Section 1
A Newspaper Story explained simply
A Newspaper Story by O. Henry
Original excerpt
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At 8 A. M. it lay on Giuseppi’s news-stand, still damp from the presses. Giuseppi, with the cunning of his ilk, philandered on the opposite corner, leaving his patrons to help themselves, no doubt on a theory related to the hypothesis of the watched pot. This particular newspa...
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At 8 A. M. it lay on Giuseppi’s news-stand, still damp from the
presses. Giuseppi, with the cunning of his ilk, philandered on the
opposite corner, leaving his patrons to help themselves, no doubt on a
theory related to the hypothesis of the watched pot.
This particular newspaper was, according to its custom and design, an
educator, a guide, a monitor, a champion and a household counsellor and
_vade mecum_.
From its many excellencies might be selected three editorials. One was
in simple and chaste but illuminating language directed to parents and
teachers, deprecating corporal punishment for children.
Another was an accusive and significant warning addressed to a
notorious labour leader who was on the point of instigating his clients
to a troublesome strike.
The third was an eloquent demand that the police force be sustained and
aided in everything that tended to increase its efficiency as public
guardians and servants.
Besides these more important chidings and requisitions upon the store
of good citizenship was a wise prescription or form of procedure laid
out by the editor of the heart-to-heart column in the specific case of
a young man who had complained of the obduracy of his lady love,
teaching him how he might win her.
Again, there was, on the beauty page, a complete answer to a young lady
inquirer who desired admonition toward the securing of bright eyes,
rosy cheeks and a beautiful countenance.
One other item requiring special cognizance was a brief “personal,”
running thus:
DEAR JACK:—Forgive me. You were right. Meet me corner Madison and —th
at 8.30 this morning. We leave at noon.
PENITENT.
At 8 o’clock a young man with a haggard look and the feverish gleam of
unrest in his eye dropped a penny and picked up the top paper as he
passed Giuseppi’s stand. A sleepless night had left him a late riser.
There was an office to be reached by nine, and a shave and a hasty cup
of coffee to be crowded into the interval.
He visited his barber shop and then hurried on his way. He pocketed his
paper, meditating a belated perusal of it at the luncheon hour. At the
next corner it fell from his pocket, carrying with it his pair of new
gloves. Three blocks he walked, missed the gloves and turned back
fuming.
Just on the half-hour he reached the corner where lay the gloves and
the paper. But he strangely ignored that which he had come to seek. He
was holding two little hands as tightly as ever he could and looking
into two penitent brown eyes, while joy rioted in his heart.
“Dear Jack,” she said, “I knew you would be here on time.”
“I wonder what she means by that,” he was saying to himself; “but it’s
all right, it’s all right.”
A big wind puffed out of the west, picked up the paper from the
sidewalk, opened it out and sent it flying and whirling down a side
street. Up that street was driving a skittish bay to a spider-wheel
buggy, the young man who had written to the heart-to-heart editor for a
recipe that he might win her for whom he sighed.
The wind, with a prankish flurry, flapped the flying newspaper against
the face of the skittish bay. There was a lengthened streak of bay
mingled with the red of running gear that stretched itself out for four
blocks. Then a water-hydrant played its part in the cosmogony, the
buggy became matchwood as foreordained, and the driver rested very
quietly where he had been flung on the asphalt in front of a certain
brownstone mansion.
They came out and had him inside very promptly. And there was one who
made herself a pillow for his head, and cared for no curious eyes,
bending over and saying, “Oh, it was you; it was you all the time,
Bobby! Couldn’t you see it? And if you die, why, so must I, and—”
But in all this wind we must hurry to keep in touch with our paper.
Policeman O’Brine arrested it as a character dangerous to traffic.
Straightening its dishevelled leaves with his big, slow fingers, he
stood a few feet from the family entrance of the Shandon Bells Café.
One headline he spelled out ponderously: “The Papers to the Front in a
Move to Help the Police.”
But, whisht! The voice of Danny, the head bartender, through the crack
of the door: “Here’s a nip for ye, Mike, ould man.”
Behind the widespread, amicable columns of the press Policeman O’Brine
receives swiftly his nip of the real stuff. He moves away, stalwart,
refreshed, fortified, to his duties. Might not the editor man view with
pride the early, the spiritual, the literal fruit that had blessed his
labours.
Policeman O’Brine folded the paper and poked it playfully under the arm
of a small boy that was passing. That boy was named Johnny, and he took
the paper home with him. His sister was named Gladys, and she had
written to the beauty editor of the paper asking for the practicable
touchstone of beauty. That was weeks ago, and she had ceased to look
for an answer. Gladys was a pale girl, with dull eyes and a
discontented expression. She was dressing to go up to the avenue to get
some braid. Beneath her skirt she pinned two leaves of the paper Johnny
had brought. When she walked the rustling sound was an exact imitation
of the real thing.
On the street she met the Brown girl from the flat below and stopped to
talk. The Brown girl turned green. Only silk at $5 a yard could make
the sound that she heard when Gladys moved. The Brown girl, consumed by
jealousy, said something spiteful and went her way, with pinched lips.
Gladys proceeded toward the avenue. Her eyes now sparkled like
jagerfonteins. A rosy bloom visited her cheeks; a triumphant, subtle,
vivifying, smile transfigured her face. She was beautiful. Could the
beauty editor have seen her then! There was something in her answer in
the paper, I believe, about cultivating kind feelings toward others in
order to make plain features attractive.
The labour leader against whom the paper’s solemn and weighty editorial
injunction was laid was the father of Gladys and Johnny. He picked up
the remains of the journal from which Gladys had ravished a cosmetic of
silken sounds. The editorial did not come under his eye, but instead it
was greeted by one of those ingenious and specious puzzle problems that
enthrall alike the simpleton and the sage.
The labour leader tore off half of the page, provided himself with
table, pencil and paper and glued himself to his puzzle.
Three hours later, after waiting vainly for him at the appointed place,
other more conservative leaders declared and ruled in favour of
arbitration, and the strike with its attendant dangers was averted.
Subsequent editions of the paper referred, in coloured inks, to the
clarion tone of its successful denunciation of the labour leader’s
intended designs.
The remaining leaves of the active journal also went loyally to the
proving of its potency.
When Johnny returned from school he sought a secluded spot and removed
the missing columns from the inside of his clothing, where they had
been artfully distributed so as to successfully defend such areas as
are generally attacked during scholastic castigations. Johnny attended
a private school and had had trouble with his teacher. As has been
said, there was an excellent editorial against corporal punishment in
that morning’s issue, and no doubt it had its effect.
After this can any one doubt the power of the press?
XIX
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What happens here
A Newspaper Story follows ordinary life, coincidence, money or love, and an ironic turn at the end.
Why this scene matters
This story matters because it turns ordinary life, coincidence, money or love, and an ironic turn at the end into a short public-domain reading experience that is easier to understand when the plot is explained plainly first.
Characters in this scene
- The central character: The person whose hope, money, disguise, or mistake drives the story.
- The ironic turn: The coincidence or reversal that changes the meaning of the situation.