Section 9
Chapter 9 — In Which the Red Sea and the Indian Ocean Prove Propitious to the explained simply
Around the World in Eighty Days by Jules Verne
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DESIGNS OF PHILEAS FOGG The distance between Suez and Aden is precisely thirteen hundred and ten miles, and the regulations of the company allow the steamers one hundred and thirty-eight hours in which to traverse it. The “Mongolia,” thanks to the vigorous...
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DESIGNS OF PHILEAS FOGG
The distance between Suez and Aden is precisely thirteen hundred and
ten miles, and the regulations of the company allow the steamers one
hundred and thirty-eight hours in which to traverse it. The “Mongolia,”
thanks to the vigorous exertions of the engineer, seemed likely, so
rapid was her speed, to reach her destination considerably within that
time. The greater part of the passengers from Brindisi were bound for
India some for Bombay, others for Calcutta by way of Bombay, the
nearest route thither, now that a railway crosses the Indian peninsula.
Among the passengers was a number of officials and military officers of
various grades, the latter being either attached to the regular British
forces or commanding the Sepoy troops, and receiving high salaries ever
since the central government has assumed the powers of the East India
Company: for the sub-lieutenants get £280, brigadiers, £2,400, and
generals of divisions, £4,000. What with the military men, a number of
rich young Englishmen on their travels, and the hospitable efforts of
the purser, the time passed quickly on the “Mongolia.” The best of fare
was spread upon the cabin tables at breakfast, lunch, dinner, and the
eight o’clock supper, and the ladies scrupulously changed their toilets
twice a day; and the hours were whirled away, when the sea was
tranquil, with music, dancing, and games.
But the Red Sea is full of caprice, and often boisterous, like most
long and narrow gulfs. When the wind came from the African or Asian
coast the “Mongolia,” with her long hull, rolled fearfully. Then the
ladies speedily disappeared below; the pianos were silent; singing and
dancing suddenly ceased. Yet the good ship ploughed straight on,
unretarded by wind or wave, towards the straits of Bab-el-Mandeb. What
was Phileas Fogg doing all this time? It might be thought that, in his
anxiety, he would be constantly watching the changes of the wind, the
disorderly raging of the billows—every chance, in short, which might
force the “Mongolia” to slacken her speed, and thus interrupt his
journey. But, if he thought of these possibilities, he did not betray
the fact by any outward sign.
Always the same impassible member of the Reform Club, whom no incident
could surprise, as unvarying as the ship’s chronometers, and seldom
having the curiosity even to go upon the deck, he passed through the
memorable scenes of the Red Sea with cold indifference; did not care to
recognise the historic towns and villages which, along its borders,
raised their picturesque outlines against the sky; and betrayed no fear
of the dangers of the Arabic Gulf, which the old historians always
spoke of with horror, and upon which the ancient navigators never
ventured without propitiating the gods by ample sacrifices. How did
this eccentric personage pass his time on the “Mongolia”? He made his
four hearty meals every day, regardless of the most persistent rolling
and pitching on the part of the steamer; and he played whist
indefatigably, for he had found partners as enthusiastic in the game as
himself. A tax-collector, on the way to his post at Goa; the Rev.
Decimus Smith, returning to his parish at Bombay; and a
brigadier-general of the English army, who was about to rejoin his
brigade at Benares, made up the party, and, with Mr. Fogg, played whist
by the hour together in absorbing silence.
As for Passepartout, he, too, had escaped sea-sickness, and took his
meals conscientiously in the forward cabin. He rather enjoyed the
voyage, for he was well fed and well lodged, took a great interest in
the scenes through which they were passing, and consoled himself with
the delusion that his master’s whim would end at Bombay. He was
pleased, on the day after leaving Suez, to find on deck the obliging
person with whom he had walked and chatted on the quays.
“If I am not mistaken,” said he, approaching this person, with his most
amiable smile, “you are the gentleman who so kindly volunteered to
guide me at Suez?”
“Ah! I quite recognise you. You are the servant of the strange
Englishman—”
“Just so, monsieur—”
“Fix.”
“Monsieur Fix,” resumed Passepartout, “I’m charmed to find you on
board. Where are you bound?”
“Like you, to Bombay.”
“That’s capital! Have you made this trip before?”
“Several times. I am one of the agents of the Peninsular Company.”
“Then you know India?”
“Why yes,” replied Fix, who spoke cautiously.
“A curious place, this India?”
“Oh, very curious. Mosques, minarets, temples, fakirs, pagodas, tigers,
snakes, elephants! I hope you will have ample time to see the sights.”
“I hope so, Monsieur Fix. You see, a man of sound sense ought not to
spend his life jumping from a steamer upon a railway train, and from a
railway train upon a steamer again, pretending to make the tour of the
world in eighty days! No; all these gymnastics, you may be sure, will
cease at Bombay.”
