Section 1
Madame Bo-Peep, of the Ranches explained simply
Madame Bo-Peep, of the Ranches by O. Henry
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“Aunt Ellen,” said Octavia, cheerfully, as she threw her black kid gloves carefully at the dignified Persian cat on the window-seat, “I’m a pauper.” “You are so extreme in your statements, Octavia, dear,” said Aunt Ellen, mildly, looking up from her paper. “If you find yoursel...
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“Aunt Ellen,” said Octavia, cheerfully, as she threw her black kid
gloves carefully at the dignified Persian cat on the window-seat, “I’m
a pauper.”
“You are so extreme in your statements, Octavia, dear,” said Aunt
Ellen, mildly, looking up from her paper. “If you find yourself
temporarily in need of some small change for bonbons, you will find my
purse in the drawer of the writing desk.”
Octavia Beaupree removed her hat and seated herself on a footstool near
her aunt’s chair, clasping her hands about her knees. Her slim and
flexible figure, clad in a modish mourning costume, accommodated itself
easily and gracefully to the trying position. Her bright and youthful
face, with its pair of sparkling, life-enamoured eyes, tried to compose
itself to the seriousness that the occasion seemed to demand.
“You good auntie, it isn’t a case of bonbons; it is abject, staring,
unpicturesque poverty, with ready-made clothes, gasolined gloves, and
probably one o’clock dinners all waiting with the traditional wolf at
the door. I’ve just come from my lawyer, auntie, and, ‘Please, ma’am, I
ain’t got nothink ’t all. Flowers, lady? Buttonhole, gentleman?
Pencils, sir, three for five, to help a poor widow?’ Do I do it nicely,
auntie, or, as a bread-winner accomplishment, were my lessons in
elocution entirely wasted?”
“Do be serious, my dear,” said Aunt Ellen, letting her paper fall to
the floor, “long enough to tell me what you mean. Colonel Beaupree’s
estate—”
“Colonel Beaupree’s estate,” interrupted Octavia, emphasizing her words
with appropriate dramatic gestures, “is of Spanish castellar
architecture. Colonel Beaupree’s resources are—wind. Colonel Beaupree’s
stocks are—water. Colonel Beaupree’s income is—all in. The statement
lacks the legal technicalities to which I have been listening for an
hour, but that is what it means when translated.”
“Octavia!” Aunt Ellen was now visibly possessed by consternation. “I
can hardly believe it. And it was the impression that he was worth a
million. And the De Peysters themselves introduced him!”
Octavia rippled out a laugh, and then became properly grave.
“_De mortuis nil_, auntie—not even the rest of it. The dear old
colonel—what a gold brick he was, after all! I paid for my bargain
fairly—I’m all here, am I not?—items: eyes, fingers, toes, youth, old
family, unquestionable position in society as called for in the
contract—no wild-cat stock here.” Octavia picked up the morning paper
from the floor. “But I’m not going to ‘squeal’—isn’t that what they
call it when you rail at Fortune because you’ve, lost the game?” She
turned the pages of the paper calmly. “‘Stock market’—no use for that.
‘Society’s doings’—that’s done. Here is my page— the wish column. A Van
Dresser could not be said to ‘want’ for anything, of course.
‘Chamber-maids, cooks, canvassers, stenographers—’”
“Dear,” said Aunt Ellen, with a little tremor in her voice, “please do
not talk in that way. Even if your affairs are in so unfortunate a
condition, there is my three thousand—”
Octavia sprang up lithely, and deposited a smart kiss on the delicate
cheek of the prim little elderly maid.
“Blessed auntie, your three thousand is just sufficient to insure your
Hyson to be free from willow leaves and keep the Persian in sterilized
cream. I know I’d be welcome, but I prefer to strike bottom like
Beelzebub rather than hang around like the Peri listening to the music
from the side entrance. I’m going to earn my own living. There’s
nothing else to do. I’m a—Oh, oh, oh!—I had forgotten. There’s one
thing saved from the wreck. It’s a corral—no, a ranch in—let me
see—Texas: an asset, dear old Mr. Bannister called it. How pleased he
was to show me something he could describe as unencumbered! I’ve a
description of it among those stupid papers he made me bring away with
me from his office. I’ll try to find it.”
Octavia found her shopping-bag, and drew from it a long envelope filled
with typewritten documents.
“A ranch in Texas,” sighed Aunt Ellen. “It sounds to me more like a
liability than an asset. Those are the places where the centipedes are
found, and cowboys, and fandangos.”
