Section 96
Chapter 95 — The Cassock explained simply
Moby-Dick by Herman Melville
Original excerpt
Excerpt preview
Had you stepped on board the Pequod at a certain juncture of this post-mortemizing of the whale; and had you strolled forward nigh the windlass, pretty sure am I that you would have scanned with no small curiosity a very strange, enigmatical object, which you would have seen ther...
Read full original text in reading mode
Public-domain original
Had you stepped on board the Pequod at a certain juncture of this
post-mortemizing of the whale; and had you strolled forward nigh the
windlass, pretty sure am I that you would have scanned with no small
curiosity a very strange, enigmatical object, which you would have seen
there, lying along lengthwise in the lee scuppers. Not the wondrous
cistern in the whale’s huge head; not the prodigy of his unhinged lower
jaw; not the miracle of his symmetrical tail; none of these would so
surprise you, as half a glimpse of that unaccountable cone,—longer than
a Kentuckian is tall, nigh a foot in diameter at the base, and
jet-black as Yojo, the ebony idol of Queequeg. And an idol, indeed, it
is; or, rather, in old times, its likeness was. Such an idol as that
found in the secret groves of Queen Maachah in Judea; and for
worshipping which, King Asa, her son, did depose her, and destroyed the
idol, and burnt it for an abomination at the brook Kedron, as darkly
set forth in the 15th chapter of the First Book of Kings.
Look at the sailor, called the mincer, who now comes along, and
assisted by two allies, heavily backs the grandissimus, as the mariners
call it, and with bowed shoulders, staggers off with it as if he were a
grenadier carrying a dead comrade from the field. Extending it upon the
forecastle deck, he now proceeds cylindrically to remove its dark pelt,
as an African hunter the pelt of a boa. This done he turns the pelt
inside out, like a pantaloon leg; gives it a good stretching, so as
almost to double its diameter; and at last hangs it, well spread, in
the rigging, to dry. long, it is taken down; when removing some
three feet of it, towards the pointed extremity, and then cutting two
slits for arm-holes at the other end, he lengthwise slips himself
bodily into it. The mincer now stands before you invested in the full
canonicals of his calling. Immemorial to all his order, this
investiture alone will adequately protect him, while employed in the
peculiar functions of his office.
That office consists in mincing the horse-pieces of blubber for the
pots; an operation which is conducted at a curious wooden horse,
planted endwise against the bulwarks, and with a capacious tub beneath
it, into which the minced pieces drop, fast as the sheets from a rapt
orator’s desk. Arrayed in decent black; occupying a conspicuous pulpit;
intent on bible leaves; what a candidate for an archbishopric, what a
lad for a Pope were this mincer!*
*Bible leaves! Bible leaves! This is the invariable cry from the mates
to the mincer. It enjoins him to be careful, and cut his work into as
thin slices as possible, inasmuch as by so doing the business of
boiling out the oil is much accelerated, and its quantity considerably
increased, besides perhaps improving it in quality.
Public-domain original text shown for study context. Underlined terms can be tapped for simple reader notes.
What happens here
Chapter 95 — The Cassock continues Moby-Dick, moving the reader through obsession, fate, labor, nature, storytelling, and the danger of absolute certainty.
Why this scene matters
This section matters because it carries one part of Moby-Dick's larger pattern: obsession, fate, labor, nature, storytelling, and the danger of absolute certainty. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Moby-Dick.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.