“And Mr. Fogg is getting on well?” asked Fix, in the most natural tone
in the world.
“Quite well, and I too. I eat like a famished ogre; it’s the sea air.”
“But I never see your master on deck.”
“Never; he hasn’t the least curiosity.”
“Do you know, Mr. Passepartout, that this pretended tour in eighty days
may conceal some secret errand—perhaps a diplomatic mission?”
“Faith, Monsieur Fix, I assure you I know nothing about it, nor would I
give half a crown to find out.”
After this meeting, Passepartout and Fix got into the habit of chatting
together, the latter making it a point to gain the worthy man’s
confidence. He frequently offered him a glass of whiskey or pale ale in
the steamer bar-room, which Passepartout never failed to accept with
graceful alacrity, mentally pronouncing Fix the best of good fellows.
Meanwhile the “Mongolia” was pushing forward rapidly; on the 13th,
Mocha, surrounded by its ruined walls whereon date-trees were growing,
was sighted, and on the mountains beyond were espied vast
coffee-fields. Passepartout was ravished to behold this celebrated
place, and thought that, with its circular walls and dismantled fort,
it looked like an immense coffee-cup and saucer. The following night
they passed through the Strait of Bab-el-Mandeb, which means in Arabic
“The Bridge of Tears,” and the next day they put in at Steamer Point,
north-west of Aden harbour, to take in coal. This matter of fuelling
steamers is a serious one at such distances from the coal-mines; it
costs the Peninsular Company some eight hundred thousand pounds a year.
In these distant seas, coal is worth three or four pounds sterling a
ton.
The “Mongolia” had still sixteen hundred and fifty miles to traverse
before reaching Bombay, and was obliged to remain four hours at Steamer
Point to coal up. But this delay, as it was foreseen, did not affect
Phileas Fogg’s programme; besides, the “Mongolia,” instead of reaching
Aden on the morning of the 15th, when she was due, arrived there on the
evening of the 14th, a gain of fifteen hours.
Mr. Fogg and his servant went ashore at Aden to have the passport again
_visaed;_ Fix, unobserved, followed them. The _visa_ procured, Mr. Fogg
returned on board to resume his former habits; while Passepartout,
according to custom, sauntered about among the mixed population of
Somalis, Banyans, Parsees, Jews, Arabs, and Europeans who comprise the
twenty-five thousand inhabitants of Aden. He gazed with wonder upon the
fortifications which make this place the Gibraltar of the Indian Ocean,
and the vast cisterns where the English engineers were still at work,
two thousand years after the engineers of Solomon.
“Very curious, _very_ curious,” said Passepartout to himself, on
returning to the steamer. “I see that it is by no means useless to
travel, if a man wants to see something new.” At six p.m. the
“Mongolia” slowly moved out of the roadstead, and was soon once more on
the Indian Ocean. She had a hundred and sixty-eight hours in which to
reach Bombay, and the sea was favourable, the wind being in the
north-west, and all sails aiding the engine. The steamer rolled but
little, the ladies, in fresh toilets, reappeared on deck, and the
singing and dancing were resumed. The trip was being accomplished most
successfully, and Passepartout was enchanted with the congenial
companion which chance had secured him in the person of the delightful
Fix. On Sunday, October 20th, towards noon, they came in sight of the
Indian coast: two hours later the pilot came on board. A range of hills
lay against the sky in the horizon, and soon the rows of palms which
adorn Bombay came distinctly into view. The steamer entered the road
formed by the islands in the bay, and at half-past four she hauled up
at the quays of Bombay.
Phileas Fogg was in the act of finishing the thirty-third rubber of the
voyage, and his partner and himself having, by a bold stroke, captured
all thirteen of the tricks, concluded this fine campaign with a
brilliant victory.
The “Mongolia” was due at Bombay on the 22nd; she arrived on the 20th.
This was a gain to Phileas Fogg of two days since his departure from
London, and he calmly entered the fact in the itinerary, in the column
of gains.
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What happens here
Chapter 9 — In Which the Red Sea and the Indian Ocean Prove Propitious to the follows travel, time pressure, discipline, risk, global adventure.
Why this scene matters
Chapter 9 — In Which the Red Sea and the Indian Ocean Prove Propitious to the matters because it carries part of Around the World in Eighty Days's larger pattern: travel, time pressure, discipline, risk, global adventure. Reading the situation first makes the public-domain original easier to follow.
Characters in this scene
- Main characters: The people or creatures whose choices carry this part of Around the World in Eighty Days.
- Family or social world: The surrounding relationships, rules, promises, fears, or expectations shaping the action.
- Narrative pressure: The problem, wish, secret, danger, or misunderstanding that keeps the section moving.