“‘The Rancho de las Sombras,’” read Octavia from a sheet of violently
purple typewriting, “‘is situated one hundred and ten miles southeast
of San Antonio, and thirty-eight miles from its nearest railroad
station, Nopal, on the I. and G. N. Ranch, consists of 7,680 acres of
well-watered land, with title conferred by State patents, and
twenty-two sections, or 14,080 acres, partly under yearly running lease
and partly bought under State’s twenty-year-purchase act. Eight
thousand graded merino sheep, with the necessary equipment of horses,
vehicles and general ranch paraphernalia. Ranch-house built of brick,
with six rooms comfortably furnished according to the requirements of
the climate. All within a strong barbed-wire fence.
“‘The present ranch manager seems to be competent and reliable, and is
rapidly placing upon a paying basis a business that, in other hands,
had been allowed to suffer from neglect and misconduct.
“‘This property was secured by Colonel Beaupree in a deal with a
Western irrigation syndicate, and the title to it seems to be perfect.
With careful management and the natural increase of land values, it
ought to be made the foundation for a comfortable fortune for its
owner.’”
When Octavia ceased reading, Aunt Ellen uttered something as near a
sniff as her breeding permitted.
“The prospectus,” she said, with uncompromising metropolitan suspicion,
“doesn’t mention the centipedes, or the Indians. And you never did like
mutton, Octavia. I don’t see what advantage you can derive from
this—desert.”
But Octavia was in a trance. Her eyes were steadily regarding something
quite beyond their focus. Her lips were parted, and her face was
lighted by the kindling furor of the explorer, the ardent, stirring
disquiet of the adventurer. Suddenly she clasped her hands together
exultantly.
“The problem solves itself, auntie,” she cried. “I’m going to that
ranch. I’m going to live on it. I’m going to learn to like mutton, and
even concede the good qualities of centipedes—at a respectful distance.
It’s just what I need. It’s a new life that comes when my old one is
just ending. It’s a release, auntie; it isn’t a narrowing. Think of the
gallops over those leagues of prairies, with the wind tugging at the
roots of your hair, the coming close to the earth and learning over
again the stories of the growing grass and the little wild flowers
without names! Glorious is what it will be. Shall I be a shepherdess
with a Watteau hat, and a crook to keep the bad wolves from the lambs,
or a typical Western ranch girl, with short hair, like the pictures of
her in the Sunday papers? I think the latter. And they’ll have my
picture, too, with the wild-cats I’ve slain, single-handed, hanging
from my saddle horn. ‘From the Four Hundred to the Flocks’ is the way
they’ll headline it, and they’ll print photographs of the old Van
Dresser mansion and the church where I was married. They won’t have my
picture, but they’ll get an artist to draw it. I’ll be wild and woolly,
and I’ll grow my own wool.”
“Octavia!” Aunt Ellen condensed into the one word all the protests she
was unable to utter.
“Don’t say a word, auntie. I’m going. I’ll see the sky at night fit
down on the world like a big butter-dish cover, and I’ll make friends
again with the stars that I haven’t had a chat with since I was a wee
child. I wish to go. I’m tired of all this. I’m glad I haven’t any
money. I could bless Colonel Beaupree for that ranch, and forgive him
for all his bubbles. What if the life will be rough and lonely! I—I
deserve it. I shut my heart to everything except that miserable
ambition. I—oh, I wish to go away, and forget—forget!”
Octavia swerved suddenly to her knees, laid her flushed face in her
aunt’s lap, and shook with turbulent sobs.
Aunt Ellen bent over her, and smoothed the coppery-brown hair.
“I didn’t know,” she said, gently; “I didn’t know—that. Who was it,
dear?”
When Mrs. Octavia Beaupree, née Van Dresser, stepped from the train at
Nopal, her manner lost, for the moment, some of that easy certitude
which had always marked her movements. The town was of recent
establishment, and seemed to have been hastily constructed of undressed
lumber and flapping canvas. The element that had congregated about the
station, though not offensively demonstrative, was clearly composed of
citizens accustomed to and prepared for rude alarms.
Octavia stood on the platform, against the telegraph office, and
attempted to choose by intuition from the swaggering, straggling string
of loungers, the manager of the Rancho de las Sombras, who had been
instructed by Mr. Bannister to meet her there. That tall, serious,
looking, elderly man in the blue flannel shirt and white tie she
thought must be he. But, no; he passed by, removing his gaze from the
lady as hers rested on him, according to the Southern custom. The
manager, she thought, with some impatience at being kept waiting,
should have no difficulty in selecting her. Young women wearing the
most recent thing in ash-coloured travelling suits were not so
plentiful in Nopal!
