Section 43
Chapter 43 — Another Retrospect explained simply
David Copperfield by Charles Dickens
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Once again, let me pause upon a memorable period of my life. Let me stand aside, to see the phantoms of those days go by me, accompanying the shadow of myself, in dim procession.
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Once again, let me pause upon a memorable period of my life. Let me
stand aside, to see the phantoms of those days go by me, accompanying
the shadow of myself, in dim procession.
Weeks, months, seasons, pass along. They seem little more than a summer
day and a winter evening. Now, the Common where I walk with Dora is all
in bloom, a field of bright gold; and now the unseen heather lies in
mounds and bunches underneath a covering of snow. In a breath, the river
that flows through our Sunday walks is sparkling in the summer sun, is
ruffled by the winter wind, or thickened with drifting heaps of ice.
Faster than ever river ran towards the sea, it flashes, darkens, and
rolls away.
Not a thread changes, in the house of the two little bird-like ladies.
The clock ticks over the fireplace, the weather-glass hangs in the hall.
Neither clock nor weather-glass is ever right; but we believe in both,
devoutly.
I have come legally to man’s estate. I have attained the dignity of
twenty-one. But this is a sort of dignity that may be thrust upon one.
Let me think what I have achieved.
I have tamed that savage stenographic mystery. I make a respectable
income by it. I am in high repute for my accomplishment in all
pertaining to the art, and am joined with eleven others in reporting
the debates in Parliament for a Morning Newspaper. Night after night, I
record predictions that never come to pass, professions that are never
fulfilled, explanations that are only meant to mystify. I wallow in
words. Britannia, that unfortunate female, is always before me, like a
trussed fowl: skewered through and through with office-pens, and bound
hand and foot with red tape. I am sufficiently behind the scenes to know
the worth of political life. I am quite an Infidel about it, and shall
never be converted.
My dear old Traddles has tried his hand at the same pursuit, but it
is not in Traddles’s way. He is perfectly good-humoured respecting his
failure, and reminds me that he always did consider himself slow. He has
occasional employment on the same newspaper, in getting up the facts of
dry subjects, to be written about and embellished by more fertile minds.
He is called to the bar; and with admirable industry and self-denial
has scraped another hundred pounds together, to fee a Conveyancer whose
chambers he attends. A great deal of very hot port wine was consumed at
his call; and, considering the figure, I should think the Inner Temple
must have made a profit by it.
I have come out in another way. I have taken with fear and trembling
to authorship. I wrote a little something, in secret, and sent it to a
magazine, and it was published in the magazine. Since then, I have taken
heart to write a good many trifling pieces. Now, I am regularly paid for
them. Altogether, I am well off, when I tell my income on the fingers
of my left hand, I pass the third finger and take in the fourth to the
middle joint.
We have removed, from Buckingham Street, to a pleasant little cottage
very near the one I looked at, when my enthusiasm first came on. My
aunt, however (who has sold the house at Dover, to good advantage), is
not going to remain here, but intends removing herself to a still more
tiny cottage close at hand. What does this portend? My marriage? Yes!
Yes! I am going to be married to Dora! Miss Lavinia and Miss Clarissa
have given their consent; and if ever canary birds were in a flutter,
they are. Miss Lavinia, self-charged with the superintendence of my
darling’s wardrobe, is constantly cutting out brown-paper cuirasses, and
differing in opinion from a highly respectable young man, with a long
bundle, and a yard measure under his arm. A dressmaker, always stabbed
in the breast with a needle and thread, boards and lodges in the house;
and seems to me, eating, drinking, or sleeping, never to take her
thimble off. They make a lay-figure of my dear. They are always sending
for her to come and try something on. We can’t be happy together for
five minutes in the evening, but some intrusive female knocks at the
door, and says, ’Oh, if you please, Miss Dora, would you step upstairs!’
Miss Clarissa and my aunt roam all over London, to find out articles of
furniture for Dora and me to look at. It would be better for them to buy
the goods at once, without this ceremony of inspection; for, when we go
to see a kitchen fender and meat-screen, Dora sees a Chinese house for
Jip, with little bells on the top, and prefers that. And it takes a
long time to accustom Jip to his new residence, after we have bought it;
whenever he goes in or out, he makes all the little bells ring, and is
horribly frightened.
