Section 1
Between Rounds explained simply
Between Rounds by O. Henry
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The May moon shone bright upon the private boarding-house of Mrs. Murphy. By reference to the almanac a large amount of territory will be discovered upon which its rays also fell. Spring was in its heydey, with hay fever soon to follow. The parks were green with new leaves and...
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The May moon shone bright upon the private boarding-house of Mrs.
Murphy. By reference to the almanac a large amount of territory will be
discovered upon which its rays also fell. Spring was in its heydey,
with hay fever soon to follow. The parks were green with new leaves and
buyers for the Western and Southern trade. Flowers and summer-resort
agents were blowing; the air and answers to Lawson were growing milder;
hand-organs, fountains and pinochle were playing everywhere.
The windows of Mrs. Murphy’s boarding-house were open. A group of
boarders were seated on the high stoop upon round, flat mats like
German pancakes.
In one of the second-floor front windows Mrs. McCaskey awaited her
husband. Supper was cooling on the table. Its heat went into Mrs.
McCaskey.
At nine Mr. McCaskey came. He carried his coat on his arm and his pipe
in his teeth; and he apologised for disturbing the boarders on the
steps as he selected spots of stone between them on which to set his
size 9, width Ds.
As he opened the door of his room he received a surprise. Instead of
the usual stove-lid or potato-masher for him to dodge, came only words.
Mr. McCaskey reckoned that the benign May moon had softened the breast
of his spouse.
“I heard ye,” came the oral substitutes for kitchenware. “Ye can
apollygise to riff-raff of the streets for settin’ yer unhandy feet on
the tails of their frocks, but ye’d walk on the neck of yer wife the
length of a clothes-line without so much as a ‘Kiss me fut,’ and I’m
sure it’s that long from rubberin’ out the windy for ye and the
victuals cold such as there’s money to buy after drinkin’ up yer wages
at Gallegher’s every Saturday evenin’, and the gas man here twice
to-day for his.”
“Woman!” said Mr. McCaskey, dashing his coat and hat upon a chair, “the
noise of ye is an insult to me appetite. When ye run down politeness ye
take the mortar from between the bricks of the foundations of society.
’Tis no more than exercisin’ the acrimony of a gentleman when ye ask
the dissent of ladies blockin’ the way for steppin’ between them. Will
ye bring the pig’s face of ye out of the windy and see to the food?”
Mrs. McCaskey arose heavily and went to the stove. There was something
in her manner that warned Mr. McCaskey. When the corners of her mouth
went down suddenly like a barometer it usually foretold a fall of
crockery and tinware.
“Pig’s face, is it?” said Mrs. McCaskey, and hurled a stewpan full of
bacon and turnips at her lord.
Mr. McCaskey was no novice at repartee. He knew what should follow the
entrée. On the table was a roast sirloin of pork, garnished with
shamrocks. He retorted with this, and drew the appropriate return of a
bread pudding in an earthen dish. A hunk of Swiss cheese accurately
thrown by her husband struck Mrs. McCaskey below one eye. When she
replied with a well-aimed coffee-pot full of a hot, black,
semi-fragrant liquid the battle, according to courses, should have
ended.
But Mr. McCaskey was no 50-cent _table d’hôter_. Let cheap Bohemians
consider coffee the end, if they would. Let them make that _faux pas_.
He was foxier still. Finger-bowls were not beyond the compass of his
experience. They were not to be had in the Pension Murphy; but their
equivalent was at hand. Triumphantly he sent the granite-ware wash
basin at the head of his matrimonial adversary. Mrs. McCaskey dodged in
time. She reached for a flatiron, with which, as a sort of cordial, she
hoped to bring the gastronomical duel to a close. But a loud, wailing
scream downstairs caused both her and Mr. McCaskey to pause in a sort
of involuntary armistice.
On the sidewalk at the corner of the house Policeman Cleary was
standing with one ear upturned, listening to the crash of household
utensils.
“’Tis Jawn McCaskey and his missis at it again,” meditated the
policeman. “I wonder shall I go up and stop the row. I will not.