Thus keeping a speculative watch on all persons of possible managerial
aspect, Octavia, with a catching breath and a start of surprise,
suddenly became aware of Teddy Westlake hurrying along the platform in
the direction of the train—of Teddy Westlake or his sun-browned ghost
in cheviot, boots and leather-girdled hat—Theodore Westlake, Jr.,
amateur polo (almost) champion, all-round butterfly and cumberer of the
soil; but a broader, surer, more emphasized and determined Teddy than
the one she had known a year ago when last she saw him.
He perceived Octavia at almost the same time, deflected his course, and
steered for her in his old, straightforward way. Something like awe
came upon her as the strangeness of his metamorphosis was brought into
closer range; the rich, red-brown of his complexion brought out so
vividly his straw-coloured mustache and steel-gray eyes. He seemed more
grown-up, and, somehow, farther away. But, when he spoke, the old,
boyish Teddy came back again. They had been friends from childhood.
“Why, ’Tave!” he exclaimed, unable to reduce his perplexity to
coherence. “How—what—when—where?”
“Train,” said Octavia; “necessity; ten minutes ago; home. Your
complexion’s gone, Teddy. Now, how—what—when—where?”
“I’m working down here,” said Teddy. He cast side glances about the
station as one does who tries to combine politeness with duty.
“You didn’t notice on the train,” he asked, “an old lady with gray
curls and a poodle, who occupied two seats with her bundles and
quarrelled with the conductor, did you?”
“I think not,” answered Octavia, reflecting. “And you haven’t, by any
chance, noticed a big, gray-mustached man in a blue shirt and
six-shooters, with little flakes of merino wool sticking in his hair,
have you?”
“Lots of ’em,” said Teddy, with symptoms of mental delirium under the
strain. Do you happen to know any such individual?”
“No; the description is imaginary. Is your interest in the old lady
whom you describe a personal one?”
“Never saw her in my life. She’s painted entirely from fancy. She owns
the little piece of property where I earn my bread and butter—the
Rancho de las Sombras. I drove up to meet her according to arrangement
with her lawyer.”
Octavia leaned against the wall of the telegraph office. Was this
possible? And didn’t he know?
“Are you the manager of that ranch?” she asked weakly.
“I am,” said Teddy, with pride.
“I am Mrs. Beaupree,” said Octavia faintly; “but my hair never would
curl, and I was polite to the conductor.”
For a moment that strange, grown-up look came back, and removed Teddy
miles away from her.
“I hope you’ll excuse me,” he said, rather awkwardly. “You see, I’ve
been down here in the chaparral a year. I hadn’t heard. Give me your
checks, please, and I’ll have your traps loaded into the wagon. José
will follow with them. We travel ahead in the buckboard.”
Seated by Teddy in a feather-weight buckboard, behind a pair of wild,
cream-coloured Spanish ponies, Octavia abandoned all thought for the
exhilaration of the present. They swept out of the little town and down
the level road toward the south. Soon the road dwindled and
disappeared, and they struck across a world carpeted with an endless
reach of curly mesquite grass. The wheels made no sound. The tireless
ponies bounded ahead at an unbroken gallop. The temperate wind, made
fragrant by thousands of acres of blue and yellow wild flowers, roared
gloriously in their ears. The motion was aërial, ecstatic, with a
thrilling sense of perpetuity in its effect. Octavia sat silent,
possessed by a feeling of elemental, sensual bliss. Teddy seemed to be
wrestling with some internal problem.
“I’m going to call you madama,” he announced as the result of his
labours. “That is what the Mexicans will call you—they’re nearly all
Mexicans on the ranch, you know. That seems to me about the proper
thing.”
“Very well, Mr. Westlake,” said Octavia, primly.
“Oh, now,” said Teddy, in some consternation, “that’s carrying the
thing too far, isn’t it?”
“Don’t worry me with your beastly etiquette. I’m just beginning to
live. Don’t remind me of anything artificial. If only this air could be
bottled! This much alone is worth coming for. Oh, look I there goes a
deer!”
“Jack-rabbit,” said Teddy, without turning his head.
“Could I—might I drive?” suggested Octavia, panting, with rose-tinted
cheeks and the eye of an eager child.
“On one condition. Could I—might I smoke?”
“Forever!” cried Octavia, taking the lines with solemn joy. “How shall
I know which way to drive?”
“Keep her sou’ by sou’east, and all sail set. You see that black speck
on the horizon under that lowermost Gulf cloud? That’s a group of
live-oaks and a landmark. Steer halfway between that and the little
hill to the left. I’ll recite you the whole code of driving rules for
the Texas prairies: keep the reins from under the horses’ feet, and
swear at ’em frequent.”
