least, that no joyous temple should be built there. “This is very sad,” said the Lily, sighing. “Well, there are lovelier spots than this,” said Adam Forrester, soothingly—“spots which sorrow has not blighted.” So they hastened away, and the melancholy Gascoigne followed them, looking as if he had gathered up all the gloom of the deserted spot and was bearing it as a burden of inestimable treasure. But still they rambled on, and soon found themselves in a rocky dell through the midst of which ran a streamlet with ripple and foam and a continual voice of inarticulate joy. It was a wild retreat walled on either side with gray precipices which would have frowned somewhat too sternly had not a profusion of green shrubbery rooted itself into their crevices and wreathed gladsome foliage around their solemn brows. But the chief joy of the dell was in the little stream which seemed like the presence of a blissful child with nothing earthly to do save to babble merrily and disport itself, and make every living soul its playfellow, and throw the sunny gleams of its spirit upon all. “Here, here is the spot!” cried the two lovers, with one voice, as they reached a level space on the brink of a small cascade. “This glen was made on purpose for our temple.” “And the glad song of the brook will be always in our ears,” said Lilias Fay. “And its long melody shall sing the bliss of our lifetime,” said Adam Forrester. “Ye must build no temple here,” murmured their dismal companion. And there again was the old lunatic standing just on the spot where they meant to rear their lightsome dome, and looking like the embodied symbol of some great woe that in forgotten days had happened there. And, alas! there had been woe, nor that alone. A young man more than a hundred years before had lured hither a girl that loved him, and on this spot had murdered her and washed his bloody hands in the stream which sang so merrily, and ever since the victim’s death-shrieks were often heard to echo between the cliffs. “And see!” cried old Gascoigne; “is the stream yet pure from the stain of the murderer’s hands?” “Methinks it has a tinge of blood,” faintly answered the Lily; and, being as slight as the gossamer, she trembled and clung to her lover’s arm, whispering, “Let us flee from this dreadful vale.” “Come, then,” said Adam Forrester as cheerily as he could; “we shall soon find a happier spot.” They set forth again, young pilgrims on that quest which millions—which every child of earth—has tried in turn. And were the Lily and her lover to be more fortunate than all those millions? For a long time it seemed not so. The dismal shape of the old lunatic still glided behind them, and for every spot that looked lovely in their eyes he had some legend of human wrong or suffering so miserably sad that his auditors could never afterward connect the idea of joy with the place where it had happened. Here a heartbroken woman kneeling to her child had been spurned from his feet; here a desolate old creature had prayed to the evil one, and had received a fiendish malignity of soul in answer to her prayer; here a new-born infant, sweet blossom of life, had been found dead with the impress of its mother’s fingers round its throat; and here, under a shattered oak, two lovers had been stricken by lightning and fell blackened corpses in each other’s arms. The dreary Gascoigne had a gift to know whatever evil and lamentable thing had stained the bosom of Mother Earth; and when his funereal voice had told the tale, it appeared like a prophecy of future woe as well as a tradition of the past. And now, by their sad demeanor, you would have fancied that the pilgrim-lovers were seeking, not a temple of earthly joy, but a tomb for themselves and their posterity. “Where in this world,” exclaimed Adam Forrester, despondingly, “shall we build our temple of happiness?” “Where in this world, indeed?” repeated Lilias Fay; and, being faint and weary—the more so by the heaviness of her heart—the Lily drooped her head and sat down on the summit of a knoll, repeating, “Where in this world shall we build our temple?” “Ah! have you already asked yourselves that question?” said their companion, his shaded features growing even gloomier with the smile that dwelt on them. “Yet there is a place even in this world where ye may build it.” While the old man spoke Adam Forrester and Lilias had carelessly thrown their eyes around, and perceived that the spot where they had chanced to pause possessed a quiet charm which was well enough adapted to their present mood of mind. It was a small rise of ground with a certain regularity of shape that had perhaps been bestowed by art, and a group of trees which almost surrounded it threw their pensive shadows across and far beyond, although some softened glory of the sunshine found its way there. The ancestral mansion wherein the lovers would dwell together appeared on one side, and the ivied church where they were to worship on another. Happening to cast their eyes on the ground, they smiled, yet with a sense of wonder, to see that a pale lily was growing at their feet. “We will build our temple here,” said they, simultaneously, and with an indescribable conviction that they had at last found the very spot. Yet while they uttered this exclamation the young man and the Lily turned an apprehensive glance at their dreary associate, deeming it hardly possible that some tale of earthly affliction should not make those precincts loathsome, as in every former case. The old man stood just behind them, so as to form the chief figure in the group, with his sable cloak muffling the lower part of his visage and his sombre hat overshadowing his brows. But he gave no word of dissent from their purpose, and an inscrutable smile was accepted by the lovers as a token that here had been no footprint of guilt or sorrow to desecrate the site of their temple of happiness. In a little time