Married folks they are; and few pleasures they have. ’Twill not last
long. Sure, they’ll have to borrow more dishes to keep it up with.”
And just then came the loud scream below-stairs, betokening fear or
dire extremity. “’Tis probably the cat,” said Policeman Cleary, and
walked hastily in the other direction.
The boarders on the steps were fluttered. Mr. Toomey, an insurance
solicitor by birth and an investigator by profession, went inside to
analyse the scream. He returned with the news that Mrs. Murphy’s little
boy, Mike, was lost. Following the messenger, out bounced Mrs.
Murphy—two hundred pounds in tears and hysterics, clutching the air and
howling to the sky for the loss of thirty pounds of freckles and
mischief. Bathos, truly; but Mr. Toomey sat down at the side of Miss
Purdy, millinery, and their hands came together in sympathy. The two
old maids, Misses Walsh, who complained every day about the noise in
the halls, inquired immediately if anybody had looked behind the clock.
Major Grigg, who sat by his fat wife on the top step, arose and
buttoned his coat. “The little one lost?” he exclaimed. “I will scour
the city.” His wife never allowed him out after dark. But now she said:
“Go, Ludovic!” in a baritone voice. “Whoever can look upon that
mother’s grief without springing to her relief has a heart of stone.”
“Give me some thirty or—sixty cents, my love,” said the Major. “Lost
children sometimes stray far. I may need carfares.”
Old man Denny, hall room, fourth floor back, who sat on the lowest
step, trying to read a paper by the street lamp, turned over a page to
follow up the article about the carpenters’ strike. Mrs. Murphy
shrieked to the moon: “Oh, ar-r-Mike, f’r Gawd’s sake, where is me
little bit av a boy?”
“When’d ye see him last?” asked old man Denny, with one eye on the
report of the Building Trades League.
“Oh,” wailed Mrs. Murphy, “’twas yisterday, or maybe four hours ago! I
dunno. But it’s lost he is, me little boy Mike. He was playin’ on the
sidewalk only this mornin’—or was it Wednesday? I’m that busy with
work, ’tis hard to keep up with dates. But I’ve looked the house over
from top to cellar, and it’s gone he is. Oh, for the love av Hiven—”
Silent, grim, colossal, the big city has ever stood against its
revilers. They call it hard as iron; they say that no pulse of pity
beats in its bosom; they compare its streets with lonely forests and
deserts of lava. But beneath the hard crust of the lobster is found a
delectable and luscious food. Perhaps a different simile would have
been wiser. Still, nobody should take offence. We would call no one a
lobster without good and sufficient claws.
No calamity so touches the common heart of humanity as does the
straying of a little child. Their feet are so uncertain and feeble; the
ways are so steep and strange.
Major Griggs hurried down to the corner, and up the avenue into Billy’s
place. “Gimme a rye-high,” he said to the servitor. “Haven’t seen a
bow-legged, dirty-faced little devil of a six-year-old lost kid around
here anywhere, have you?”
Mr. Toomey retained Miss Purdy’s hand on the steps. “Think of that dear
little babe,” said Miss Purdy, “lost from his mother’s side—perhaps
already fallen beneath the iron hoofs of galloping steeds—oh, isn’t it
dreadful?”
“Ain’t that right?” agreed Mr. Toomey, squeezing her hand. “Say I start
out and help look for um!”
“Perhaps,” said Miss Purdy, “you should. But, oh, Mr. Toomey, you are
so dashing—so reckless—suppose in your enthusiasm some accident should
befall you, then what—”
Old man Denny read on about the arbitration agreement, with one finger
on the lines.
In the second floor front Mr. and Mrs. McCaskey came to the window to
recover their second wind. Mr. McCaskey was scooping turnips out of his
vest with a crooked forefinger, and his lady was wiping an eye that the
salt of the roast pork had not benefited. They heard the outcry below,
and thrust their heads out of the window.
“’Tis little Mike is lost,” said Mrs. McCaskey, in a hushed voice, “the
beautiful, little, trouble-making angel of a gossoon!”
