Section 29
Chapter 29 — Cockneys explained simply
Black Beauty by Anna Sewell
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Then there is the steam-engine style of driving; these drivers were mostly people from towns, who never had a horse of their own and generally traveled by rail. They always seemed to think that a horse was something like a steam-engine, only smaller. At any rate, they think that...
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Then there is the steam-engine style of driving; these drivers were
mostly people from towns, who never had a horse of their own and
generally traveled by rail.
They always seemed to think that a horse was something like a
steam-engine, only smaller. At any rate, they think that if only they
pay for it a horse is bound to go just as far and just as fast and with
just as heavy a load as they please. And be the roads heavy and muddy,
or dry and good; be they stony or smooth, uphill or downhill, it is all
the same--on, on, on, one must go, at the same pace, with no relief and
no consideration.
These people never think of getting out to walk up a steep hill. Oh, no,
they have paid to ride, and ride they will! The horse? Oh, he's used
to it! What were horses made for, if not to drag people uphill? Walk! A
good joke indeed! And so the whip is plied and the rein is chucked and
often a rough, scolding voice cries out, “Go along, you lazy beast!” And
then another slash of the whip, when all the time we are doing our
very best to get along, uncomplaining and obedient, though often sorely
harassed and down-hearted.
This steam-engine style of driving wears us up faster than any other
kind. I would far rather go twenty miles with a good considerate driver
than I would go ten with some of these; it would take less out of me.
Another thing, they scarcely ever put on the brake, however steep the
downhill may be, and thus bad accidents sometimes happen; or if they do
put it on, they often forget to take it off at the bottom of the hill,
and more than once I have had to pull halfway up the next hill, with one
of the wheels held by the brake, before my driver chose to think about
it; and that is a terrible strain on a horse.
Then these cockneys, instead of starting at an easy pace, as a gentleman
would do, generally set off at full speed from the very stable-yard; and
when they want to stop, they first whip us, and then pull up so suddenly
that we are nearly thrown on our haunches, and our mouths jagged with
the bit--they call that pulling up with a dash; and when they turn a
corner they do it as sharply as if there were no right side or wrong
side of the road.
I well remember one spring evening I and Rory had been out for the day.
(Rory was the horse that mostly went with me when a pair was ordered,
and a good honest fellow he was.) We had our own driver, and as he was
always considerate and gentle with us, we had a very pleasant day. We
were coming home at a good smart pace, about twilight. Our road turned
sharp to the left; but as we were close to the hedge on our own side,
and there was plenty of room to pass, our driver did not pull us in. As
we neared the corner I heard a horse and two wheels coming rapidly down
the hill toward us. The hedge was high, and I could see nothing, but the
next moment we were upon each other. Happily for me, I was on the side
next the hedge. Rory was on the left side of the pole, and had not even
a shaft to protect him. The man who was driving was making straight for
the corner, and when he came in sight of us he had no time to pull over
to his own side. The whole shock came upon Rory. The gig shaft ran right
into the chest, making him stagger back with a cry that I shall never
forget. The other horse was thrown upon his haunches and one shaft
broken. It turned out that it was a horse from our own stables, with the
high-wheeled gig that the young men were so fond of.
The driver was one of those random, ignorant fellows, who don't even
know which is their own side of the road, or, if they know, don't care.
And there was poor Rory with his flesh torn open and bleeding, and the
blood streaming down. They said if it had been a little more to one side
it would have killed him; and a good thing for him, poor fellow, if it
had.
As it was, it was a long time before the wound healed, and then he was
sold for coal-carting; and what that is, up and down those steep hills,
only horses know. Some of the sights I saw there, where a horse had to
come downhill with a heavily loaded two-wheel cart behind him, on which
no brake could be placed, make me sad even now to think of.
After Rory was disabled I often went in the carriage with a mare named
Peggy, who stood in the next stall to mine. She was a strong, well-made
animal, of a bright dun color, beautifully dappled, and with a
dark-brown mane and tail. There was no high breeding about her, but she
was very pretty and remarkably sweet-tempered and willing. Still, there
was an anxious look about her eye, by which I knew that she had some
trouble. The first time we went out together I thought she had a very
odd pace; she seemed to go partly a trot, partly a canter, three or four
paces, and then a little jump forward.
It was very unpleasant for any horse who pulled with her, and made me
quite fidgety. When we got home I asked her what made her go in that
odd, awkward way.
“Ah,” she said in a troubled manner, “I know my paces are very bad, but
what can I do? It really is not my fault; it is just because my legs are
so short. I stand nearly as high as you, but your legs are a good three
inches longer above your knee than mine, and of course you can take a
much longer step and go much faster. You see I did not make myself.