Peggotty comes up to make herself useful, and falls to work immediately.
Her department appears to be, to clean everything over and over again.
She rubs everything that can be rubbed, until it shines, like her own
honest forehead, with perpetual friction. And now it is, that I begin to
see her solitary brother passing through the dark streets at night, and
looking, as he goes, among the wandering faces. I never speak to him at
such an hour. I know too well, as his grave figure passes onward, what
he seeks, and what he dreads.
Why does Traddles look so important when he calls upon me this afternoon
in the Commons—where I still occasionally attend, for form’s sake, when
I have time? The realization of my boyish day-dreams is at hand. I am
going to take out the licence.
It is a little document to do so much; and Traddles contemplates it,
as it lies upon my desk, half in admiration, half in awe. There are the
names, in the sweet old visionary connexion, David Copperfield and Dora
Spenlow; and there, in the corner, is that Parental Institution,
the Stamp Office, which is so benignantly interested in the various
transactions of human life, looking down upon our Union; and there is
the Archbishop of Canterbury invoking a blessing on us in print, and
doing it as cheap as could possibly be expected.
Nevertheless, I am in a dream, a flustered, happy, hurried dream. I
can’t believe that it is going to be; and yet I can’t believe but that
everyone I pass in the street, must have some kind of perception, that I
am to be married the day after tomorrow. The Surrogate knows me, when
I go down to be sworn; and disposes of me easily, as if there were a
Masonic understanding between us. Traddles is not at all wanted, but is
in attendance as my general backer.
’I hope the next time you come here, my dear fellow,’ I say to Traddles,
’it will be on the same errand for yourself. And I hope it will be
soon.’
’Thank you for your good wishes, my dear Copperfield,’ he replies. ’I
hope so too. It’s a satisfaction to know that she’ll wait for me any
length of time, and that she really is the dearest girl—’
’When are you to meet her at the coach?’ I ask.
’At seven,’ says Traddles, looking at his plain old silver watch—the
very watch he once took a wheel out of, at school, to make a water-mill.
’That is about Miss Wickfield’s time, is it not?’
’A little earlier. Her time is half past eight.’ ’I assure you, my dear
boy,’ says Traddles, ’I am almost as pleased as if I were going to
be married myself, to think that this event is coming to such a happy
termination. And really the great friendship and consideration of
personally associating Sophy with the joyful occasion, and inviting
her to be a bridesmaid in conjunction with Miss Wickfield, demands my
warmest thanks. I am extremely sensible of it.’
I hear him, and shake hands with him; and we talk, and walk, and dine,
and so on; but I don’t believe it. Nothing is real.
Sophy arrives at the house of Dora’s aunts, in due course. She has the
most agreeable of faces,—not absolutely beautiful, but extraordinarily
pleasant,—and is one of the most genial, unaffected, frank, engaging
creatures I have ever seen. Traddles presents her to us with great
pride; and rubs his hands for ten minutes by the clock, with every
individual hair upon his head standing on tiptoe, when I congratulate
him in a corner on his choice.
I have brought Agnes from the Canterbury coach, and her cheerful and
beautiful face is among us for the second time. Agnes has a great liking
for Traddles, and it is capital to see them meet, and to observe the
glory of Traddles as he commends the dearest girl in the world to her
acquaintance.
Still I don’t believe it. We have a delightful evening, and are
supremely happy; but I don’t believe it yet. I can’t collect myself. I
can’t check off my happiness as it takes place. I feel in a misty and
unsettled kind of state; as if I had got up very early in the morning a
week or two ago, and had never been to bed since. I can’t make out when
yesterday was. I seem to have been carrying the licence about, in my
pocket, many months.