“The bit of a boy mislaid?” said Mr. McCaskey, leaning out of the
window. “Why, now, that’s bad enough, entirely. The childer, they be
different. If ’twas a woman I’d be willin’, for they leave peace behind
’em when they go.”
Disregarding the thrust, Mrs. McCaskey caught her husband’s arm.
“Jawn,” she said, sentimentally, “Missis Murphy’s little bye is lost.
’Tis a great city for losing little boys. Six years old he was. Jawn,
’tis the same age our little bye would have been if we had had one six
years ago.”
“We never did,” said Mr. McCaskey, lingering with the fact.
“But if we had, Jawn, think what sorrow would be in our hearts this
night, with our little Phelan run away and stolen in the city nowheres
at all.”
“Ye talk foolishness,” said Mr. McCaskey. “’Tis Pat he would be named,
after me old father in Cantrim.”
“Ye lie!” said Mrs. McCaskey, without anger. “Me brother was worth tin
dozen bog-trotting McCaskeys. After him would the bye be named.” She
leaned over the window-sill and looked down at the hurrying and bustle
below.
“Jawn,” said Mrs. McCaskey, softly, “I’m sorry I was hasty wid ye.”
“’Twas hasty puddin’, as ye say,” said her husband, “and hurry-up
turnips and get-a-move-on-ye coffee. ’Twas what ye could call a quick
lunch, all right, and tell no lie.”
Mrs. McCaskey slipped her arm inside her husband’s and took his rough
hand in hers.
“Listen at the cryin’ of poor Mrs. Murphy,” she said. “’Tis an awful
thing for a bit of a bye to be lost in this great big city. If ’twas
our little Phelan, Jawn, I’d be breakin’ me heart.”
Awkwardly Mr. McCaskey withdrew his hand. But he laid it around the
nearing shoulder of his wife.
“’Tis foolishness, of course,” said he, roughly, “but I’d be cut up
some meself if our little Pat was kidnapped or anything. But there
never was any childer for us. Sometimes I’ve been ugly and hard with
ye, Judy. Forget it.”
They leaned together, and looked down at the heart-drama being acted
below.
Long they sat thus. People surged along the sidewalk, crowding,
questioning, filling the air with rumours, and inconsequent surmises.
Mrs. Murphy ploughed back and forth in their midst, like a soft
mountain down which plunged an audible cataract of tears. Couriers came
and went.
Loud voices and a renewed uproar were raised in front of the
boarding-house.
“What’s up now, Judy?” asked Mr. McCaskey.
“’Tis Missis Murphy’s voice,” said Mrs. McCaskey, harking. “She says
she’s after finding little Mike asleep behind the roll of old linoleum
under the bed in her room.”
Mr. McCaskey laughed loudly.
“That’s yer Phelan,” he shouted, sardonically. “Divil a bit would a Pat
have done that trick. If the bye we never had is strayed and stole, by
the powers, call him Phelan, and see him hide out under the bed like a
mangy pup.”
Mrs. McCaskey arose heavily, and went toward the dish closet, with the
corners of her mouth drawn down.
Policeman Cleary came back around the corner as the crowd dispersed.
Surprised, he upturned an ear toward the McCaskey apartment, where the
crash of irons and chinaware and the ring of hurled kitchen utensils
seemed as loud as before. Policeman Cleary took out his timepiece.
“By the deported snakes!” he exclaimed, “Jawn McCaskey and his lady
have been fightin’ for an hour and a quarter by the watch. The missis
could give him forty pounds weight. Strength to his arm.”
Policeman Cleary strolled back around the corner.
Old man Denny folded his paper and hurried up the steps just as Mrs.
Murphy was about to lock the door for the night.
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What happens here
Between Rounds follows boarding-house life, marriage tension, poverty, and a small emotional truce.
Why this scene matters
This story matters because it turns boarding-house life, marriage tension, poverty, and a small emotional truce into a compact public-domain reading lesson about character, perception, and consequences.
Characters in this scene
- The central character: The person whose choice, mistake, or desire drives the short story.
- The city or social setting: The pressure around the character that makes the twist or reversal possible.