“I’m too happy to swear, Ted. Oh, why do people buy yachts or travel in
palace-cars, when a buckboard and a pair of plugs and a spring morning
like this can satisfy all desire?”
“Now, I’ll ask you,” protested Teddy, who was futilely striking match
after match on the dashboard, “not to call those denizens of the air
plugs. They can kick out a hundred miles between daylight and dark.” At
last he succeeded in snatching a light for his cigar from the flame
held in the hollow of his hands.
“Room!” said Octavia, intensely. “That’s what produces the effect. I
know now what I’ve wanted—scope—range—room!”
“Smoking-room,” said Teddy, unsentimentally. “I love to smoke in a
buckboard. The wind blows the smoke into you and out again. It saves
exertion.”
The two fell so naturally into their old-time goodfellowship that it
was only by degrees that a sense of the strangeness of the new
relations between them came to be felt.
“Madama,” said Teddy, wonderingly, “however did you get it into your
head to cut the crowd and come down here? Is it a fad now among the
upper classes to trot off to sheep ranches instead of to Newport?”
“I was broke, Teddy,” said Octavia, sweetly, with her interest centred
upon steering safely between a Spanish dagger plant and a clump of
chaparral; “I haven’t a thing in the world but this ranch—not even any
other home to go to.”
“Come, now,” said Teddy, anxiously but incredulously, “you don’t mean
it?”
“When my husband,” said Octavia, with a shy slurring of the word, “died
three months ago I thought I had a reasonable amount of the world’s
goods. His lawyer exploded that theory in a sixty-minute fully
illustrated lecture. I took to the sheep as a last resort. Do you
happen to know of any fashionable caprice among the gilded youth of
Manhattan that induces them to abandon polo and club windows to become
managers of sheep ranches?”
“It’s easily explained in my case,” responded Teddy, promptly. “I had
to go to work. I couldn’t have earned my board in New York, so I
chummed a while with old Sandford, one of the syndicate that owned the
ranch before Colonel Beaupree bought it, and got a place down here. I
wasn’t manager at first. I jogged around on ponies and studied the
business in detail, until I got all the points in my head. I saw where
it was losing and what the remedies were, and then Sandford put me in
charge. I get a hundred dollars a month, and I earn it.”
“Poor Teddy!” said Octavia, with a smile.
“You needn’t. I like it. I save half my wages, and I’m as hard as a
water plug. It beats polo.”
“Will it furnish bread and tea and jam for another outcast from
civilization?”
“The spring shearing,” said the manager, “just cleaned up a deficit in
last year’s business. Wastefulness and inattention have been the rule
heretofore. The autumn clip will leave a small profit over all
expenses. Next year there will be jam.”
When, about four o’clock in the afternoon, the ponies rounded a gentle,
brush-covered hill, and then swooped, like a double cream-coloured
cyclone, upon the Rancho de las Sombras, Octavia gave a little cry of
delight. A lordly grove of magnificent live-oaks cast an area of
grateful, cool shade, whence the ranch had drawn its name, “de las
Sombras”—of the shadows. The house, of red brick, one story, ran low
and long beneath the trees. Through its middle, dividing its six rooms
in half, extended a broad, arched passageway, picturesque with
flowering cactus and hanging red earthen jars. A “gallery,” low and
broad, encircled the building. Vines climbed about it, and the adjacent
ground was, for a space, covered with transplanted grass and shrubs. A
little lake, long and narrow, glimmered in the sun at the rear. Further
away stood the shacks of the Mexican workers, the corrals, wool sheds
and shearing pens. To the right lay the low hills, splattered with dark
patches of chaparral; to the left the unbounded green prairie blending
against the blue heavens.
“It’s a home, Teddy,” said Octavia, breathlessly; that’s what it
is—it’s a home.”
“Not so bad for a sheep ranch,” admitted Teddy, with excusable pride.
“I’ve been tinkering on it at odd times.”
A Mexican youth sprang from somewhere in the grass, and took charge of
the creams. The mistress and the manager entered the house.
“Here’s Mrs. MacIntyre,” said Teddy, as a placid, neat, elderly lady
came out upon the gallery to meet them. “Mrs. Mac, here’s the boss.
Very likely she will be wanting a hunk of ham and a dish of beans after
her drive.”
Mrs. MacIntyre, the housekeeper, as much a fixture on the place as the
lake or the live-oaks, received the imputation of the ranch’s resources
of refreshment with mild indignation, and was about to give it
utterance when Octavia spoke.
