Section 9
Chapter 9 — The Ball explained simply
Agnes Grey by Anne Brontë
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"Now, Miss Grey," exclaimed Miss Murray, immediately I entered the schoolroom, after having taken off my outdoor garments, upon returning from my four weeks’ recreation, "Now—shut the door, and sit down, and I’ll tell you all about the ball."
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"Now, Miss Grey," exclaimed Miss Murray, immediately I entered the
schoolroom, after having taken off my outdoor garments, upon returning
from my four weeks’ recreation, "Now—shut the door, and sit down, and
I’ll tell you all about the ball."
"No—damn it, no!" shouted Miss Matilda. "Hold your tongue, can’t ye?
and let me tell her about my new mare—_such_ a splendour, Miss Grey! a
fine blood mare—"
"Do be quiet, Matilda; and let me tell my news first."
"No, no, Rosalie; you’ll be such a damned long time over it—she shall
hear me first—I’ll be hanged if she doesn’t!"
"I’m sorry to hear, Miss Matilda, that you’ve not got rid of that
shocking habit yet."
"Well, I can’t help it: but I’ll never say a wicked word again, if
you’ll only listen to me, and tell Rosalie to hold her confounded
tongue."
Rosalie remonstrated, and I thought I should have been torn in pieces
between them; but Miss Matilda having the loudest voice, her sister at
length gave in, and suffered her to tell her story first: so I was
doomed to hear a long account of her splendid mare, its breeding and
pedigree, its paces, its action, its spirit, &c., and of her own
amazing skill and courage in riding it; concluding with an assertion
that she could clear a five-barred gate "like winking," that papa said
she might hunt the next time the hounds met, and mamma had ordered a
bright scarlet hunting-habit for her.
"Oh, Matilda! what stories you are telling!" exclaimed her sister.
"Well," answered she, no whit abashed, "I know I _could_ clear a
five-barred gate, if I tried, and papa _will_ say I may hunt, and mamma
_will_ order the habit when I ask it."
"Well, now get along," replied Miss Murray; "and do, dear Matilda, try
to be a little more lady-like. Miss Grey, I wish you would tell her not
to use such shocking words; she will call her horse a mare: it is so
inconceivably shocking! and then she uses such dreadful expressions in
describing it: she must have learned it from the grooms. It nearly puts
me into fits when she begins."
"I learned it from papa, you ass! and his jolly friends," said the
young lady, vigorously cracking a hunting-whip, which she habitually
carried in her hand. "I’m as good judge of horseflesh as the best of
’m."
"Well, now get along, you shocking girl! I really shall take a fit if
you go on in such a way. And now, Miss Grey, attend to me; I’m going to
tell you about the ball. You must be dying to hear about it, I know.
Oh, _such_ a ball! You never saw or heard, or read, or dreamt of
anything like it in all your life. The decorations, the entertainment,
the supper, the music were indescribable! and then the guests! There
were two noblemen, three baronets, and five titled ladies, and other
ladies and gentlemen innumerable. The ladies, of course, were of no
consequence to me, except to put me in a good humour with myself, by
showing how ugly and awkward most of them were; and the best, mamma
told me,—the most transcendent beauties among them, were nothing to me.
As for me, Miss Grey—I’m so _sorry_ you didn’t see me! I was
_charming_—wasn’t I, Matilda?"
"Middling."
"No, but I really was—at least so mamma said—and Brown and Williamson.
Brown said she was sure no gentleman could set eyes on me without
falling in love that minute; and so I may be allowed to be a little
vain. I know you think me a shocking, conceited, frivolous girl; but
then, you know, I don’t attribute it _all_ to my personal attractions:
I give some praise to the hairdresser, and some to my exquisitely
lovely dress—you must see it to-morrow—white gauze over pink satin—and
so _sweetly_ made! and a necklace and bracelet of beautiful, large
pearls!"
"I have no doubt you looked very charming: but should that delight you
so very much?"
"Oh, no!—not that alone: but, then, I was so much admired; and I made
so _many_ conquests in that one night—you’d be astonished to hear—"
"But what good will they do you?"
"What good! Think of any woman asking that!"
"Well, I should think one conquest would be enough; and too much,
unless the subjugation were mutual."
