Section 48
Chapter 48 — Farmer Thoroughgood and His Grandson Willie explained simply
Black Beauty by Anna Sewell
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At this sale, of course I found myself in company with the old broken-down horses--some lame, some broken-winded, some old, and some that I am sure it would have been merciful to shoot. The buyers and sellers, too, many of them, looked not much better off than the poor beasts the...
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At this sale, of course I found myself in company with the old
broken-down horses--some lame, some broken-winded, some old, and some
that I am sure it would have been merciful to shoot.
The buyers and sellers, too, many of them, looked not much better off
than the poor beasts they w bargaining about. There were poor old
men, trying to get a horse or a pony for a few pounds, that might drag
about some little wood or coal cart. There were poor men trying to sell
a worn-out beast for two or three pounds, rather than have the greater
loss of killing him. Some of them looked as if poverty and hard times
had hardened them all over; but there were others that I would have
willingly used the last of my strength in serving; poor and shabby, but
kind and human, with voices that I could trust. There was one tottering
old man who took a great fancy to me, and I to him, but I was not strong
enough--it was an anxious time! Coming from the better part of the fair,
I noticed a man who looked like a gentleman farmer, with a young boy by
his side; he had a broad back and round shoulders, a kind, ruddy face,
and he wore a broad-brimmed hat. When he came up to me and my companions
he stood still and gave a pitiful look round upon us. I saw his eye
rest on me; I had still a good mane and tail, which did something for my
appearance. I pricked my ears and looked at him.
“There's a horse, Willie, that has known better days.”
“Poor old fellow!” said the boy, “do you think, grandpapa, he was ever a
carriage horse?”
“Oh, yes! my boy,” said the farmer, coming closer, “he might have been
anything when he was young; look at his nostrils and his ears, the shape
of his neck and shoulder; there's a deal of breeding about that horse.”
He put out his hand and gave me a kind pat on the neck. I put out my
nose in answer to his kindness; the boy stroked my face.
“Poor old fellow! see, grandpapa, how well he understands kindness.
Could not you buy him and make him young again as you did with
Ladybird?”
“My dear boy, I can't make all old horses young; besides, Ladybird was
not so very old, as she was run down and badly used.”
“Well, grandpapa, I don't believe that this one is old; look at his mane
and tail. I wish you would look into his mouth, and then you could tell;
though he is so very thin, his eyes are not sunk like some old horses'.”
The old gentleman laughed. “Bless the boy! he is as horsey as his old
grandfather.”
“But do look at his mouth, grandpapa, and ask the price; I am sure he
would grow young in our meadows.”
The man who had brought me for sale now put in his word.
“The young gentleman's a real knowing one, sir. Now the fact is, this
'ere hoss is just pulled down with overwork in the cabs; he's not an old
one, and I heerd as how the vetenary should say, that a six months' run
off would set him right up, being as how his wind was not broken.
I've had the tending of him these ten days past, and a gratefuller,
pleasanter animal I never met with, and 'twould be worth a gentleman's
while to give a five-pound note for him, and let him have a chance. I'll
be bound he'd be worth twenty pounds next spring.”
The old gentleman laughed, and the little boy looked up eagerly.
“Oh, grandpapa, did you not say the colt sold for five pounds more than
you expected? You would not be poorer if you did buy this one.”
The farmer slowly felt my legs, which were much swelled and strained;
then he looked at my mouth. “Thirteen or fourteen, I should say; just
trot him out, will you?”
I arched my poor thin neck, raised my tail a little, and threw out my
legs as well as I could, for they were very stiff.
“What is the lowest you will take for him?” said the farmer as I came
back.
“Five pounds, sir; that was the lowest price my master set.”
“'Tis a speculation,” said the old gentleman, shaking his head, but at
the same time slowly drawing out his purse, “quite a speculation! Have
you any more business here?” he said, counting the sovereigns into his
hand.
“No, sir, I can take him for you to the inn, if you please.”
“Do so, I am now going there.”
They walked forward, and I was led behind. The boy could hardly control
his delight, and the old gentleman seemed to enjoy his pleasure. I had a
good feed at the inn, and was then gently ridden home by a servant of my
new master's, and turned into a large meadow with a shed in one corner
of it.
Mr. Thoroughgood, for that was the name of my benefactor, gave orders
that I should have hay and oats every night and morning, and the run of
the meadow during the day, and, “you, Willie,” said he, “must take the
oversight of him; I give him in charge to you.”
The boy was proud of his charge, and undertook it in all seriousness.
There was not a day when he did not pay me a visit; sometimes picking
me out from among the other horses, and giving me a bit of carrot, or
something good, or sometimes standing by me while I ate my oats. He
always came with kind words and caresses, and of course I grew very fond
of him. He called me Old Crony, as I used to come to him in the field
and follow him about. Sometimes he brought his grandfather, who always
looked closely at my legs.
“This is our point, Willie,” he would say; “but he is improving so
steadily that I think we shall see a change for the better in the
spring.”
The perfect rest, the good food, the soft turf, and gentle exercise,
soon began to tell on my condition and my spirits. I had a good
constitution from my mother, and I was never strained when I was young,
so that I had a better chance than many horses who have been worked
before they came to their full strength. During the winter my legs
improved so much that I began to feel quite young again. The spring came
round, and one day in March Mr. Thoroughgood determined that he would
try me in the phaeton. I was well pleased, and he and Willie drove me a
few miles. My legs were not stiff now, and I did the work with perfect
ease.
“He's growing young, Willie; we must give him a little gentle work now,
and by mid-summer he will be as good as Ladybird. He has a beautiful
mouth and good paces; they can't be better.”
“Oh, grandpapa, how glad I am you bought him!”
“So am I, my boy; but he has to thank you more than me; we must now
be looking out for a quiet, genteel place for him, where he will be
valued.”
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What happens here
Chapter 48 — Farmer Thoroughgood and His Grandson Willie continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.