“Oh, Mrs. MacIntyre, don’t apologize for Teddy. Yes, I call him Teddy.
So does every one whom he hasn’t duped into taking him seriously. You
see, we used to cut paper dolls and play jackstraws together ages ago.
No one minds what he says.”
“No,” said Teddy, “no one minds what he says, just so he doesn’t do it
again.”
Octavia cast one of those subtle, sidelong glances toward him from
beneath her lowered eyelids—a glance that Teddy used to describe as an
upper-cut. But there was nothing in his ingenuous, weather-tanned face
to warrant a suspicion that he was making an allusion—nothing. Beyond a
doubt, thought Octavia, he had forgotten.
“Mr. Westlake likes his fun,” said Mrs. Maclntyre, as she conducted
Octavia to her rooms. “But,” she added, loyally, “people around here
usually pay attention to what he says when he talks in earnest. I don’t
know what would have become of this place without him.”
Two rooms at the east end of the house had been arranged for the
occupancy of the ranch’s mistress. When she entered them a slight
dismay seized her at their bare appearance and the scantiness of their
furniture; but she quickly reflected that the climate was a
semi-tropical one, and was moved to appreciation of the well-conceived
efforts to conform to it. The sashes had already been removed from the
big windows, and white curtains waved in the Gulf breeze that streamed
through the wide jalousies. The bare floor was amply strewn with cool
rugs; the chairs were inviting, deep, dreamy willows; the walls were
papered with a light, cheerful olive. One whole side of her sitting
room was covered with books on smooth, unpainted pine shelves. She flew
to these at once. Before her was a well-selected library. She caught
glimpses of titles of volumes of fiction and travel not yet seasoned
from the dampness of the press.
Presently, recollecting that she was now in a wilderness given over to
mutton, centipedes and privations, the incongruity of these luxuries
struck her, and, with intuitive feminine suspicion, she began turning
to the fly-leaves of volume after volume. Upon each one was inscribed
in fluent characters the name of Theodore Westlake, Jr.
Octavia, fatigued by her long journey, retired early that night. Lying
upon her white, cool bed, she rested deliciously, but sleep coquetted
long with her. She listened to faint noises whose strangeness kept her
faculties on the alert—the fractious yelping of the coyotes, the
ceaseless, low symphony of the wind, the distant booming of the frogs
about the lake, the lamentation of a concertina in the Mexicans’
quarters. There were many conflicting feelings in her
heart—thankfulness and rebellion, peace and disquietude, loneliness and
a sense of protecting care, happiness and an old, haunting pain.
She did what any other woman would have done—sought relief in a
wholesome tide of unreasonable tears, and her last words, murmured to
herself before slumber, capitulating, came softly to woo her, were “He
has forgotten.”
The manager of the Rancho de las Sombras was no dilettante. He was a
“hustler.” He was generally up, mounted, and away of mornings before
the rest of the household were awake, making the rounds of the flocks
and camps. This was the duty of the major-domo, a stately old Mexican
with a princely air and manner, but Teddy seemed to have a great deal
of confidence in his own eyesight. Except in the busy seasons, he
nearly always returned to the ranch to breakfast at eight o’clock, with
Octavia and Mrs. Maclntyre, at the little table set in the central
hallway, bringing with him a tonic and breezy cheerfulness full of the
health and flavour of the prairies.
A few days after Octavia’s arrival he made her get out one of her
riding skirts, and curtail it to a shortness demanded by the chaparral
brakes.
With some misgivings she donned this and the pair of buckskin leggings
he prescribed in addition, and, mounted upon a dancing pony, rode with
him to view her possessions. He showed her everything—the flocks of
ewes, muttons and grazing lambs, the dipping vats, the shearing pens,
the uncouth merino rams in their little pasture, the water-tanks
prepared against the summer drought—giving account of his stewardship
with a boyish enthusiasm that never flagged.
Where was the old Teddy that she knew so well? This side of him was the
same, and it was a side that pleased her; but this was all she ever saw
of him now. Where was his sentimentality—those old, varying moods of
impetuous love-making, of fanciful, quixotic devotion, of
heart-breaking gloom, of alternating, absurd tenderness and haughty
dignity? His nature had been a sensitive one, his temperament bordering
closely on the artistic. She knew that, besides being a follower of
fashion and its fads and sports, he had cultivated tastes of a finer
nature. He had written things, he had tampered with colours, he was
something of a student in certain branches of art, and once she had
been admitted to all his aspirations and thoughts. But now—and she
could not avoid the conclusion—Teddy had barricaded against her every
side of himself except one—the side that showed the manager of the
Rancho de las Sombras and a jolly chum who had forgiven and forgotten.
