Little Annie’s Ramble explained simply

Ding-dong! Ding-dong! Ding-dong! The town-crier has rung his bell at a distant corner, and little Annie stands on her father’s doorsteps trying to hear what the man with the loud voice is talking about. Let me listen too. Oh, he is telling the people that an elephant and a lion and a royal tiger and a horse with horns, and other strange beasts from foreign countries, have come to town and will receive all visitors who choose to wait upon them. Perhaps little Annie would like to go? Yes, and I can see that the pretty child is weary of this wide and pleasant street with the green trees flinging their shade across the quiet sunshine and the pavements and the sidewalks all as clean as if the housemaid had just swept them with her broom. She feels that impulse to go strolling away—that longing after the mystery of the great world—which many children feel, and which I felt in my childhood. Little Annie shall take a ramble with me. See! I do but hold out my hand, and like some bright bird in the sunny air, with her blue silk frock fluttering upward from her white pantalets, she comes bounding on tiptoe across the street. Smooth back your brown curls, Annie, and let me tie on your bonnet, and we will set forth. What a strange couple to go on their rambles together! One walks in black attire, with a measured step and a heavy brow and his thoughtful eyes bent down, while the gay little girl trips lightly along as if she were forced to keep hold of my hand lest her feet should dance away from the earth. Yet there is sympathy between us. If I pride myself on anything, it is because I have a smile that children love; and, on the other hand, there are few grown ladies that could entice me from the side of little Annie, for I delight to let my mind go hand in hand with the mind of a sinless child. So come, Annie; but if I moralize as we go, do not listen to me: only look about you and be merry. Now we turn the corner. Here are hacks with two horses and stage-coaches with four thundering to meet each other, and trucks and carts moving at a slower pace, being heavily laden with barrels from the wharves; and here are rattling gigs which perhaps will be smashed to pieces before our eyes. Hitherward, also, comes a man trundling a wheelbarrow along the pavement. Is not little Annie afraid of such a tumult? No; she does not even shrink closer to my side, but passes on with fearless confidence, a happy child amidst a great throng of grown people who pay the same reverence to her infancy that they would to extreme old age. Nobody jostles her: all turn aside to make way for little Annie; and, what is most singular, she appears conscious of her claim to such respect. Now her eyes brighten with pleasure. A street-musician has seated himself on the steps of yonder church and pours forth his strains to the busy town—a melody that has gone astray among the tramp of footsteps, the buzz of voices and the war of passing wheels. Who heeds the poor organ-grinder? None but myself and little Annie, whose feet begin to move in unison with the lively tune, as if she were loth that music should be wasted without a dance. But where would Annie find a partner? Some have the gout in their toes or the rheumatism in their joints; some are stiff with age, some feeble with disease; some are so lean that their bones would rattle, and others of such ponderous size that their agility would crack the flagstones; but many, many have leaden feet because their hearts are far heavier than lead. It is a sad thought that I have chanced upon. What a company of dancers should we be! For I too am a gentleman of sober footsteps, and therefore, little Annie, let us walk sedately on. It is a question with me whether this giddy child or my sage self have most pleasure in looking at the shop-windows. We love the silks of sunny hue that glow within the darkened premises of the spruce dry-goods men; we are pleasantly dazzled by the burnished silver and the chased gold, the rings of wedlock and the costly love-ornaments, glistening at the window of the jeweller; but Annie, more than I, seeks for a glimpse of her passing figure in the dusty looking-glasses at the hardware-stores. All that is bright and gay attracts us both. Here is a shop to which the recollections of my boyhood as well as present partialities give a peculiar magic. How delightful to let the fancy revel on the dainties of a confectioner—those pies with such white and flaky paste, their contents being a mystery, whether rich mince with whole plums intermixed, or piquant apple delicately rose-flavored; those cakes, heart-shaped or round, piled in a lofty pyramid; those sweet little circlets sweetly named kisses; those dark majestic masses fit to be bridal-loaves at the wedding of an heiress, mountains in size, their summits deeply snow-covered with sugar! Then the mighty treasures of sugarplums, white and crimson and yellow, in large glass vases, and candy of all varieties, and those little cockles—or whatever they are called—much prized by children for their sweetness, and more for the mottoes which they enclose, by love-sick maids and bachelors! Oh, my