longer, while summer was still in its prime, the fairy-structure of the temple arose on the summit of the knoll amid the solemn shadows of the trees, yet often gladdened with bright sunshine. It was built of white marble, with slender and graceful pillars supporting a vaulted dome, and beneath the centre of this dome, upon a pedestal, was a slab of dark-veined marble on which books and music might be strewn. But there was a fantasy among the people of the neighborhood that the edifice was planned after an ancient mausoleum and was intended for a tomb, and that the central slab of dark-veined marble was to be inscribed with the names of buried ones. They doubted, too, whether the form of Lilias Fay could appertain to a creature of this earth, being so very delicate and growing every day more fragile, so that she looked as if the summer breeze should snatch her up and waft her heavenward. But still she watched the daily growth of the temple, and so did old Walter Gascoigne, who now made that spot his continual haunt, leaning whole hours together on his staff and giving as deep attention to the work as though it had been indeed a tomb. In due time it was finished and a day appointed for a simple rite of dedication. On the preceding evening, after Adam Forrester had taken leave of his mistress, he looked back toward the portal of her dwelling and felt a strange thrill of fear, for he imagined that as the setting sunbeams faded from her figure she was exhaling away, and that something of her ethereal substance was withdrawn with each lessening gleam of light. With his farewell glance a shadow had fallen over the portal, and Lilias was invisible. His foreboding spirit deemed it an omen at the time, and so it proved; for the sweet earthly form by which the Lily had been manifested to the world was found lifeless the next morning in the temple with her head resting on her arms, which were folded upon the slab of dark-veined marble. The chill winds of the earth had long since breathed a blight into this beautiful flower; so that a loving hand had now transplanted it to blossom brightly in the garden of Paradise. But alas for the temple of happiness! In his unutterable grief Adam Forrester had no purpose more at heart than to convert this temple of many delightful hopes into a tomb and bury his dead mistress there. And, lo! a wonder! Digging a grave beneath the temple’s marble floor, the sexton found no virgin earth such as was meet to receive the maiden’s dust, but an ancient sepulchre in which were treasured up the bones of generations that had died long ago. Among those forgotten ancestors was the Lily to be laid; and when the funeral procession brought Lilias thither in her coffin, they beheld old Walter Gascoigne standing beneath the dome of the temple with his cloak of pall and face of darkest gloom, and wherever that figure might take its stand the spot would seem a sepulchre. He watched the mourners as they lowered the coffin down. “And so,” said he to Adam Forrester, with the strange smile in which his insanity was wont to gleam forth, “you have found no better foundation for your happiness than on a grave?” But as the shadow of Affliction spoke a vision of hope and joy had its birth in Adam’s mind even from the old man’s taunting words, for then he knew what was betokened by the parable in which the Lily and himself had acted, and the mystery of life and death was opened to him. “Joy! joy!” he cried, throwing his arms toward heaven. “On a grave be the site of our temple, and now our happiness is for eternity.” With those words a ray of sunshine broke through the dismal sky and glimmered down into the sepulchre, while at the same moment the shape of old Walter Gascoigne stalked drearily away, because his gloom, symbolic of all earthly sorrow, might no longer abide there now that the darkest riddle of humanity was read. FOOTPRINTS ON THE SEASHORE It must be a spirit much unlike my own which can keep itself in health and vigor without sometimes stealing from the sultry sunshine of the world to plunge into the cool bath of solitude. At intervals, and not infrequent ones, the forest and the ocean summon me—one with the roar of its waves, the other with the murmur of its boughs—forth from the haunts of men. But I must wander many a mile ere I could stand beneath the shadow of even one primeval tree, much less be lost among the multitude of hoary trunks and hidden from the earth and sky by the mystery of darksome foliage. Nothing is within my daily reach more like a forest than the acre or two of woodland near some suburban farmhouse. When, therefore, the yearning for seclusion becomes a necessity within me, I am drawn to the seashore which extends its line of rude rocks and seldom-trodden sands for leagues around our bay. Setting forth at my last ramble on a September morning, I bound myself with a hermit’s vow to interchange no thoughts with man or woman, to share no social pleasure, but to derive all that day’s enjoyment from shore and sea and sky, from my soul’s communion with these, and from fantasies and recollections or anticipated realities. Surely here is enough to feed a human spirit for a single day.