Queerly enough the words of Mr. Bannister’s description of her property
came into her mind—“all inclosed within a strong barbed-wire fence.”
“Teddy’s fenced, too,” said Octavia to herself.
It was not difficult for her to reason out the cause of his
fortifications. It had originated one night at the Hammersmiths’ ball.
It occurred at a time soon after she had decided to accept Colonel
Beaupree and his million, which was no more than her looks and the
entrée she held to the inner circles were worth. Teddy had proposed
with all his impetuosity and fire, and she looked him straight in the
eyes, and said, coldly and finally: “Never let me hear any such silly
nonsense from you again.” “You won’t,” said Teddy, with an expression
around his mouth, and—now Teddy was inclosed within a strong
barbed-wire fence.
It was on this first ride of inspection that Teddy was seized by the
inspiration that suggested the name of Mother Goose’s heroine, and he
at once bestowed it upon Octavia. The idea, supported by both a
similarity of names and identity of occupations, seemed to strike him
as a peculiarly happy one, and he never tired of using it. The Mexicans
on the ranch also took up the name, adding another syllable to
accommodate their lingual incapacity for the final “p,” gravely
referring to her as “La Madama Bo-Peepy.” Eventually it spread, and
“Madame Bo-Peep’s ranch” was as often mentioned as the “Rancho de las
Sombras.”
Came the long, hot season from May to September, when work is scarce on
the ranches. Octavia passed the days in a kind of lotus-eater’s dream.
Books, hammocks, correspondence with a few intimate friends, a renewed
interest in her old water-colour box and easel—these disposed of the
sultry hours of daylight. The evenings were always sure to bring
enjoyment. Best of all were the rapturous horseback rides with Teddy,
when the moon gave light over the wind-swept leagues, chaperoned by the
wheeling night-hawk and the startled owl. Often the Mexicans would come
up from their shacks with their guitars and sing the weirdest of
heart-breaking songs. There were long, cosy chats on the breezy
gallery, and an interminable warfare of wits between Teddy and Mrs.
MacIntyre, whose abundant Scotch shrewdness often more than overmatched
the lighter humour in which she was lacking.
And the nights came, one after another, and were filed away by weeks
and months—nights soft and languorous and fragrant, that should have
driven Strephon to Chloe over wires however barbed, that might have
drawn Cupid himself to hunt, lasso in hand, among those amorous
pastures—but Teddy kept his fences up.
One July night Madame Bo-Peep and her ranch manager were sitting on the
east gallery. Teddy had been exhausting the science of prognostication
as to the probabilities of a price of twenty-four cents for the autumn
clip, and had then subsided into an anesthetic cloud of Havana smoke.
Only as incompetent a judge as a woman would have failed to note long
ago that at least a third of his salary must have gone up in the fumes
of those imported Regalias.
“Teddy,” said Octavia, suddenly, and rather sharply, “what are you
working down here on a ranch for?”
“One hundred per,” said Teddy, glibly, “and found.”
“I’ve a good mind to discharge you.”
“Can’t do it,” said Teddy, with a grin.
“Why not?” demanded Octavia, with argumentative heat.
“Under contract. Terms of sale respect all unexpired contracts. Mine
runs until 12 P. M., December thirty-first. You might get up at
midnight on that date and fire me. If you try it sooner I’ll be in a
position to bring legal proceedings.”
Octavia seemed to be considering the prospects of litigation.
“But,” continued Teddy cheerfully, “I’ve been thinking of resigning
anyway.”
Octavia’s rocking-chair ceased its motion. There were centipedes in
this country, she felt sure; and Indians, and vast, lonely, desolate,
empty wastes; all within strong barbed-wire fence. There was a Van
Dresser pride, but there was also a Van Dresser heart. She must know
for certain whether or not he had forgotten.
“Ah, well, Teddy,” she said, with a fine assumption of polite interest,
“it’s lonely down here; you’re longing to get back to the old life—to
polo and lobsters and theatres and balls.”
“Never cared much for balls,” said Teddy virtuously.
“You’re getting old, Teddy. Your memory is failing. Nobody ever knew
you to miss a dance, unless it occurred on the same night with another
one which you attended. And you showed such shocking bad taste, too, in
dancing too often with the same partner. Let me see, what was that
Forbes girl’s name—the one with wall eyes—Mabel, wasn’t it?”