mouth waters, little Annie, and so doth yours, but we will not be tempted except to an imaginary feast; so let us hasten onward devouring the vision of a plum-cake. Here are pleasures, as some people would say, of a more exalted kind, in the window of a bookseller. Is Annie a literary lady? Yes; she is deeply read in Peter Parley’s tomes and has an increasing love for fairy-tales, though seldom met with nowadays, and she will subscribe next year to the Juvenile Miscellany. But, truth to tell, she is apt to turn away from the printed page and keep gazing at the pretty pictures, such as the gay-colored ones which make this shop-window the continual loitering-place of children. What would Annie think if, in the book which I mean to send her on New Year’s day, she should find her sweet little self bound up in silk or morocco with gilt edges, there to remain till she become a woman grown with children of her own to read about their mother’s childhood? That would be very queer. Little Annie is weary of pictures and pulls me onward by the hand, till suddenly we pause at the most wondrous shop in all the town. Oh, my stars! Is this a toyshop, or is it fairy-land? For here are gilded chariots in which the king and queen of the fairies might ride side by side, while their courtiers on these small horses should gallop in triumphal procession before and behind the royal pair. Here, too, are dishes of chinaware fit to be the dining-set of those same princely personages when they make a regal banquet in the stateliest hall of their palace—full five feet high—and behold their nobles feasting adown the long perspective of the table. Betwixt the king and queen should sit my little Annie, the prettiest fairy of them all. Here stands a turbaned Turk threatening us with his sabre, like an ugly heathen as he is, and next a Chinese mandarin who nods his head at Annie and myself. Here we may review a whole army of horse and foot in red-and-blue uniforms, with drums, fifes, trumpets, and all kinds of noiseless music; they have halted on the shelf of this window after their weary march from Liliput. But what cares Annie for soldiers? No conquering queen is she—neither a Semiramis nor a Catharine; her whole heart is set upon that doll who gazes at us with such a fashionable stare. This is the little girl’s true plaything. Though made of wood, a doll is a visionary and ethereal personage endowed by childish fancy with a peculiar life; the mimic lady is a heroine of romance, an actor and a sufferer in a thousand shadowy scenes, the chief inhabitant of that wild world with which children ape the real one. Little Annie does not understand what I am saying, but looks wishfully at the proud lady in the window. We will invite her home with us as we return.—Meantime, good-bye, Dame Doll! A toy yourself, you look forth from your window upon many ladies that are also toys, though they walk and speak, and upon a crowd in pursuit of toys, though they wear grave visages. Oh, with your never-closing eyes, had you but an intellect to moralize on all that flits before them, what a wise doll would you be!—Come, little Annie, we shall find toys enough, go where we may. Now we elbow our way among the throng again. It is curious in the most crowded part of a town to meet with living creatures that had their birthplace in some far solitude, but have acquired a second nature in the wilderness of men. Look up, Annie, at that canary-bird hanging out of the window in his cage. Poor little fellow! His golden feathers are all tarnished in this smoky sunshine; he would have glistened twice as brightly among the summer islands, but still he has become a citizen in all his tastes and habits, and would not sing half so well without the uproar that drowns his music. What a pity that he does not know how miserable he is! There is a parrot, too, calling out, “Pretty Poll! Pretty Poll!” as we pass by. Foolish bird, to be talking about her prettiness to strangers, especially as she is not a pretty Poll, though gaudily dressed in green and yellow! If she had said “Pretty Annie!” there would have been some sense in it. See that gray squirrel at the door of the fruit-shop whirling round and round so merrily within his wire wheel! Being condemned to the treadmill, he makes it an amusement. Admirable philosophy! Here comes a big, rough dog—a countryman’s dog—in search of his master, smelling at everybody’s heels and touching little Annie’s hand with his cold nose, but hurrying away, though she would fain have patted him.—Success to your search, Fidelity!—And there sits a great yellow cat upon a window-sill, a very corpulent and comfortable cat, gazing at this transitory world with owl’s eyes, and making pithy comments, doubtless, or what appear such, to the silly beast.