Section 13
Chapter 13 — The Devil'S Trade Mark explained simply
Black Beauty by Anna Sewell
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One day when John and I had been out on some business of our master's, and were returning gently on a long, straight road, at some distance we saw a boy trying to leap a pony over a gate; the pony would not take the leap, and the boy cut him with the whip, but he only turned off...
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One day when John and I had been out on some business of our master's,
and were returning gently on a long, straight road, at some distance we
saw a boy trying to leap a pony over a gate; the pony would not take the
leap, and the boy cut him with the whip, but he only turned off on one
side. He whipped him again, but the pony turned off on the other side.
Then the boy got off and gave him a hard thrashing, and knocked him
about the head; then he got up again and tried to make him leap the
gate, kicking him all the time shamefully, but still the pony refused.
When we were nearly at the spot the pony put down his head and threw up
his heels, and sent the boy neatly over into a broad quickset hedge, and
with the rein dangling from his head he set off home at a full gallop.
John laughed out quite loud. “Served him right,” he said.
“Oh, oh, oh!” cried the boy as he struggled about among the thorns; “I
say, come and help me out.”
“Thank ye,” said John, “I think you are quite in the right place, and
maybe a little scratching will teach you not to leap a pony over a gate
that is too high for him,” and so with that John rode off. “It may be,”
said he to himself, “that young fellow is a liar as well as a cruel one;
we'll just go home by Farmer Bushby's, Beauty, and then if anybody wants
to know you and I can tell 'em, ye see.” So we turned off to the right,
and soon came up to the stack-yard, and within sight of the house. The
farmer was hurrying out into the road, and his wife was standing at the
gate, looking very frightened.
“Have you seen my boy?” said Mr. Bushby as we came up; “he went out an
hour ago on my black pony, and the creature is just come back without a
rider.”
“I should think, sir,” said John, “he had better be without a rider,
unless he can be ridden properly.”
“What do you mean?” said the farmer.
“Well, sir, I saw your son whipping, and kicking, and knocking that good
little pony about shamefully because he would not leap a gate that was
too high for him. The pony behaved well, sir, and showed no vice; but at
last he just threw up his heels and tipped the young gentleman into the
thorn hedge. He wanted me to help him out, but I hope you will excuse
me, sir, I did not feel inclined to do so. There's no bones broken, sir;
he'll only get a few scratches. I love horses, and it riles me to see
them badly used; it is a bad plan to aggravate an animal till he uses
his heels; the first time is not always the last.”
During this time the mother began to cry, “Oh, my poor Bill, I must go
and meet him; he must be hurt.”
“You had better go into the house, wife,” said the farmer; “Bill wants a
lesson about this, and I must see that he gets it; this is not the first
time, nor the second, that he has ill-used that pony, and I shall stop
it. I am much obliged to you, Manly. Good-evening.”
So we went on, John chuckling all the way home; then he told James about
it, who laughed and said, “Serve him right. I knew that boy at school;
he took great airs on himself because he was a farmer's son; he used to
swagger about and bully the little boys. Of course, we elder ones would
not have any of that nonsense, and let him know that in the school and
the playground farmers' sons and laborers' sons were all alike. I well
remember one day, just before afternoon school, I found him at the large
window catching flies and pulling off their wings. He did not see me and
I gave him a box on the ears that laid him sprawling on the floor. Well,
angry as I was, I was almost frightened, he roared and bellowed in such
a style. The boys rushed in from the playground, and the master ran in
from the road to see who was being murdered. Of course I said fair and
square at once what I had done, and why; then I showed the master the
flies, some crushed and some crawling about helpless, and I showed him
the wings on the window sill. I never saw him so angry before; but as
Bill was still howling and whining, like the coward that he was, he did
not give him any more punishment of that kind, but set him up on a stool
for the rest of the afternoon, and said that he should not go out to
play for that week. Then he talked to all the boys very seriously about
cruelty, and said how hard-hearted and cowardly it was to hurt the
weak and the helpless; but what stuck in my mind was this, he said that
cruelty was the devil's own trade-mark, and if we saw any one who took
pleasure in cruelty we might know who he belonged to, for the devil was
a murderer from the beginning, and a tormentor to the end. On the other
hand, where we saw people who loved their neighbors, and were kind to
man and beast, we might know that was God's mark.”
“Your master never taught you a truer thing,” said John; “there is no
religion without love, and people may talk as much as they like about
their religion, but if it does not teach them to be good and kind to man
and beast it is all a sham--all a sham, James, and it won't stand when
things come to be turned inside out.”
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What happens here
Chapter 13 — The Devil'S Trade Mark continues Black Beauty, moving the reader through kindness to animals, work, cruelty, empathy, and moral responsibility.
Why this scene matters
This section matters because it carries one part of Black Beauty's larger pattern: kindness to animals, work, cruelty, empathy, and moral responsibility. Reading it with the situation clear makes the original prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Black Beauty.
- Family or social world: The surrounding relationships, rules, class pressures, or expectations shaping the scene.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps the chapter moving.