I wish I could have done so; I would have had long legs then. All my
troubles come from my short legs,” said Peggy, in a desponding tone.
“But how is it,” I said, “when you are so strong and good-tempered and
willing?”
“Why, you see,” said she, “men will go so fast, and if one can't keep up
to other horses it is nothing but whip, whip, whip, all the time. And so
I have had to keep up as I could, and have got into this ugly shuffling
pace. It was not always so; when I lived with my first master I always
went a good regular trot, but then he was not in such a hurry. He was a
young clergyman in the country, and a good, kind master he was. He had
two churches a good way apart, and a great deal of work, but he never
scolded or whipped me for not going faster. He was very fond of me.
I only wish I was with him now; but he had to leave and go to a large
town, and then I was sold to a farmer.
“Some farmers, you know, are capital masters; but I think this one was a
low sort of man. He cared nothing about good horses or good driving; he
only cared for going fast. I went as fast as I could, but that would
not do, and he was always whipping; so I got into this way of making a
spring forward to keep up. On market nights he used to stay very late at
the inn, and then drive home at a gallop.
“One dark night he was galloping home as usual, when all of a sudden the
wheel came against some great heavy thing in the road, and turned the
gig over in a minute. He was thrown out and his arm broken, and some of
his ribs, I think. At any rate, it was the end of my living with him,
and I was not sorry. But you see it will be the same everywhere for me,
if men must go so fast. I wish my legs were longer!”
Poor Peggy! I was very sorry for her, and I could not comfort her, for
I knew how hard it was upon slow-paced horses to be put with fast ones;
all the whipping comes to their share, and they can't help it.
She was often used in the phaeton, and was very much liked by some of
the ladies, because she was so gentle; and some time after this she was
sold to two ladies who drove themselves, and wanted a safe, good horse.
I met her several times out in the country, going a good steady pace,
and looking as gay and contented as a horse could be. I was very glad to
see her, for she deserved a good place.
After she left us another horse came in her stead. He was young, and had
a bad name for shying and starting, by which he had lost a good place. I
asked him what made him shy.
“Well, I hardly know,” he said. “I was timid when I was young, and was a
good deal frightened several times, and if I saw anything strange I
used to turn and look at it--you see, with our blinkers one can't see
or understand what a thing is unless one looks round--and then my master
always gave me a whipping, which of course made me start on, and did not
make me less afraid. I think if he would have let me just look at things
quietly, and see that there was nothing to hurt me, it would have been
all right, and I should have got used to them. One day an old gentleman
was riding with him, and a large piece of white paper or rag blew across
just on one side of me. I shied and started forward. My master as usual
whipped me smartly, but the old man cried out, 'You're wrong! you're
wrong! You should never whip a horse for shying; he shies because he is
frightened, and you only frighten him more and make the habit worse.'
So I suppose all men don't do so. I am sure I don't want to shy for the
sake of it; but how should one know what is dangerous and what is not,
if one is never allowed to get used to anything? I am never afraid of
what I know. Now I was brought up in a park where there were deer; of
course I knew them as well as I did a sheep or a cow, but they are not
common, and I know many sensible horses who are frightened at them, and
who kick up quite a shindy before they will pass a paddock where there
are deer.”
I knew what my companion said was true, and I wished that every young
horse had as good masters as Farmer Grey and Squire Gordon.
Of course we sometimes came in for good driving here. I remember one
morning I was put into the light gig, and taken to a house in Pulteney
Street. Two gentlemen came out; the taller of them came round to my
head; he looked at the bit and bridle, and just shifted the collar with
his hand, to see if it fitted comfortably.
“Do you consider this horse wants a curb?” he said to the hostler.
“Well,” said the man, “I should say he would go just as well without;
he has an uncommon good mouth, and though he has a fine spirit he has no
vice; but we generally find people like the curb.”
“I don't like it,” said the gentleman; “be so good as to take it off,
and put the rein in at the cheek. An easy mouth is a great thing on a
long journey, is it not, old fellow?” he said, patting my neck.
Then he took the reins, and they both got up. I can remember now how
quietly he turned me round, and then with a light feel of the rein, and
drawing the whip gently across my back, we were off.
I arched my neck and set off at my best pace. I found I had some one
behind me who knew how a good horse ought to be driven. It seemed like
old times again, and made me feel quite gay.
This gentleman took a great liking to me, and after trying me several
times with the saddle he prevailed upon my master to sell me to a friend
of his, who wanted a safe, pleasant horse for riding. And so it came to
pass that in the summer I was sold to Mr. Barry.
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What happens here
Chapter 29 — Cockneys continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.