"Oh, but you know I never agree with you on those points. Now, wait a
bit, and I’ll tell you my principal admirers—those who made themselves
very conspicuous that night and after: for I’ve been to two parties
since. Unfortunately the two noblemen, Lord G—— and Lord F——, were
married, or I might have condescended to be particularly gracious to
_them_; as it was, I did not: though Lord F——, who hates his wife, was
evidently much struck with me. He asked me to dance with him twice—he
is a charming dancer, by-the-by, and so am I: you can’t think how well
I did—I was astonished at myself. My lord was very complimentary
too—rather too much so in fact—and I thought proper to be a little
haughty and repellent; but I had the pleasure of seeing his nasty,
cross wife ready to perish with spite and vexation—"
"Oh, Miss Murray! you don’t mean to say that such a thing could really
give you pleasure? However cross or—"
"Well, I know it’s very wrong;—but never mind! I mean to be good some
time—only don’t preach now, there’s a good creature. I haven’t told you
half yet. Let me see. Oh! I was going to tell you how many
unmistakeable admirers I had:—Sir Thomas Ashby was one,—Sir Hugh
Meltham and Sir Broadley Wilson are old codgers, only fit companions
for papa and mamma. Sir Thomas is young, rich, and gay; but an ugly
beast, nevertheless: however, mamma says I should not mind that after a
few months’ acquaintance. Then, there was Henry Meltham, Sir Hugh’s
younger son; rather good-looking, and a pleasant fellow to flirt with:
but _being_ a younger son, that is all he is good for; then there was
young Mr. Green, rich enough, but of no family, and a great stupid
fellow, a mere country booby! and then, our good rector, Mr. Hatfield:
an _humble_ admirer he ought to consider himself; but I fear he has
forgotten to number humility among his stock of Christian virtues."
"Was Mr. Hatfield at the ball?"
"Yes, to be sure. Did you think he was too good to go?"
"I thought be might consider it unclerical."
"By no means. He did not profane his cloth by dancing; but it was with
difficulty he could refrain, poor man: he looked as if he were dying to
ask my hand just for _one_ set; and—oh! by-the-by—he’s got a new
curate: that seedy old fellow Mr. Bligh has got his long-wished-for
living at last, and is gone."
"And what is the new one like?"
"Oh, _such_ a beast! Weston his name is. I can give you his description
in three words—an insensate, ugly, stupid blockhead. That’s four, but
no matter—enough of _him_ now."
Then she returned to the ball, and gave me a further account of her
deportment there, and at the several parties she had since attended;
and further particulars respecting Sir Thomas Ashby and Messrs.
Meltham, Green, and Hatfield, and the ineffaceable impression she had
wrought upon each of them.
"Well, which of the four do you like best?" said I, suppressing my
third or fourth yawn.
"I detest them all!" replied she, shaking her bright ringlets in
vivacious scorn.
"That means, I suppose, ’I like them all’—but which most?"
"No, I really detest them all; but Harry Meltham is the handsomest and
most amusing, and Mr. Hatfield the cleverest, Sir Thomas the wickedest,
and Mr. Green the most stupid. But the one I’m to have, I suppose, if
I’m doomed to have any of them, is Sir Thomas Ashby."
"Surely not, if he’s so wicked, and if you dislike him?"
"Oh, I don’t mind his being wicked: he’s all the better for that; and
as for disliking him—I shouldn’t greatly object to being Lady Ashby of
Ashby Park, if I must marry. But if I could be always young, I would be
always single. I should like to enjoy myself thoroughly, and coquet
with all the world, till I am on the verge of being called an old maid;
and then, to escape the infamy of that, after having made ten thousand
conquests, to break all their hearts save one, by marrying some
high-born, rich, indulgent husband, whom, on the other hand, fifty
ladies were dying to have."
"Well, as long as you entertain these views, keep single by all means,
and never marry at all: not even to escape the infamy of
old-maidenhood."
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What happens here
Chapter 9 — The Ball continues Agnes Grey, focusing on work, class, education, conscience, loneliness, patience, and moral growth. The chapter moves the reader through a specific pressure, choice, or change in the story.
Why this scene matters
This section matters because it shows one part of Agnes Grey's larger pattern: work, class, education, conscience, loneliness, patience, and moral growth. Reading the situation first makes the older prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Agnes Grey.
- Family or social world: The relationships, class pressures, rules, or expectations shaping the chapter.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps this section moving.