—Oh, sage puss, make room for me beside you, and we will be a pair of philosophers. Here we see something to remind us of the town-crier and his ding-dong-bell. Look! look at that great cloth spread out in the air, pictured all over with wild beasts, as if they had met together to choose a king, according to their custom in the days of Æsop. But they are choosing neither a king nor a President, else we should hear a most horrible snarling! They have come from the deep woods and the wild mountains and the desert sands and the polar snows only to do homage to my little Annie. As we enter among them the great elephant makes us a bow in the best style of elephantine courtesy, bending lowly down his mountain bulk, with trunk abased and leg thrust out behind. Annie returns the salute, much to the gratification of the elephant, who is certainly the best-bred monster in the caravan. The lion and the lioness are busy with two beef-bones. The royal tiger, the beautiful, the untamable, keeps pacing his narrow cage with a haughty step, unmindful of the spectators or recalling the fierce deeds of his former life, when he was wont to leap forth upon such inferior animals from the jungles of Bengal. Here we see the very same wolf—do not go near him, Annie!—the selfsame wolf that devoured little Red Riding-Hood and her grandmother. In the next cage a hyena from Egypt who has doubtless howled around the pyramids and a black bear from our own forests are fellow-prisoners and most excellent friends. Are there any two living creatures who have so few sympathies that they cannot possibly be friends? Here sits a great white bear whom common observers would call a very stupid beast, though I perceive him to be only absorbed in contemplation; he is thinking of his voyages on an iceberg, and of his comfortable home in the vicinity of the north pole, and of the little cubs whom he left rolling in the eternal snows. In fact, he is a bear of sentiment. But oh those unsentimental monkeys! The ugly, grinning, aping, chattering, ill-natured, mischievous and queer little brutes! Annie does not love the monkeys; their ugliness shocks her pure, instinctive delicacy of taste and makes her mind unquiet because it bears a wild and dark resemblance to humanity. But here is a little pony just big enough for Annie to ride, and round and round he gallops in a circle, keeping time with his trampling hoofs to a band of music. And here, with a laced coat and a cocked hat, and a riding-whip in his hand—here comes a little gentleman small enough to be king of the fairies and ugly enough to be king of the gnomes, and takes a flying leap into the saddle. Merrily, merrily plays the music, and merrily gallops the pony, and merrily rides the little old gentleman.—Come, Annie, into the street again; perchance we may see monkeys on horseback there. Mercy on us! What a noisy world we quiet people live in! Did Annie ever read the cries of London city? With what lusty lungs doth yonder man proclaim that his wheelbarrow is full of lobsters! Here comes another, mounted on a cart and blowing a hoarse and dreadful blast from a tin horn, as much as to say, “Fresh fish!” And hark! a voice on high, like that of a muezzin from the summit of a mosque, announcing that some chimney-sweeper has emerged from smoke and soot and darksome caverns into the upper air. What cares the world for that? But, well-a-day, we hear a shrill voice of affliction—the scream of a little child, rising louder with every repetition of that smart, sharp, slapping sound produced by an open hand on tender flesh. Annie sympathizes, though without experience of such direful woe. Lo! the town-crier again, with some new secret for the public ear. Will he tell us of an auction, or of a lost pocket-book or a show of beautiful wax figures, or of some monstrous beast more horrible than any in the caravan? I guess the latter. See how he uplifts the bell in his right hand and shakes it slowly at first, then with a hurried motion, till the clapper seems to strike both sides at once, and the sounds are scattered forth in quick succession far and near. Ding-dong! Ding-dong! Ding-dong! Now he raises his clear loud voice above all the din of the town. It drowns the buzzing talk of many tongues and draws each man’s mind from his own business; it rolls up and down the echoing street, and ascends to the hushed chamber of the sick, and penetrates downward to the cellar kitchen where the hot cook turns from the fire to listen. Who of all that address the public ear, whether in church or court-house or hall of state, has such an attentive audience as the town-crier! What saith the people’s orator? “Strayed from her home, a LITTLE GIRL of five years old, in a blue silk frock and white pantalets, with brown curling hair and hazel eyes. Whoever will bring her back to her afflicted mother—” Stop, stop, town-crier! The lost is found.