Section 16
Chapter 16 — The Substitution explained simply
Agnes Grey by Anne Brontë
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Next Sunday was one of the gloomiest of April days—a day of thick, dark clouds, and heavy showers. None of the Murrays were disposed to attend church in the afternoon, excepting Rosalie: she was bent upon going as usual; so she ordered the carriage, and I went with her: nothing loth, of course, for...
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Next Sunday was one of the gloomiest of April days—a day of thick, dark
clouds, and heavy showers. None of the Murrays were disposed to attend
church in the afternoon, excepting Rosalie: she was bent upon going as
usual; so she ordered the carriage, and I went with her: nothing loth,
of course, for at church I might look without fear of scorn or censure
upon a form and face more pleasing to me than the most beautiful of
God’s creations; I might listen without disturbance to a voice more
charming than the sweetest music to my ears; I might seem to hold
communion with that soul in which I felt so deeply interested, and
imbibe its purest thoughts and holiest aspirations, with no alloy to
such felicity except the secret reproaches of my conscience, which
would too often whisper that I was deceiving my own self, and mocking
God with the service of a heart more bent upon the creature than the
Creator.
Sometimes, such thoughts would give me trouble enough; but sometimes I
could quiet them with thinking—it is not the man, it is his goodness
that I love. "Whatsoever things are pure, whatsoever things are lovely,
whatsoever things are honest and of good report, think on these
things." We do well to worship God in His works; and I know none of
them in which so many of His attributes—so much of His own spirit
shines, as in this His faithful servant; whom to know and not to
appreciate, were obtuse insensibility in me, who have so little else to
occupy my heart.
Almost immediately after the conclusion of the service, Miss Murray
left the church. We had to stand in the porch, for it was raining, and
the carriage was not yet come. I wondered at her coming forth so
hastily, for neither young Meltham nor Squire Green was there; but I
soon found it was to secure an interview with Mr. Weston as he came
out, which he presently did. Having saluted us both, he would have
passed on, but she detained him; first with observations upon the
disagreeable weather, and then with asking if he would be so kind as to
come some time to-morrow to see the granddaughter of the old woman who
kept the porter’s lodge, for the girl was ill of a fever, and wished to
see him. He promised to do so.
"And at what time will you be most likely to come, Mr. Weston? The old
woman will like to know when to expect you—you know such people think
more about having their cottages in order when decent people come to
see them than we are apt to suppose."
Here was a wonderful instance of consideration from the thoughtless
Miss Murray. Mr. Weston named an hour in the morning at which he would
endeavour to be there. By this time the carriage was ready, and the
footman was waiting, with an open umbrella, to escort Miss Murray
through the churchyard. I was about to follow; but Mr. Weston had an
umbrella too, and offered me the benefit of its shelter, for it was
raining heavily.
"No, thank you, I don’t mind the rain," I said. I always lacked common
sense when taken by surprise.
"But you don’t _like_ it, I suppose?—an umbrella will do you no harm at
any rate," he replied, with a smile that showed he was not offended; as
a man of worse temper or less penetration would have been at such a
refusal of his aid. I could not deny the truth of his assertion, and so
went with him to the carriage; he even offered me his hand on getting
in: an unnecessary piece of civility, but I accepted that too, for fear
of giving offence. One glance he gave, one little smile at parting—it
was but for a moment; but therein I read, or thought I read, a meaning
that kindled in my heart a brighter flame of hope than had ever yet
arisen.
"I would have sent the footman back for you, Miss Grey, if you’d waited
a moment—you needn’t have taken Mr. Weston’s umbrella," observed
Rosalie, with a very unamiable cloud upon her pretty face.
"I would have come without an umbrella, but Mr. Weston offered me the
benefit of his, and I could not have refused it more than I did without
offending him," replied I, smiling placidly; for my inward happiness
made that amusing, which would have wounded me at another time.
The carriage was now in motion. Miss Murray bent forwards, and looked
out of the window as we were passing Mr. Weston. He was pacing
homewards along the causeway, and did not turn his head.
"Stupid ass!" cried she, throwing herself back again in the seat. "You
don’t know what you’ve lost by not looking this way!"
"What has he lost?"
"A bow from me, that would have raised him to the seventh heaven!"
I made no answer. I saw she was out of humour, and I derived a secret
gratification from the fact, not that she was vexed, but that she
thought she had reason to be so. It made me think my hopes were not
entirely the offspring of my wishes and imagination.
"I mean to take up Mr. Weston instead of Mr. Hatfield," said my
companion, after a short pause, resuming something of her usual
cheerfulness. "The ball at Ashby Park takes place on Tuesday, you know;
and mamma thinks it very likely that Sir Thomas will propose to me
then: such things are often done in the privacy of the ball-room, when
gentlemen are most easily ensnared, and ladies most enchanting. But if
I am to be married so soon, I must make the best of the present time: I
am determined Hatfield shall not be the only man who shall lay his
heart at my feet, and implore me to accept the worthless gift in vain."
"If you mean Mr. Weston to be one of your victims," said I, with
affected indifference, "you will have to make such overtures yourself
that you will find it difficult to draw back when he asks you to fulfil
the expectations you have raised."
"I don’t suppose he will ask me to marry him, nor should I desire it:
that would be rather too much presumption! but I intend him to feel my
power. He has felt it already, indeed: but he shall _acknowledge_ it
too; and what visionary hopes he may have, he must keep to himself, and
only amuse me with the result of them—for a time."
"Oh! that some kind spirit would whisper those words in his ear," I
inwardly exclaimed. I was far too indignant to hazard a reply to her
observation aloud; and nothing more was said about Mr. Weston that day,
by me or in my hearing. But next morning, soon after breakfast, Miss
Murray came into the schoolroom, where her sister was employed at her
studies, or rather her lessons, for studies they were not, and said,
"Matilda, I want you to take a walk with me about eleven o’clock."
"Oh, I can’t, Rosalie! I have to give orders about my new bridle and
saddle-cloth, and speak to the rat-catcher about his dogs: Miss Grey
must go with you."
"No, I want you," said Rosalie; and calling her sister to the window,
she whispered an explanation in her ear; upon which the latter
consented to go.
I remembered that eleven was the hour at which Mr. Weston proposed to
come to the porter’s lodge; and remembering that, I beheld the whole
contrivance. Accordingly, at dinner, I was entertained with a long
account of how Mr. Weston had overtaken them as they were walking along
the road; and how they had had a long walk and talk with him, and
really found him quite an agreeable companion; and how he must have
been, and evidently was, delighted with them and their amazing
condescension, &c. &c.
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What happens here
Chapter 16 — The Substitution continues Agnes Grey, focusing on work, class, education, conscience, loneliness, patience, and moral growth. The chapter moves the reader through a specific pressure, choice, or change in the story.
Why this scene matters
This section matters because it shows one part of Agnes Grey's larger pattern: work, class, education, conscience, loneliness, patience, and moral growth. Reading the situation first makes the older prose easier to follow.
Characters in this scene
- Main characters: The people whose choices carry this part of Agnes Grey.
- Family or social world: The relationships, class pressures, rules, or expectations shaping the chapter.
- Narrative pressure: The conflict, secret, desire, or consequence that keeps this section moving.