—Farewell, then, busy world! Till your evening lights shall shine along the street—till they gleam upon my sea-flushed face as I tread homeward—free me from your ties and let me be a peaceful outlaw. Highways and cross-paths are hastily traversed, and, clambering down a crag, I find myself at the extremity of a long beach. How gladly does the spirit leap forth and suddenly enlarge its sense of being to the full extent of the broad blue, sunny deep! A greeting and a homage to the sea! I descend over its margin and dip my hand into the wave that meets me, and bathe my brow. That far-resounding roar is Ocean’s voice of welcome. His salt breath brings a blessing along with it. Now let us pace together—the reader’s fancy arm in arm with mine—this noble beach, which extends a mile or more from that craggy promontory to yonder rampart of broken rocks. In front, the sea; in the rear, a precipitous bank the grassy verge of which is breaking away year after year, and flings down its tufts of verdure upon the barrenness below. The beach itself is a broad space of sand, brown and sparkling, with hardly any pebbles intermixed. Near the water’s edge there is a wet margin which glistens brightly in the sunshine and reflects objects like a mirror, and as we tread along the glistening border a dry spot flashes around each footstep, but grows moist again as we lift our feet. In some spots the sand receives a complete impression of the sole, square toe and all; elsewhere it is of such marble firmness that we must stamp heavily to leave a print even of the iron-shod heel. Along the whole of this extensive beach gambols the surf-wave. Now it makes a feint of dashing onward in a fury, yet dies away with a meek murmur and does but kiss the strand; now, after many such abortive efforts, it rears itself up in an unbroken line, heightening as it advances, without a speck of foam on its green crest. With how fierce a roar it flings itself forward and rushes far up the beach! As I threw my eyes along the edge of the surf I remember that I was startled, as Robinson Crusoe might have been, by the sense that human life was within the magic circle of my solitude. Afar off in the remote distance of the beach, appearing like sea-nymphs, or some airier things such as might tread upon the feathery spray, was a group of girls. Hardly had I beheld them, when they passed into the shadow of the rocks and vanished. To comfort myself—for truly I would fain have gazed a while longer—I made acquaintance with a flock of beach-birds. These little citizens of the sea and air preceded me by about a stone’s-throw along the strand, seeking, I suppose, for food upon its margin. Yet, with a philosophy which mankind would do well to imitate, they drew a continual pleasure from their toil for a subsistence. The sea was each little bird’s great playmate. They chased it downward as it swept back, and again ran up swiftly before the impending wave, which sometimes overtook them and bore them off their feet. But they floated as lightly as one of their own feathers on the breaking crest. In their airy flutterings they seemed to rest on the evanescent spray. Their images—long-legged little figures with gray backs and snowy bosoms—were seen as distinctly as the realities in the mirror of the glistening strand. As I advanced they flew a score or two of yards, and, again alighting, recommenced their dalliance with the surf-wave; and thus they bore me company along the beach, the types of pleasant fantasies, till at its extremity they took wing over the ocean and were gone. After forming a friendship with these small surf-spirits, it is really worth a sigh to find no memorial of them save their multitudinous little tracks in the sand. When we have paced the length of the beach, it is pleasant and not unprofitable to retrace our steps and recall the whole mood and occupation of the mind during the former passage. Our tracks, being all discernible, will guide us with an observing consciousness through every unconscious wandering of thought and fancy. Here we followed the surf in its reflux to pick up a shell which the sea seemed loth to relinquish. Here we found a seaweed with an immense brown leaf, and trailed it behind us by its long snake-like stalk. Here we seized a live horseshoe by the tail, and counted the many claws of that queer monster. Here we dug into the sand for pebbles, and skipped them upon the surface of the water. Here we wet our feet while examining a jelly-fish which the waves, having just tossed it up, now sought to snatch away again. Here we trod along the brink of a fresh-water brooklet which flows across the beach, becoming shallower and more shallow, till at last it sinks into the sand and perishes in the effort to bear its little tribute to the main. Here some vagary appears to have bewildered us, for our tracks go round and round and are confusedly intermingled, as if we had found a labyrinth upon the level beach. And here amid our idle pastime we sat down upon almost the only stone that breaks the surface of the sand, and were lost in an unlooked-for and overpowering conception of the majesty and awfulness of the great deep. Thus by tracking our footprints in the sand we track our own nature in its wayward course, and steal a glance upon it when it never dreams of being so observed. Such glances always make us wiser. This extensive beach affords room for another pleasant pastime. With your staff you may write verses—love-verses if they please you best—and consecrate them with a woman’s name. Here, too, may be inscribed thoughts, feelings, desires, warm outgushings from the heart’s secret places, which you would not pour upon the sand without the certainty that almost ere the sky has looked upon them the sea will wash them out. Stir not hence till the record be effaced. Now (for there is room enough on your canvas) draw huge faces—huge as that of the Sphynx on Egyptian sands—and fit them with bodies of corresponding immensity and legs which might stride halfway to yonder island. Child’s-play becomes magnificent on so grand a scale. But, after all, the most fascinating employment is simply to write your name in the sand. Draw the letters gigantic, so that two strides may barely measure them, and three for the long strokes; cut deep, that the record may be permanent. Statesmen and warriors and poets have spent their strength in no better cause than this. Is it accomplished? Return, then, in an hour or two, and seek for this mighty record of a name. The sea will have swept over it, even as time rolls its effacing waves over the names of statesmen and warriors and poets. Hark! the surf-wave laughs at