—Oh, my pretty Annie, we forgot to tell your mother of our ramble, and she is in despair and has sent the town-crier to bellow up and down the streets, affrighting old and young, for the loss of a little girl who has not once let go my hand? Well, let us hasten homeward; and as we go forget not to thank Heaven, my Annie, that after wandering a little way into the world you may return at the first summons with an untainted and unwearied heart, and be a happy child again. But I have gone too far astray for the town-crier to call me back. Sweet has been the charm of childhood on my spirit throughout my ramble with little Annie. Say not that it has been a waste of precious moments, an idle matter, a babble of childish talk and a reverie of childish imaginations about topics unworthy of a grown man’s notice. Has it been merely this? Not so—not so. They are not truly wise who would affirm it. As the pure breath of children revives the life of aged men, so is our moral nature revived by their free and simple thoughts, their native feeling, their airy mirth for little cause or none, their grief soon roused and soon allayed. Their influence on us is at least reciprocal with ours on them. When our infancy is almost forgotten and our boyhood long departed, though it seems but as yesterday, when life settles darkly down upon us and we doubt whether to call ourselves young any more,—then it is good to steal away from the society of bearded men, and even of gentler woman, and spend an hour or two with children. After drinking from those fountains of still fresh existence we shall return into the crowd, as I do now, to struggle onward and do our part in life—perhaps as fervently as ever, but for a time with a kinder and purer heart and a spirit more lightly wise. All this by thy sweet magic, dear little Annie! WAKEFIELD In some old magazine or newspaper I recollect a story, told as truth, of a man—let us call him Wakefield—who absented himself for a long time from his wife. The fact, thus abstractedly stated, is not very uncommon, nor, without a proper distinction of circumstances, to be condemned either as naughty or nonsensical. Howbeit, this, though far from the most aggravated, is perhaps the strangest instance on record of marital delinquency, and, moreover, as remarkable a freak as may be found in the whole list of human oddities. The wedded couple lived in London. The man, under pretence of going a journey, took lodgings in the next street to his own house, and there, unheard of by his wife or friends and without the shadow of a reason for such self-banishment, dwelt upward of twenty years. During that period he beheld his home every day, and frequently the forlorn Mrs. Wakefield. And after so great a gap in his matrimonial felicity—when his death was reckoned certain, his estate settled, his name dismissed from memory and his wife long, long ago resigned to her autumnal widowhood—he entered the door one evening quietly as from a day’s absence, and became a loving spouse till death. This outline is all that I remember. But the incident, though of the purest originality, unexampled, and probably never to be repeated, is one, I think, which appeals to the general sympathies of mankind. We know, each for himself, that none of us would perpetrate such a folly, yet feel as if some other might. To my own contemplations, at least, it has often recurred, always exciting wonder, but with a sense that the story must be true and a conception of its hero’s character. Whenever any subject so forcibly affects the mind, time is well spent in thinking of it. If the reader choose, let him do his own meditation; or if he prefer to ramble with me through the twenty years of Wakefield’s vagary, I bid him welcome, trusting that there will be a pervading spirit and a moral, even should we fail to find them, done up neatly and condensed into the final sentence. Thought has always its efficacy and every striking incident its moral. What sort of a man was Wakefield? We are free to shape out our own idea and call it by his name. He was now in the meridian of life; his matrimonial affections, never violent, were sobered into a calm, habitual sentiment; of all husbands, he was likely to be the most constant, because a certain sluggishness would keep his heart at rest wherever it might be placed. He was intellectual, but not actively so; his mind occupied itself in long and lazy musings that tended to no purpose or had not vigor to attain it; his thoughts were seldom so energetic as to seize hold of words. Imagination, in the proper meaning of the term, made no part of Wakefield’s gifts. With a cold but not depraved nor wandering heart, and a mind never feverish with riotous thoughts nor perplexed with originality, who could have anticipated that our friend would entitle himself to a foremost place among the doers of eccentric deeds? Had his acquaintances been asked who was the man in London the surest to perform nothing to-day which should be remembered on the morrow, they would have thought of Wakefield. Only the wife of his bosom might have hesitated. She, without having analyzed his character, was partly aware of a quiet selfishness that had rusted into his inactive mind; of a peculiar sort of vanity, the most uneasy attribute about him; of a disposition to craft which had seldom produced more positive effects than the keeping of petty secrets hardly worth revealing; and, lastly, of what she called a little strangeness sometimes in the good man. This latter quality is indefinable, and perhaps non-existent. Let us now imagine Wakefield bidding adieu to his wife. It is the dusk of an October evening. His equipment is a drab greatcoat, a hat covered with an oil-cloth, top-boots, an umbrella in one hand and a small portmanteau in the other. He has informed Mrs. Wakefield