Section 25
Chapter 25 — Postscript explained simply
Moby-Dick by Herman Melville
Original excerpt
Excerpt preview
In behalf of the dignity of whaling, I would fain advance naught but substantiated facts. But after embattling his facts, an advocate who should wholly suppress a not unreasonable surmise, which might tell eloquently upon his cause—such an advocate, would he not be blameworthy? I...
Read full original text in reading mode
Public-domain original
In behalf of the dignity of whaling, I would fain advance naught but
substantiated facts. But after embattling his facts, an advocate who
should wholly suppress a not unreasonable surmise, which might tell
eloquently upon his cause—such an advocate, would he not be
blameworthy?
It is well known that at the coronation of kings and queens, even
modern ones, a certain curious process of seasoning them for their
functions is gone through. There is a saltcellar of state, so called,
and there may be a castor of state. How they use the salt,
precisely—who knows? Certain I am, however, that a king’s head is
solemnly oiled at his coronation, even as a head of salad. Can it be,
though, that they anoint it with a view of making its interior run
well, as they anoint machinery? Much might be ruminated here,
concerning the essential dignity of this regal process, because in
common life we esteem but meanly and contemptibly a fellow who anoints
his hair, and palpably smells of that anointing. In truth, a mature man
who uses hair-oil, unless medicinally, that man has probably got a
quoggy spot in him somewhere. As a general rule, he can’t amount to
much in his totality.
But the only thing to be considered here, is this—what kind of oil is
used at coronations? Certainly it cannot be olive oil, nor macassar
oil, nor castor oil, nor bear’s oil, nor train oil, nor cod-liver oil.
What then can it possibly be, but sperm oil in its unmanufactured,
unpolluted state, the sweetest of all oils?
Think of that, ye loyal Britons! we whalemen supply your kings and
queens with coronation stuff!
Public-domain original text shown for study context.
What happens here
Chapter 25 — Postscript continues Moby-Dick, moving the reader through obsession, fate, labor, nature, storytelling, and the danger of absolute certainty.
Why this scene matters
This section matters because it carries one part of Moby-Dick's larger pattern: obsession, fate, labor, nature, storytelling, and the danger of absolute certainty. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Moby-Dick.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.