you. Passing from the beach, I begin to clamber over the crags, making my difficult way among the ruins of a rampart shattered and broken by the assaults of a fierce enemy. The rocks rise in every variety of attitude. Some of them have their feet in the foam and are shagged halfway upward with seaweed; some have been hollowed almost into caverns by the unwearied toil of the sea, which can afford to spend centuries in wearing away a rock, or even polishing a pebble. One huge rock ascends in monumental shape, with a face like a giant’s tombstone, on which the veins resemble inscriptions, but in an unknown tongue. We will fancy them the forgotten characters of an antediluvian race, or else that Nature’s own hand has here recorded a mystery which, could I read her language, would make mankind the wiser and the happier. How many a thing has troubled me with that same idea! Pass on and leave it unexplained. Here is a narrow avenue which might seem to have been hewn through the very heart of an enormous crag, affording passage for the rising sea to thunder back and forth, filling it with tumultuous foam and then leaving its floor of black pebbles bare and glistening. In this chasm there was once an intersecting vein of softer stone, which the waves have gnawed away piecemeal, while the granite walls remain entire on either side. How sharply and with what harsh clamor does the sea rake back the pebbles as it momentarily withdraws into its own depths! At intervals the floor of the chasm is left nearly dry, but anon, at the outlet, two or three great waves are seen struggling to get in at once; two hit the walls athwart, while one rushes straight through, and all three thunder as if with rage and triumph. They heap the chasm with a snow-drift of foam and spray. While watching this scene I can never rid myself of the idea that a monster endowed with life and fierce energy is striving to burst his way through the narrow pass. And what a contrast to look through the stormy chasm and catch a glimpse of the calm bright sea beyond! Many interesting discoveries may be made among these broken cliffs. Once, for example, I found a dead seal which a recent tempest had tossed into the nook of the rocks, where his shaggy carcase lay rolled in a heap of eel-grass as if the sea-monster sought to hide himself from my eye. Another time a shark seemed on the point of leaping from the surf to swallow me, nor did I wholly without dread approach near enough to ascertain that the man-eater had already met his own death from some fisherman in the bay. In the same ramble I encountered a bird—a large gray bird—but whether a loon or a wild goose or the identical albatross of the Ancient Mariner was beyond my ornithology to decide. It reposed so naturally on a bed of dry seaweed, with its head beside its wing, that I almost fancied it alive, and trod softly lest it should suddenly spread its wings skyward. But the sea-bird would soar among the clouds no more, nor ride upon its native waves; so I drew near and pulled out one of its mottled tail-feathers for a remembrance. Another day I discovered an immense bone wedged into a chasm of the rocks; it was at least ten feet long, curved like a scymitar, bejewelled with barnacles and small shellfish and partly covered with a growth of seaweed. Some leviathan of former ages had used this ponderous mass as a jaw-bone. Curiosities of a minuter order may be observed in a deep reservoir which is replenished with water at every tide, but becomes a lake among the crags save when the sea is at its height. At the bottom of this rocky basin grow marine plants, some of which tower high beneath the water and cast a shadow in the sunshine. Small fishes dart to and fro and hide themselves among the seaweed; there is also a solitary crab who appears to lead the life of a hermit, communing with none of the other denizens of the place, and likewise several five-fingers; for I know no other name than that which children give them. If your imagination be at all accustomed to such freaks, you may look down into the depths of this pool and fancy it the mysterious depth of ocean. But where are the hulks and scattered timbers of sunken ships? where the treasures that old Ocean hoards? where the corroded cannon? where the corpses and skeletons of seamen who went down in storm and battle? On the day of my last ramble—it was a September day, yet as warm as summer—what should I behold as I approached the above-described basin but three girls sitting on its margin and—yes, it is veritably so—laving their snowy feet in the sunny water? These, these are the warm realities of those three visionary shapes that flitted from me on the beach. Hark their merry voices as they toss up the water with their feet! They have not seen me. I must shrink behind this rock and steal away again. In honest truth, vowed to solitude as I am, there is something in this encounter that makes the heart flutter with a strangely pleasant sensation. I know these girls to be realities of flesh and blood, yet, glancing at them so briefly, they mingle like kindred creatures with the ideal beings of my mind. It is pleasant, likewise, to gaze down from some high crag and watch a group of children gathering pebbles and pearly shells and playing with the surf as with old Ocean’s hoary beard. Nor does it infringe upon my seclusion to see yonder boat at anchor off the shore swinging dreamily to and fro and rising and sinking with the alternate swell, while the crew—four gentlemen in roundabout jackets—are busy with their fishing-lines. But with an inward antipathy and a headlong flight do I eschew the presence of any meditative stroller like myself, known by his pilgrim-staff, his sauntering step, his shy demeanor, his observant yet abstracted eye. From such a man as if another self had scared me I scramble hastily over the rocks, and take refuge in a nook which many a secret hour has