Next day, too, when we all go in a flock to see the house—our
house—Dora’s and mine—I am quite unable to regard myself as its
master. I seem to be there, by permission of somebody else. I half
expect the real master to come home presently, and say he is glad to see
me. Such a beautiful little house as it is, with everything so bright
and new; with the flowers on the carpets looking as if freshly gathered,
and the green leaves on the paper as if they had just come out; with the
spotless muslin curtains, and the blushing rose-coloured furniture, and
Dora’s garden hat with the blue ribbon—do I remember, now, how I loved
her in such another hat when I first knew her!—already hanging on its
little peg; the guitar-case quite at home on its heels in a corner;
and everybody tumbling over Jip’s pagoda, which is much too big for the
establishment. Another happy evening, quite as unreal as all the rest
of it, and I steal into the usual room before going away. Dora is not
there. I suppose they have not done trying on yet. Miss Lavinia peeps
in, and tells me mysteriously that she will not be long. She is rather
long, notwithstanding; but by and by I hear a rustling at the door, and
someone taps.
I say, ’Come in!’ but someone taps again.
I go to the door, wondering who it is; there, I meet a pair of bright
eyes, and a blushing face; they are Dora’s eyes and face, and Miss
Lavinia has dressed her in tomorrow’s dress, bonnet and all, for me to
see. I take my little wife to my heart; and Miss Lavinia gives a little
scream because I tumble the bonnet, and Dora laughs and cries at once,
because I am so pleased; and I believe it less than ever.
’Do you think it pretty, Doady?’ says Dora.
Pretty! I should rather think I did.
’And are you sure you like me very much?’ says Dora.
The topic is fraught with such danger to the bonnet, that Miss Lavinia
gives another little scream, and begs me to understand that Dora is only
to be looked at, and on no account to be touched. So Dora stands in a
delightful state of confusion for a minute or two, to be admired; and
then takes off her bonnet—looking so natural without it!—and runs away
with it in her hand; and comes dancing down again in her own familiar
dress, and asks Jip if I have got a beautiful little wife, and whether
he’ll forgive her for being married, and kneels down to make him stand
upon the cookery-book, for the last time in her single life.
I go home, more incredulous than ever, to a lodging that I have hard by;
and get up very early in the morning, to ride to the Highgate road and
fetch my aunt.
I have never seen my aunt in such state. She is dressed in
lavender-coloured silk, and has a white bonnet on, and is amazing. Janet
has dressed her, and is there to look at me. Peggotty is ready to go to
church, intending to behold the ceremony from the gallery. Mr. Dick,
who is to give my darling to me at the altar, has had his hair curled.
Traddles, whom I have taken up by appointment at the turnpike, presents
a dazzling combination of cream colour and light blue; and both he and
Mr. Dick have a general effect about them of being all gloves.
No doubt I see this, because I know it is so; but I am astray, and seem
to see nothing. Nor do I believe anything whatever. Still, as we drive
along in an open carriage, this fairy marriage is real enough to fill
me with a sort of wondering pity for the unfortunate people who have
no part in it, but are sweeping out the shops, and going to their daily
occupations.
My aunt sits with my hand in hers all the way. When we stop a little way
short of the church, to put down Peggotty, whom we have brought on the
box, she gives it a squeeze, and me a kiss.
’God bless you, Trot! My own boy never could be dearer. I think of poor
dear Baby this morning.’ ’So do I. And of all I owe to you, dear aunt.’
’Tut, child!’ says my aunt; and gives her hand in overflowing cordiality
to Traddles, who then gives his to Mr. Dick, who then gives his to me,
who then gives mine to Traddles, and then we come to the church door.
The church is calm enough, I am sure; but it might be a steam-power loom
in full action, for any sedative effect it has on me. I am too far gone
for that.
The rest is all a more or less incoherent dream.
A dream of their coming in with Dora; of the pew-opener arranging us,
like a drill-sergeant, before the altar rails; of my wondering, even
then, why pew-openers must always be the most disagreeable females
procurable, and whether there is any religious dread of a disastrous
infection of good-humour which renders it indispensable to set those
vessels of vinegar upon the road to Heaven.
Of the clergyman and clerk appearing; of a few boatmen and some
other people strolling in; of an ancient mariner behind me, strongly
flavouring the church with rum; of the service beginning in a deep
voice, and our all being very attentive.