“No; Adèle. Mabel was the one with the bony elbows. That wasn’t wall in
Adèle’s eyes. It was soul. We used to talk sonnets together, and
Verlaine. Just then I was trying to run a pipe from the Pierian
spring.”
“You were on the floor with her,” said Octavia, undeflected, “five
times at the Hammersmiths’.”
“Hammersmiths’ what?” questioned Teddy, vacuously.
“Ball—ball,” said Octavia, viciously. “What were we talking of?”
“Eyes, I thought,” said Teddy, after some reflection; “and elbows.”
“Those Hammersmiths,” went on Octavia, in her sweetest society prattle,
after subduing an intense desire to yank a handful of sunburnt, sandy
hair from the head lying back contentedly against the canvas of the
steamer chair, “had too much money. Mines, wasn’t it? It was something
that paid something to the ton. You couldn’t get a glass of plain water
in their house. Everything at that ball was dreadfully overdone.”
“It was,” said Teddy.
“Such a crowd there was!” Octavia continued, conscious that she was
talking the rapid drivel of a school-girl describing her first dance.
“The balconies were as warm as the rooms. I—lost—something at that
ball.” The last sentence was uttered in a tone calculated to remove the
barbs from miles of wire.
“So did I,” confessed Teddy, in a lower voice.
“A glove,” said Octavia, falling back as the enemy approached her
ditches.
“Caste,” said Teddy, halting his firing line without loss. “I
hobnobbed, half the evening with one of Hammersmith’s miners, a fellow
who kept his hands in his pockets, and talked like an archangel about
reduction plants and drifts and levels and sluice-boxes.”
“A pearl-gray glove, nearly new,” sighed Octavia, mournfully.
“A bang-up chap, that McArdle,” maintained Teddy approvingly. “A man
who hated olives and elevators; a man who handled mountains as
croquettes, and built tunnels in the air; a man who never uttered a
word of silly nonsense in his life. Did you sign those lease-renewal
applications yet, madama? They’ve got to be on file in the land office
by the thirty-first.”
Teddy turned his head lazily. Octavia’s chair was vacant.
A certain centipede, crawling along the lines marked out by fate,
expounded the situation. It was early one morning while Octavia and
Mrs. Maclntyre were trimming the honeysuckle on the west gallery. Teddy
had risen and departed hastily before daylight in response to word that
a flock of ewes had been scattered from their bedding ground during the
night by a thunder-storm.
The centipede, driven by destiny, showed himself on the floor of the
gallery, and then, the screeches of the two women giving him his cue,
he scuttled with all his yellow legs through the open door into the
furthermost west room, which was Teddy’s. Arming themselves with
domestic utensils selected with regard to their length, Octavia and
Mrs. Maclntyre, with much clutching of skirts and skirmishing for the
position of rear guard in the attacking force, followed.
Once outside, the centipede seemed to have disappeared, and his
prospective murderers began a thorough but cautious search for their
victim.
Even in the midst of such a dangerous and absorbing adventure Octavia
was conscious of an awed curiosity on finding herself in Teddy’s
sanctum. In that room he sat alone, silently communing with those
secret thoughts that he now shared with no one, dreamed there whatever
dreams he now called on no one to interpret.
It was the room of a Spartan or a soldier. In one corner stood a wide,
canvas-covered cot; in another, a small bookcase; in another, a grim
stand of Winchesters and shotguns. An immense table, strewn with
letters, papers and documents and surmounted by a set of pigeon-holes,
occupied one side.
The centipede showed genius in concealing himself in such bare
quarters. Mrs. Maclntyre was poking a broom-handle behind the bookcase.
Octavia approached Teddy’s cot. The room was just as the manager had
left it in his hurry. The Mexican maid had not yet given it her
attention. There was his big pillow with the imprint of his head still
in the centre. She thought the horrid beast might have climbed the cot
and hidden itself to bite Teddy. Centipedes were thus cruel and
vindictive toward managers.
She cautiously overturned the pillow, and then parted her lips to give
the signal for reinforcements at sight of a long, slender, dark object
lying there. But, repressing it in time, she caught up a glove, a
pearl-gray glove, flattened—it might be conceived—by many, many months
of nightly pressure beneath the pillow of the man who had forgotten the
Hammersmiths’ ball. Teddy must have left so hurriedly that morning that
he had, for once, forgotten to transfer it to its resting-place by day.
Even managers, who are notoriously wily and cunning, are sometimes
caught up with.
Octavia slid the gray glove into the bosom of her summery morning gown.
It was hers. Men who put themselves within a strong barbed-wire fence,
and remember Hammersmith balls only by the talk of miners about
sluice-boxes, should not be allowed to possess such articles.