that he is to take the night-coach into the country. She would fain inquire the length of his journey, its object and the probable time of his return, but, indulgent to his harmless love of mystery, interrogates him only by a look. He tells her not to expect him positively by the return-coach nor to be alarmed should he tarry three or four days, but, at all events, to look for him at supper on Friday evening. Wakefield, himself, be it considered, has no suspicion of what is before him. He holds out his hand; she gives her own and meets his parting kiss in the matter-of-course way of a ten years’ matrimony, and forth goes the middle-aged Mr. Wakefield, almost resolved to perplex his good lady by a whole week’s absence. After the door has closed behind him, she perceives it thrust partly open and a vision of her husband’s face through the aperture, smiling on her and gone in a moment. For the time this little incident is dismissed without a thought, but long afterward, when she has been more years a widow than a wife, that smile recurs and flickers across all her reminiscences of Wakefield’s visage. In her many musings she surrounds the original smile with a multitude of fantasies which make it strange and awful; as, for instance, if she imagines him in a coffin, that parting look is frozen on his pale features; or if she dreams of him in heaven, still his blessed spirit wears a quiet and crafty smile. Yet for its sake, when all others have given him up for dead, she sometimes doubts whether she is a widow. But our business is with the husband. We must hurry after him along the street ere he lose his individuality and melt into the great mass of London life. It would be vain searching for him there. Let us follow close at his heels, therefore, until, after several superfluous turns and doublings, we find him comfortably established by the fireside of a small apartment previously bespoken. He is in the next street to his own and at his journey’s end. He can scarcely trust his good-fortune in having got thither unperceived, recollecting that at one time he was delayed by the throng in the very focus of a lighted lantern, and again there were footsteps that seemed to tread behind his own, distinct from the multitudinous tramp around him, and anon he heard a voice shouting afar and fancied that it called his name. Doubtless a dozen busybodies had been watching him and told his wife the whole affair. Poor Wakefield! little knowest thou thine own insignificance in this great world. No mortal eye but mine has traced thee. Go quietly to thy bed, foolish man, and on the morrow, if thou wilt be wise, get thee home to good Mrs. Wakefield and tell her the truth. Remove not thyself even for a little week from thy place in her chaste bosom. Were she for a single moment to deem thee dead or lost or lastingly divided from her, thou wouldst be woefully conscious of a change in thy true wife for ever after. It is perilous to make a chasm in human affections—not that they gape so long and wide, but so quickly close again. Almost repenting of his frolic, or whatever it may be termed, Wakefield lies down betimes, and, starting from his first nap, spreads forth his arms into the wide and solitary waste of the unaccustomed bed, “No,” thinks he, gathering the bedclothes about him; “I will not sleep alone another night.” In the morning he rises earlier than usual and sets himself to consider what he really means to do. Such are his loose and rambling modes of thought that he has taken this very singular step with the consciousness of a purpose, indeed, but without being able to define it sufficiently for his own contemplation. The vagueness of the project and the convulsive effort with which he plunges into the execution of it are equally characteristic of a feeble-minded man. Wakefield sifts his ideas, however, as minutely as he may, and finds himself curious to know the progress of matters at home—how his exemplary wife will endure her widowhood of a week, and, briefly, how the little sphere of creatures and circumstances in which he was a central object will be affected by his removal. A morbid vanity, therefore, lies nearest the bottom of the affair. But how is he to attain his ends? Not, certainly, by keeping close in this comfortable lodging, where, though he slept and awoke in the next street to his home, he is as effectually abroad as if the stage-coach had been whirling him away all night. Yet should he reappear, the whole project is knocked in the head. His poor brains being hopelessly puzzled with this dilemma, he at length ventures out, partly resolving to cross the head of the street and send one hasty glance toward his forsaken domicile. Habit—for he is a man of habits—takes him by the hand and guides him, wholly unaware, to his own door, where, just at the critical moment, he is aroused by the scraping of his foot upon the step.