Of Miss Lavinia, who acts as a semi-auxiliary bridesmaid, being the
first to cry, and of her doing homage (as I take it) to the memory of
Pidger, in sobs; of Miss Clarissa applying a smelling-bottle; of Agnes
taking care of Dora; of my aunt endeavouring to represent herself as
a model of sternness, with tears rolling down her face; of little Dora
trembling very much, and making her responses in faint whispers.
Of our kneeling down together, side by side; of Dora’s trembling less
and less, but always clasping Agnes by the hand; of the service being
got through, quietly and gravely; of our all looking at each other in an
April state of smiles and tears, when it is over; of my young wife being
hysterical in the vestry, and crying for her poor papa, her dear papa.
Of her soon cheering up again, and our signing the register all round.
Of my going into the gallery for Peggotty to bring her to sign it; of
Peggotty’s hugging me in a corner, and telling me she saw my own dear
mother married; of its being over, and our going away.
Of my walking so proudly and lovingly down the aisle with my sweet wife
upon my arm, through a mist of half-seen people, pulpits, monuments,
pews, fonts, organs, and church windows, in which there flutter faint
airs of association with my childish church at home, so long ago.
Of their whispering, as we pass, what a youthful couple we are, and what
a pretty little wife she is. Of our all being so merry and talkative in
the carriage going back. Of Sophy telling us that when she saw Traddles
(whom I had entrusted with the licence) asked for it, she almost
fainted, having been convinced that he would contrive to lose it, or to
have his pocket picked. Of Agnes laughing gaily; and of Dora being so
fond of Agnes that she will not be separated from her, but still keeps
her hand.
Of there being a breakfast, with abundance of things, pretty and
substantial, to eat and drink, whereof I partake, as I should do in any
other dream, without the least perception of their flavour; eating
and drinking, as I may say, nothing but love and marriage, and no more
believing in the viands than in anything else.
Of my making a speech in the same dreamy fashion, without having an idea
of what I want to say, beyond such as may be comprehended in the full
conviction that I haven’t said it. Of our being very sociably and simply
happy (always in a dream though); and of Jip’s having wedding cake, and
its not agreeing with him afterwards.
Of the pair of hired post-horses being ready, and of Dora’s going away
to change her dress. Of my aunt and Miss Clarissa remaining with us; and
our walking in the garden; and my aunt, who has made quite a speech at
breakfast touching Dora’s aunts, being mightily amused with herself, but
a little proud of it too.
Of Dora’s being ready, and of Miss Lavinia’s hovering about her, loth to
lose the pretty toy that has given her so much pleasant occupation.
Of Dora’s making a long series of surprised discoveries that she
has forgotten all sorts of little things; and of everybody’s running
everywhere to fetch them.
Of their all closing about Dora, when at last she begins to say
good-bye, looking, with their bright colours and ribbons, like a bed
of flowers. Of my darling being almost smothered among the flowers, and
coming out, laughing and crying both together, to my jealous arms.
Of my wanting to carry Jip (who is to go along with us), and Dora’s
saying no, that she must carry him, or else he’ll think she don’t like
him any more, now she is married, and will break his heart. Of our
going, arm in arm, and Dora stopping and looking back, and saying, ’If
I have ever been cross or ungrateful to anybody, don’t remember it!’ and
bursting into tears.
Of her waving her little hand, and our going away once more. Of her
once more stopping, and looking back, and hurrying to Agnes, and giving
Agnes, above all the others, her last kisses and farewells.
We drive away together, and I awake from the dream. I believe it at
last. It is my dear, dear, little wife beside me, whom I love so well!
’Are you happy now, you foolish boy?’ says Dora, ’and sure you don’t
repent?’
I have stood aside to see the phantoms of those days go by me. They are
gone, and I resume the journey of my story.
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What happens here
Chapter 43 — Another Retrospect continues David Copperfield, focusing on childhood, hardship, education, work, memory, love, and self-making. The chapter moves the reader through a specific pressure, choice, or change in the story.
Why this scene matters
This section matters because it shows one part of David Copperfield's larger pattern: childhood, hardship, education, work, memory, love, and self-making. Reading the situation first makes the older prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of David Copperfield.
- Family or social world: The relationships, class pressures, rules, or expectations shaping the chapter.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps this section moving.