given me a right to call my own. I would do battle for it even with the churl that should produce the title-deeds. Have not my musings melted into its rocky walls and sandy floor and made them a portion of myself? It is a recess in the line of cliffs, walled round by a rough, high precipice which almost encircles and shuts in a little space of sand. In front the sea appears as between the pillars of a portal; in the rear the precipice is broken and intermixed with earth which gives nourishment not only to clinging and twining shrubs, but to trees that grip the rock with their naked roots and seem to struggle hard for footing and for soil enough to live upon. These are fir trees, but oaks hang their heavy branches from above, and throw down acorns on the beach, and shed their withering foliage upon the waves. At this autumnal season the precipice is decked with variegated splendor. Trailing wreaths of scarlet flaunt from the summit downward; tufts of yellow-flowering shrubs and rose-bushes, with their reddened leaves and glossy seed-berries, sprout from each crevice; at every glance I detect some new light or shade of beauty, all contrasting with the stern gray rock. A rill of water trickles down the cliff and fills a little cistern near the base. I drain it at a draught, and find it fresh and pure. This recess shall be my dining-hall. And what the feast? A few biscuits made savory by soaking them in sea-water, a tuft of samphire gathered from the beach, and an apple for the dessert. By this time the little rill has filled its reservoir again, and as I quaff it I thank God more heartily than for a civic banquet that he gives me the healthful appetite to make a feast of bread and water. Dinner being over, I throw myself at length upon the sand and, basking in the sunshine, let my mind disport itself at will. The walls of this my hermitage have no tongue to tell my follies, though I sometimes fancy that they have ears to hear them and a soul to sympathize. There is a magic in this spot. Dreams haunt its precincts and flit around me in broad sunlight, nor require that sleep shall blindfold me to real objects ere these be visible. Here can I frame a story of two lovers, and make their shadows live before me and be mirrored in the tranquil water as they tread along the sand, leaving no footprints. Here, should I will it, I can summon up a single shade and be myself her lover.—Yes, dreamer, but your lonely heart will be the colder for such fancies.—Sometimes, too, the Past comes back, and finds me here, and in her train come faces which were gladsome when I knew them, yet seem not gladsome now. Would that my hiding-place were lonelier, so that the Past might not find me!—Get ye all gone, old friends, and let me listen to the murmur of the sea—a melancholy voice, but less sad than yours. Of what mysteries is it telling? Of sunken ships and whereabouts they lie? Of islands afar and undiscovered whose tawny children are unconscious of other islands and of continents, and deem the stars of heaven their nearest neighbors? Nothing of all this. What, then? Has it talked for so many ages and meant nothing all the while? No; for those ages find utterance in the sea’s unchanging voice, and warn the listener to withdraw his interest from mortal vicissitudes and let the infinite idea of eternity pervade his soul. This is wisdom, and therefore will I spend the next half-hour in shaping little boats of driftwood and launching them on voyages across the cove, with the feather of a sea-gull for a sail. If the voice of ages tell me true, this is as wise an occupation as to build ships of five hundred tons and launch them forth upon the main, bound to “Far Cathay.” Yet how would the merchant sneer at me! And, after all, can such philosophy be true? Methinks I could find a thousand arguments against it. Well, then, let yonder shaggy rock mid-deep in the surf—see! he is somewhat wrathful: he rages and roars and foams,—let that tall rock be my antagonist, and let me exercise my oratory like him of Athens who bandied words with an angry sea and got the victory. My maiden-speech is a triumphant one, for the gentleman in seaweed has nothing to offer in reply save an immitigable roaring. His voice, indeed, will be heard a long while after mine is hushed. Once more I shout and the cliffs reverberate the sound. Oh what joy for a shy man to feel himself so solitary that he may lift his voice to its highest pitch without hazard of a listener!—But hush! Be silent, my good friend! Whence comes that stifled laughter? It was musical, but how should there be such music in my solitude? Looking upward, I catch a glimpse of three faces peeping from the summit of the cliff like angels between me and their native sky.—Ah, fair girls! you may make yourself merry at my eloquence, but it was my turn to smile when I saw your white feet in the pool. Let us keep each other’s secrets. The sunshine has now passed from my hermitage, except a gleam upon the sand just where it meets the sea. A crowd of gloomy fantasies will come and haunt me if I tarry longer here in the darkening twilight of these gray rocks. This is a dismal place in some moods of the mind. Climb we, therefore, the precipice, and pause a moment on the brink gazing down into that hollow chamber by the deep where we have been what few can be—sufficient to our own pastime. Yes, say the word outright: self-sufficient to our own happiness. How lonesome looks the recess now, and dreary too, like all other spots where happiness has been! There lies my shadow in the departing sunshine with its head upon the sea. I will pelt it with pebbles. A hit! a hit! I clap my hands in triumph, and see my shadow clapping its unreal hands and claiming the triumph for itself. What a simpleton must I have been all day, since my own shadow makes a mock of my fooleries! Homeward! homeward! It is time to hasten home. It is time—it is time; for as