—Wakefield, whither are you going? At that instant his fate was turning on the pivot. Little dreaming of the doom to which his first backward step devotes him, he hurries away, breathless with agitation hitherto unfelt, and hardly dares turn his head at the distant corner. Can it be that nobody caught sight of him? Will not the whole household—the decent Mrs. Wakefield, the smart maid-servant and the dirty little footboy—raise a hue-and-cry through London streets in pursuit of their fugitive lord and master? Wonderful escape! He gathers courage to pause and look homeward, but is perplexed with a sense of change about the familiar edifice such as affects us all when, after a separation of months or years, we again see some hill or lake or work of art with which we were friends of old. In ordinary cases this indescribable impression is caused by the comparison and contrast between our imperfect reminiscences and the reality. In Wakefield the magic of a single night has wrought a similar transformation, because in that brief period a great moral change has been effected. But this is a secret from himself. Before leaving the spot he catches a far and momentary glimpse of his wife passing athwart the front window with her face turned toward the head of the street. The crafty nincompoop takes to his heels, scared with the idea that among a thousand such atoms of mortality her eye must have detected him. Right glad is his heart, though his brain be somewhat dizzy, when he finds himself by the coal-fire of his lodgings. So much for the commencement of this long whim-wham. After the initial conception and the stirring up of the man’s sluggish temperament to put it in practice, the whole matter evolves itself in a natural train. We may suppose him, as the result of deep deliberation, buying a new wig of reddish hair and selecting sundry garments, in a fashion unlike his customary suit of brown, from a Jew’s old-clothes bag. It is accomplished: Wakefield is another man. The new system being now established, a retrograde movement to the old would be almost as difficult as the step that placed him in his unparalleled position. Furthermore, he is rendered obstinate by a sulkiness occasionally incident to his temper and brought on at present by the inadequate sensation which he conceives to have been produced in the bosom of Mrs. Wakefield. He will not go back until she be frightened half to death. Well, twice or thrice has she passed before his sight, each time with a heavier step, a paler cheek and more anxious brow, and in the third week of his non-appearance he detects a portent of evil entering the house in the guise of an apothecary. Next day the knocker is muffled. Toward nightfall comes the chariot of a physician and deposits its big-wigged and solemn burden at Wakefield’s door, whence after a quarter of an hour’s visit he emerges, perchance the herald of a funeral. Dear woman! will she die? By this time Wakefield is excited to something like energy of feeling, but still lingers away from his wife’s bedside, pleading with his conscience that she must not be disturbed at such a juncture. If aught else restrains him, he does not know it. In the course of a few weeks she gradually recovers. The crisis is over; her heart is sad, perhaps, but quiet, and, let him return soon or late, it will never be feverish for him again. Such ideas glimmer through the mist of Wakefield’s mind and render him indistinctly conscious that an almost impassable gulf divides his hired apartment from his former home. “It is but in the next street,” he sometimes says. Fool! it is in another world. Hitherto he has put off’ his return from one particular day to another; henceforward he leaves the precise time undetermined—not to-morrow; probably next week; pretty soon. Poor man! The dead have nearly as much chance of revisiting their earthly homes as the self-banished Wakefield. Would that I had a folio to write, instead of an article of a dozen pages! Then might I exemplify how an influence beyond our control lays its strong hand on every deed which we do and weaves its consequences into an iron tissue of necessity. Wakefield is spellbound. We must leave him for ten years or so to haunt around his house without once crossing the threshold, and to be faithful to his wife with all the affection of which his heart is capable, while he is slowly fading out of hers. Long since, it must be remarked, he has lost the perception of singularity in his conduct. Now for a scene. Amid the throng of a London street we distinguish a man, now waxing elderly, with few characteristics to attract careless observers, yet bearing in his whole aspect the handwriting of no common fate for such as have the skill to read it. He is meagre; his low and narrow forehead is deeply wrinkled; his eyes, small and lustreless, sometimes wander apprehensively about him, but oftener seem to look inward. He bends his head and moves with an indescribable obliquity of gait, as if unwilling to display his full front to the world. Watch him long enough to see what we have described, and you will allow that circumstances—which often produce remarkable men from Nature’s ordinary handiwork—have produced one such here. Next, leaving him to sidle along the footwalk, cast your eyes in the opposite direction, where a portly female considerably in the wane of life, with a prayer-book in her hand, is proceeding to yonder church. She has the