After all, what a paradise this prairie country was! How it blossomed
like the rose when you found things that were thought to be lost! How
delicious was that morning breeze coming in the windows, fresh and
sweet with the breath of the yellow ratama blooms! Might one not stand,
for a minute, with shining, far-gazing eyes, and dream that mistakes
might be corrected?
Why was Mrs. Maclntyre poking about so absurdly with a broom?
“I’ve found it,” said Mrs. MacIntyre, banging the door. “Here it is.”
“Did you lose something? asked Octavia, with sweetly polite
non-interest.
“The little devil!” said Mrs. Maclntyre, driven to violence. “Ye’ve no
forgotten him alretty?”
Between them they slew the centipede. Thus was he rewarded for his
agency toward the recovery of things lost at the Hammersmiths’ ball.
It seems that Teddy, in due course, remembered the glove, and when he
returned to the house at sunset made a secret but exhaustive search for
it. Not until evening, upon the moonlit eastern gallery, did he find
it. It was upon the hand that he had thought lost to him forever, and
so he was moved to repeat certain nonsense that he had been commanded
never, never to utter again. Teddy’s fences were down.
This time there was no ambition to stand in the way, and the wooing was
as natural and successful as should be between ardent shepherd and
gentle shepherdess.
The prairies changed to a garden. The Rancho de las Sombras became the
Ranch of Light.
A few days later Octavia received a letter from Mr. Bannister, in reply
to one she had written to him asking some questions about her business.
A portion of the letter ran as follows:
“I am at a loss to account for your references to the sheep ranch. Two
months after your departure to take up your residence upon it, it was
discovered that Colonel Beaupree’s title was worthless. A deed came to
light showing that he disposed of the property before his death. The
matter was reported to your manager, Mr. Westlake, who at once
repurchased the property. It is entirely beyond my powers of conjecture
to imagine how you have remained in ignorance of this fact. I beg that
you that will at once confer with that gentleman, who will, at least,
corroborate my statement.”
Octavia sought Teddy, with battle in her eye.
“What are you working on this ranch for?” she asked once more.
“One hundred—” he began to repeat, but saw in her face that she knew.
She held Mr. Bannister’s letter in her hand. He knew that the game was
up.
“It’s my ranch,” said Teddy, like a schoolboy detected in evil. “It’s a
mighty poor manager that isn’t able to absorb the boss’s business if
you give him time.”
“Why were you working down here?” pursued Octavia still struggling
after the key to the riddle of Teddy.
“To tell the truth, ’Tave,” said Teddy, with quiet candour, “it wasn’t
for the salary. That about kept me in cigars and sunburn lotions. I was
sent south by my doctor. ’Twas that right lung that was going to the
bad on account of over-exercise and strain at polo and gymnastics. I
needed climate and ozone and rest and things of that sort.”
In an instant Octavia was close against the vicinity of the affected
organ. Mr. Bannister’s letter fluttered to the floor.
“It’s—it’s well now, isn’t it, Teddy?”
“Sound as a mesquite chunk. I deceived you in one thing. I paid fifty
thousand for your ranch as soon as I found you had no title. I had just
about that much income accumulated at my banker’s while I’ve been
herding sheep down here, so it was almost like picking the thing up on
a bargain-counter for a penny. There’s another little surplus of
unearned increment piling up there, ’Tave. I’ve been thinking of a
wedding trip in a yacht with white ribbons tied to the mast, through
the Mediterranean, and then up among the Hebrides and down Norway to
the Zuyder Zee.”
“And I was thinking,” said Octavia, softly, “of a wedding gallop with
my manager among the flocks of sheep and back to a wedding breakfast
with Mrs. MacIntyre on the gallery, with, maybe, a sprig of orange
blossom fastened to the red jar above the table.”
Teddy laughed, and began to chant:
“Little Bo-Peep has lost her sheep,
And doesn’t know where to find ’em.
Let ’em alone, and they’ll come home,
And—”
Octavia drew his head down, and whispered in his ear.
But that is one of the tales they brought behind them.
Public-domain original text shown for study context.
What happens here
Madame Bo-Peep, of the Ranches follows ordinary life, coincidence, money or love, and an ironic turn at the end.
Why this scene matters
This story matters because it turns ordinary life, coincidence, money or love, and an ironic turn at the end into a short public-domain reading experience that is easier to understand when the plot is explained plainly first.
Characters in this scene
- The central character: The person whose hope, money, disguise, or mistake drives the story.
- The ironic turn: The coincidence or reversal that changes the meaning of the situation.