the sun sinks over the western wave the sea grows melancholy and the surf has a saddened tone. The distant sails appear astray and not of earth in their remoteness amid the desolate waste. My spirit wanders forth afar, but finds no resting-place and comes shivering back. It is time that I were hence. But grudge me not the day that has been spent in seclusion which yet was not solitude, since the great sea has been my companion, and the little sea-birds my friends, and the wind has told me his secrets, and airy shapes have flitted around me in my hermitage. Such companionship works an effect upon a man’s character as if he had been admitted to the society of creatures that are not mortal. And when, at noontide, I tread the crowded streets, the influence of this day will still be felt; so that I shall walk among men kindly and as a brother, with affection and sympathy, but yet shall not melt into the indistinguishable mass of humankind. I shall think my own thoughts and feel my own emotions and possess my individuality unviolated. But it is good at the eve of such a day to feel and know that there are men and women in the world. That feeling and that knowledge are mine at this moment, for on the shore, far below me, the fishing-party have landed from their skiff and are cooking their scaly prey by a fire of driftwood kindled in the angle of two rude rocks. The three visionary girls are likewise there. In the deepening twilight, while the surf is dashing near their hearth, the ruddy gleam of the fire throws a strange air of comfort over the wild cove, bestrewn as it is with pebbles and seaweed and exposed to the “melancholy main.” Moreover, as the smoke climbs up the precipice, it brings with it a savory smell from a pan of fried fish and a black kettle of chowder, and reminds me that my dinner was nothing but bread and water and a tuft of samphire and an apple. Methinks the party might find room for another guest at that flat rock which serves them for a table; and if spoons be scarce, I could pick up a clam-shell on the beach. They see me now; and—the blessing of a hungry man upon him!—one of them sends up a hospitable shout: “Halloo, Sir Solitary! Come down and sup with us!” The ladies wave their handkerchiefs. Can I decline? No; and be it owned, after all my solitary joys, that this is the sweetest moment of a day by the seashore. EDWARD FANE’S ROSEBUD There is hardly a more difficult exercise of fancy than, while gazing at a figure of melancholy age, to recreate its youth, and without entirely obliterating the identity of form and features to restore those graces which Time has snatched away. Some old people—especially women—so age-worn and woeful are they, seem never to have been young and gay. It is easier to conceive that such gloomy phantoms were sent into the world as withered and decrepit as we behold them now, with sympathies only for pain and grief, to watch at death-beds and weep at funerals. Even the sable garments of their widowhood appear essential to their existence; all their attributes combine to render them darksome shadows creeping strangely amid the sunshine of human life. Yet it is no unprofitable task to take one of these doleful creatures and set Fancy resolutely at work to brighten the dim eye, and darken the silvery locks, and paint the ashen cheek with rose-color, and repair the shrunken and crazy form, till a dewy maiden shall be seen in the old matron’s elbow-chair. The miracle being wrought, then let the years roll back again, each sadder than the last, and the whole weight of age and sorrow settle down upon the youthful figure. Wrinkles and furrows, the handwriting of Time, may thus be deciphered and found to contain deep lessons of thought and feeling. Such profit might be derived by a skilful observer from my much-respected friend the Widow Toothaker, a nurse of great repute who has breathed the atmosphere of sick-chambers and dying-breaths these forty years. See! she sits cowering over her lonesome hearth with her gown and upper petticoat drawn upward, gathering thriftily into her person the whole warmth of the fire which now at nightfall begins to dissipate the autumnal chill of her chamber. The blaze quivers capriciously in front, alternately glimmering into the deepest chasms of her wrinkled visage, and then permitting a ghostly dimness to mar the outlines of her venerable figure. And Nurse Toothaker holds a teaspoon in her right hand with which to stir up the contents of a tumbler in her left, whence steams a vapory fragrance abhorred of temperance societies. Now she sips, now stirs, now sips again. Her sad old heart has need to be revived by the rich infusion of Geneva which is mixed half and half with hot water in the tumbler. All day long she has been sitting by a death-pillow, and quitted it for her home only when the spirit of her patient left the clay and went homeward too. But now are her melancholy meditations cheered and her torpid blood warmed and her shoulders lightened of at least twenty ponderous years by a draught from the true fountain of youth in a case-bottle. It is strange that men should deem that fount a fable, when its liquor fills more bottles than the Congress-water.—Sip it again, good nurse, and see whether a second draught will not take off another score of years, and perhaps ten more, and show us in your high-backed chair the blooming damsel who plighted troths with Edward Fane.—Get you gone, Age and Widowhood!—Come back, unwedded Youth!