placid mien of settled widowhood. Her regrets have either died away or have become so essential to her heart that they would be poorly exchanged for joy. Just as the lean man and well-conditioned woman are passing a slight obstruction occurs and brings these two figures directly in contact. Their hands touch; the pressure of the crowd forces her bosom against his shoulder; they stand face to face, staring into each other’s eyes. After a ten years’ separation thus Wakefield meets his wife. The throng eddies away and carries them asunder. The sober widow, resuming her former pace, proceeds to church, but pauses in the portal and throws a perplexed glance along the street. She passes in, however, opening her prayer-book as she goes. And the man? With so wild a face that busy and selfish London stands to gaze after him he hurries to his lodgings, bolts the door and throws himself upon the bed. The latent feelings of years break out; his feeble mind acquires a brief energy from their strength; all the miserable strangeness of his life is revealed to him at a glance, and he cries out passionately, “Wakefield, Wakefield! You are mad!” Perhaps he was so. The singularity of his situation must have so moulded him to itself that, considered in regard to his fellow-creatures and the business of life, he could not be said to possess his right mind. He had contrived—or, rather, he had happened—to dissever himself from the world, to vanish, to give up his place and privileges with living men without being admitted among the dead. The life of a hermit is nowise parallel to his. He was in the bustle of the city as of old, but the crowd swept by and saw him not; he was, we may figuratively say, always beside his wife and at his hearth, yet must never feel the warmth of the one nor the affection of the other. It was Wakefield’s unprecedented fate to retain his original share of human sympathies and to be still involved in human interests, while he had lost his reciprocal influence on them. It would be a most curious speculation to trace out the effect of such circumstances on his heart and intellect separately and in unison. Yet, changed as he was, he would seldom be conscious of it, but deem himself the same man as ever; glimpses of the truth, indeed, would come, but only for the moment, and still he would keep saying, “I shall soon go back,” nor reflect that he had been saying so for twenty years. I conceive, also, that these twenty years would appear in the retrospect scarcely longer than the week to which Wakefield had at first limited his absence. He would look on the affair as no more than an interlude in the main business of his life. When, after a little while more, he should deem it time to re-enter his parlor, his wife would clap her hands for joy on beholding the middle-aged Mr. Wakefield. Alas, what a mistake! Would Time but await the close of our favorite follies, we should be young men—all of us—and till Doomsday. One evening, in the twentieth year since he vanished, Wakefield is taking his customary walk toward the dwelling which he still calls his own. It is a gusty night of autumn, with frequent showers that patter down upon the pavement and are gone before a man can put up his umbrella. Pausing near the house, Wakefield discerns through the parlor-windows of the second floor the red glow and the glimmer and fitful flash of a comfortable fire. On the ceiling appears a grotesque shadow of good Mrs. Wakefield. The cap, the nose and chin and the broad waist form an admirable caricature, which dances, moreover, with the up-flickering and down-sinking blaze almost too merrily for the shade of an elderly widow. At this instant a shower chances to fall, and is driven by the unmannerly gust full into Wakefield’s face and bosom. He is quite penetrated with its autumnal chill. Shall he stand wet and shivering here, when his own hearth has a good fire to warm him and his own wife will run to fetch the gray coat and small-clothes which doubtless she has kept carefully in the closet of their bedchamber? No; Wakefield is no such fool. He ascends the steps—heavily, for twenty years have stiffened his legs since he came down, but he knows it not.—Stay, Wakefield! Would you go to the sole home that is left you? Then step into your grave.—The door opens. As he passes in we have a parting glimpse of his visage, and recognize the crafty smile which was the precursor of the little joke that he has ever since been playing off at his wife’s expense. How unmercifully has he quizzed the poor woman! Well, a good night’s rest to Wakefield! This happy event—supposing it to be such—could only have occurred at an unpremeditated moment. We will not follow our friend across the threshold. He has left us much food for thought, a portion of which shall lend its wisdom to a moral and be shaped into a figure. Amid the seeming confusion of our mysterious world individuals are so nicely adjusted to a system, and systems to one another and to a whole, that by stepping aside for a moment a man exposes himself to a fearful risk of losing his place for ever. Like Wakefield, he may become, as it were, the outcast of the universe.