—But, alas! the charm will not work. In spite of Fancy’s most potent spell, I can see only an old dame cowering over the fire, a picture of decay and desolation, while the November blast roars at her in the chimney and fitful showers rush suddenly against the window. Yet there was a time when Rose Grafton—such was the pretty maiden-name of Nurse Toothaker—possessed beauty that would have gladdened this dim and dismal chamber as with sunshine. It won for her the heart of Edward Fane, who has since made so great a figure in the world and is now a grand old gentleman with powdered hair and as gouty as a lord. These early lovers thought to have walked hand in hand through life. They had wept together for Edward’s little sister Mary, whom Rose tended in her sickness—partly because she was the sweetest child that ever lived or died, but more for love of him. She was but three years old. Being such an infant, Death could not embody his terrors in her little corpse; nor did Rose fear to touch the dead child’s brow, though chill, as she curled the silken hair around it, nor to take her tiny hand and clasp a flower within its fingers. Afterward, when she looked through the pane of glass in the coffin-lid and beheld Mary’s face, it seemed not so much like death or life as like a wax-work wrought into the perfect image of a child asleep and dreaming of its mother’s smile. Rose thought her too fair a thing to be hidden in the grave, and wondered that an angel did not snatch up little Mary’s coffin and bear the slumbering babe to heaven and bid her wake immortal. But when the sods were laid on little Mary, the heart of Rose was troubled. She shuddered at the fantasy that in grasping the child’s cold fingers her virgin hand had exchanged a first greeting with mortality and could never lose the earthy taint. How many a greeting since! But as yet she was a fair young girl with the dewdrops of fresh feeling in her bosom, and, instead of “Rose”—which seemed too mature a name for her half-opened beauty—her lover called her “Rosebud.” The rosebud was destined never to bloom for Edward Fane. His mother was a rich and haughty dame with all the aristocratic prejudices of colonial times. She scorned Rose Grafton’s humble parentage and caused her son to break his faith, though, had she let him choose, he would have prized his Rosebud above the richest diamond. The lovers parted, and have seldom met again. Both may have visited the same mansions, but not at the same time, for one was bidden to the festal hall and the other to the sick-chamber; he was the guest of Pleasure and Prosperity, and she of Anguish. Rose, after their separation, was long secluded within the dwelling of Mr. Toothaker, whom she married with the revengeful hope of breaking her false lover’s heart. She went to her bridegroom’s arms with bitterer tears, they say, than young girls ought to shed at the threshold of the bridal-chamber. Yet, though her husband’s head was getting gray and his heart had been chilled with an autumnal frost, Rose soon began to love him, and wondered at her own conjugal affection. He was all she had to love; there were no children. In a year or two poor Mr. Toothaker was visited with a wearisome infirmity which settled in his joints and made him weaker than a child. He crept forth about his business, and came home at dinner-time and eventide, not with the manly tread that gladdens a wife’s heart, but slowly, feebly, jotting down each dull footstep with a melancholy dub of his staff. We must pardon his pretty wife if she sometimes blushed to own him. Her visitors, when they heard him coming, looked for the appearance of some old, old man, but he dragged his nerveless limbs into the parlor—and there was Mr. Toothaker! The disease increasing, he never went into the sunshine save with a staff in his right hand and his left on his wife’s shoulder, bearing heavily downward like a dead man’s hand. Thus, a slender woman still looking maiden-like, she supported his tall, broad-chested frame along the pathway of their little garden, and plucked the roses for her gray-haired husband, and spoke soothingly as to an infant. His mind was palsied with his body; its utmost energy was peevishness. In a few months more she helped him up the staircase with a pause at every step, and a longer one upon the landing-place, and a heavy glance behind as he crossed the threshold of his chamber. He knew, poor man! that the precincts of those four walls would thenceforth be his world—his world, his home, his tomb, at once a dwelling-and a burial-place—till he were borne to a darker and a narrower one. But Rose was with him in the tomb. He leaned upon her in his daily passage from the bed to the chair by the fireside, and back again from the weary chair to the joyless bed—his bed and hers, their marriage-bed—till even this short journey ceased and his head lay all day upon the pillow and hers all night beside it. How long poor Mr. Toothaker was kept in misery! Death seemed to draw near the door, and often to lift the latch, and sometimes to thrust his ugly skull into the chamber, nodding to Rose and pointing at her husband, but still delayed to enter. “This bedridden wretch cannot escape me,” quoth Death. “I will go forth and run a race with the swift and fight a battle with the strong, and come back for Toothaker at my leisure.” Oh, when the deliverer came so near, in the dull anguish of her worn-out sympathies did she never long to cry, “Death, come in”? But no; we have no right to ascribe such a wish to our friend Rose. She never failed in a wife’s duty to her poor sick husband. She murmured not though a glimpse of the sunny sky was as strange to her as him, nor answered peevishly though his complaining accents roused her from sweetest dream only to share his wretchedness. He knew her faith, yet nourished a cankered jealousy; and when the slow disease had chilled all his heart save one lukewarm spot which Death’s frozen fingers were searching for, his last words were, “What would my Rose have done for her first love, if she has been so true and kind to a sick old man like me?” And then his poor soul crept away and left the body lifeless, though hardly more so than for years before, and Rose a widow, though in truth it was the wedding-night that widowed her. She felt glad, it must be owned, when Mr. Toothaker was buried, because his corpse had retained such a likeness to the man half alive that she hearkened for the sad murmur of his voice bidding her shift his pillow. But all through the next winter, though the grave had held him many a month, she fancied him calling from that cold bed, “Rose, Rose! Come put a blanket on my feet!” So now the Rosebud was the widow Toothaker. Her troubles had come early, and, tedious as they seemed, had passed before all her bloom was fled. She was still fair enough to captivate a bachelor, or with a widow’s cheerful gravity she might have won a widower, stealing into his heart in the very guise of his dead wife. But the widow Toothaker had no such projects. By her watchings and continual cares her heart had become knit to her first husband with a constancy which changed its very nature and made her love him for his infirmities, and infirmity for his sake. When the palsied old man was gone, even her early lover could not have supplied his place. She had dwelt in a sick-chamber and been the companion of a half-dead wretch till she could scarcely breathe in a free air and felt ill at ease with the healthy and the happy. She missed the fragrance of the doctor’s stuff. She walked the chamber with a noiseless footfall. If visitors came in, she spoke in soft and soothing accents, and was startled and shocked by their loud voices. Often in the lonesome evening she looked timorously from the fireside to the bed, with almost a hope of recognizing a ghastly face upon the pillow. Then went her thoughts sadly to her husband’s grave. If one impatient throb had wronged him in his lifetime, if she had secretly repined because her buoyant youth was imprisoned with his torpid age, if ever while slumbering beside him a treacherous dream had admitted another into her heart,—yet the sick man had been preparing a revenge which the dead now claimed. On his painful pillow he had cast a spell around her; his groans and misery had proved more captivating charms than gayety and youthful grace; in his semblance Disease itself had won the Rosebud for a bride, nor could his death dissolve the nuptials. By that indissoluble bond she had gained a home in every sick-chamber, and nowhere else; there were her brethren and sisters; thither her husband summoned her with that voice which had seemed to issue from the grave of Toothaker. At length she recognized her destiny. We have beheld her as the maid, the wife, the widow; now we see her in a separate and insulated character: she was in all her attributes Nurse Toothaker. And Nurse Toothaker alone, with her own shrivelled lips, could make known her experience in that capacity. What a history might she record of the great sicknesses in which she has gone hand in hand with the exterminating angel! She remembers when the small-pox hoisted a red banner on almost every house along the street. She has witnessed when the typhus fever swept off a whole household, young and old, all but a lonely mother, who vainly shrieked to follow her last loved one. Where would be Death’s triumph if none lived to weep? She can speak of strange maladies that have broken out as if spontaneously, but were found to have been imported from foreign lands with rich silks and other merchandise, the costliest portion of the cargo. And once, she recollects, the people died of what was considered a new pestilence, till the doctors traced it to the ancient grave of a young girl who thus caused many deaths a hundred years after her own burial. Strange that such black mischief should lurk in a maiden’s grave! She loves to tell how strong men fight with fiery fevers, utterly refusing to give up their breath, and how consumptive virgins fade out of the world, scarcely reluctant, as if their lovers were wooing them to a far country.—Tell us, thou fearful woman; tell us the death-secrets. Fain would I search out the meaning of words faintly gasped with intermingled sobs and broken sentences half-audibly spoken between earth and the judgment-seat. An awful woman! She is the patron-saint of young physicians and the bosom-friend of old ones. In the mansions where she enters the inmates provide themselves black garments; the coffin-maker follows her, and the bell tolls as she comes away from the threshold. Death himself has met her at so many a bedside that he puts forth his bony hand to greet Nurse Toothaker. She is an awful woman. And oh, is it conceivable that this handmaid of human infirmity and affliction—so darkly stained, so thoroughly imbued with all that is saddest in the doom of mortals—can ever again be bright and gladsome even though bathed in the sunshine of eternity? By her long communion with woe has she not forfeited her inheritance of immortal joy? Does any germ of bliss survive within her? Hark! an eager knocking st Nurse Toothaker’s door. She starts from her drowsy reverie, sets aside the empty tumbler and teaspoon, and lights a lamp at the dim embers of the fire. “Rap, rap, rap!” again, and she hurries adown the staircase, wondering which of her friends can be at death’s door now, since there is such an earnest messenger at Nurse Toothaker’s. Again the peal resounds just as her hand is on the lock. “Be quick, Nurse Toothaker!” cries a man on the doorstep. “Old General Fane is taken with the gout in his stomach and has sent for you to watch by his death-bed. Make haste, for there is no time to lose.”—“Fane! Edward Fane! And has he sent for me at last? I am ready. I will get on my cloak and begone. So,” adds the sable-gowned, ashen-visaged, funereal old figure, “Edward Fane remembers his Rosebud.” Our question is answered. There is a germ of bliss within her. Her long-hoarded constancy, her memory of the bliss that was remaining amid the gloom of her after-life like a sweet-smelling flower in a coffin, is a symbol that all may be renewed. In some happier clime the Rosebud may revive again with all the dewdrops in its bosom.